The ADgenda: cold, dead-eyed Kooples

The week's oddest advert.

We've all heard that sex sells. Well, so does shared catatonic boredom if The Kooples adverts are anything to go by. You're sure to have seen them adorning the sides of buses in cities across the country - the hollow-eyed, sullen slouchers who represent a brand with a smugger than smug outlook on life.  The Kooples rely on the assumption that you spend your days coordinating outfits with the ultimate accessory, your impeccably dressed girlfriend/boyfriend. These Kooples also inhabit a strange world where same sex and mixed race relationships are non-existent and women are in thrall to their talented men – Cantona balancing a ball and blondie slouching on his BMX like an oversized child while their girlfriends stand idly by. 

The tagline declares something along the lines of "Stefano and Arietty have been together for five years" – each of those years cooler, hipper and more fashion savvy than the last. No morning breath, snoring, shout-whisper arguments in public places for them. No, the Kooples are here to show us that our aspirations are futile, however hard you strive you will never be as achingly beautiful a unit as these ethereal beings. 

Evidenced by the cool £87m they notched up last year, it seems a few of us are buying into this message. Walk past any of their stores and you're sure to see either an awkward looking couple dubiously eyeing the his'n'hers leather get-up, or a nervously determined singleton, head held high, weathering the "This is not for you" disdain that the brand so effortlessly oozes. Never has an advertising campaign delivered such a hefty kick in the teeth to all singletons, or to the ultimate sinners – a sartorially clashing twosome. Nothing says "relationship on the rocks" like a bomber jacket boy strolling next to a flowery dress girl. God forbid. 

It's hard to imagine daily reality for these impeccably turned-out twosomes. Dinner at a restaurant would resound with the clinking of cutlery – the universal sign for awkward social occasions.  Polite enquiries would be met with bizarre self-satisfaction: "How did you two meet?", "Well, I noticed that the angle of his cheekbones perfectly complemented the shade of my suede trousers and I knew he was 'the one'".  

The Kooples business model revolves around disdain – tapping into that primal need for approval hardwired into our systems since school days spent hankering to be one of the cool kids, left wanting it all the more when our efforts were rewarded with a withering glance. The only difference is now the cool kids seem faintly ridiculous, insistent on our attention as they stare down at us from bus sidings, like precocious children their eyes shout "Look at us! We're the ideal!" To which the average passer-by responds with a bemused acknowledgement. Quick, applaud the beautiful people before they start to stamp their feet. 

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The economics of outrage: Why you haven't seen the end of Katie Hopkins

Her distasteful tweet may have cost her a job at LBC, but this isn't the last we've seen of Britain's biggest troll. 

Another atrocity, other surge of grief and fear, and there like clockwork was the UK’s biggest troll. Hours after the explosion at the Manchester Arena that killed 22 mostly young and female concert goers, Katie Hopkins weighed in with a very on-brand tweet calling for a “final solution” to the complex issue of terrorism.

She quickly deleted it, replacing the offending phrase with the words “true solution”, but did not tone down the essentially fascist message. Few thought it had been an innocent mistake on the part of someone unaware of the historical connotations of those two words.  And no matter how many urged their fellow web users not to give Hopkins the attention she craved, it still sparked angry tweets, condemnatory news articles and even reports to the police.

Hopkins has lost her presenting job at LBC radio, but she is yet to lose her column at Mail Online, and it’s quite likely she won’t.

Mail Online and its print counterpart The Daily Mail have regularly shown they are prepared to go down the deliberately divisive path Hopkins was signposting. But even if the site's managing editor Martin Clarke was secretly a liberal sandal-wearer, there are also very good economic reasons for Mail Online to stick with her. The extreme and outrageous is great at gaining attention, and attention is what makes money for Mail Online.

It is ironic that Hopkins’s career was initially helped by TV’s attempts to provide balance. Producers could rely on her to provide a counterweight to even the most committed and rational bleeding-heart liberal.

As Patrick Smith, a former media specialist who is currently a senior reporter at BuzzFeed News points out: “It’s very difficult for producers who are legally bound to be balanced, they will sometimes literally have lawyers in the room.”

“That in a way is why some people who are skirting very close or beyond the bounds of taste and decency get on air.”

But while TV may have made Hopkins, it is online where her extreme views perform best.  As digital publishers have learned, the best way to get the shares, clicks and page views that make them money is to provoke an emotional response. And there are few things as good at provoking an emotional response as extreme and outrageous political views.

And in many ways it doesn’t matter whether that response is negative or positive. Those who complain about what Hopkins says are also the ones who draw attention to it – many will read what she writes in order to know exactly why they should hate her.

Of course using outrageous views as a sales tactic is not confined to the web – The Daily Mail prints columns by Sarah Vine for a reason - but the risks of pushing the boundaries of taste and decency are greater in a linear, analogue world. Cancelling a newspaper subscription or changing radio station is a simpler and often longer-lasting act than pledging to never click on a tempting link on Twitter or Facebook. LBC may have had far more to lose from sticking with Hopkins than Mail Online does, and much less to gain. Someone prepared to say what Hopkins says will not be out of work for long. 

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