The ADgenda: cold, dead-eyed Kooples

The week's oddest advert.

We've all heard that sex sells. Well, so does shared catatonic boredom if The Kooples adverts are anything to go by. You're sure to have seen them adorning the sides of buses in cities across the country - the hollow-eyed, sullen slouchers who represent a brand with a smugger than smug outlook on life.  The Kooples rely on the assumption that you spend your days coordinating outfits with the ultimate accessory, your impeccably dressed girlfriend/boyfriend. These Kooples also inhabit a strange world where same sex and mixed race relationships are non-existent and women are in thrall to their talented men – Cantona balancing a ball and blondie slouching on his BMX like an oversized child while their girlfriends stand idly by. 

The tagline declares something along the lines of "Stefano and Arietty have been together for five years" – each of those years cooler, hipper and more fashion savvy than the last. No morning breath, snoring, shout-whisper arguments in public places for them. No, the Kooples are here to show us that our aspirations are futile, however hard you strive you will never be as achingly beautiful a unit as these ethereal beings. 

Evidenced by the cool £87m they notched up last year, it seems a few of us are buying into this message. Walk past any of their stores and you're sure to see either an awkward looking couple dubiously eyeing the his'n'hers leather get-up, or a nervously determined singleton, head held high, weathering the "This is not for you" disdain that the brand so effortlessly oozes. Never has an advertising campaign delivered such a hefty kick in the teeth to all singletons, or to the ultimate sinners – a sartorially clashing twosome. Nothing says "relationship on the rocks" like a bomber jacket boy strolling next to a flowery dress girl. God forbid. 

It's hard to imagine daily reality for these impeccably turned-out twosomes. Dinner at a restaurant would resound with the clinking of cutlery – the universal sign for awkward social occasions.  Polite enquiries would be met with bizarre self-satisfaction: "How did you two meet?", "Well, I noticed that the angle of his cheekbones perfectly complemented the shade of my suede trousers and I knew he was 'the one'".  

The Kooples business model revolves around disdain – tapping into that primal need for approval hardwired into our systems since school days spent hankering to be one of the cool kids, left wanting it all the more when our efforts were rewarded with a withering glance. The only difference is now the cool kids seem faintly ridiculous, insistent on our attention as they stare down at us from bus sidings, like precocious children their eyes shout "Look at us! We're the ideal!" To which the average passer-by responds with a bemused acknowledgement. Quick, applaud the beautiful people before they start to stamp their feet. 

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Let's face it: supporting Spurs is basically a form of charity

Now, for my biggest donation yet . . .

I gazed in awe at the new stadium, the future home of Spurs, wondering where my treasures will go. It is going to be one of the architectural wonders of the modern world (football stadia division), yet at the same time it seems ancient, archaic, a Roman ruin, very much like an amphitheatre I once saw in Croatia. It’s at the stage in a new construction when you can see all the bones and none of the flesh, with huge tiers soaring up into the sky. You can’t tell if it’s going or coming, a past perfect ruin or a perfect future model.

It has been so annoying at White Hart Lane this past year or so, having to walk round walkways and under awnings and dodge fences and hoardings, losing all sense of direction. Millions of pounds were being poured into what appeared to be a hole in the ground. The new stadium will replace part of one end of the present one, which was built in 1898. It has been hard not to be unaware of what’s going on, continually asking ourselves, as we take our seats: did the earth move for you?

Now, at long last, you can see what will be there, when it emerges from the scaffolding in another year. Awesome, of course. And, har, har, it will hold more people than Arsenal’s new home by 1,000 (61,000, as opposed to the puny Emirates, with only 60,000). At each home game, I am thinking about the future, wondering how my treasures will fare: will they be happy there?

No, I don’t mean Harry Kane, Danny Rose and Kyle Walker – local as well as national treasures. Not many Prem teams these days can boast quite as many English persons in their ranks. I mean my treasures, stuff wot I have been collecting these past 50 years.

About ten years ago, I went to a shareholders’ meeting at White Hart Lane when the embryonic plans for the new stadium were being announced. I stood up when questions were called for and asked the chairman, Daniel Levy, about having a museum in the new stadium. I told him that Man United had made £1m the previous year from their museum. Surely Spurs should make room for one in the brave new mega-stadium – to show off our long and proud history, delight the fans and all those interested in football history and make a few bob.

He mumbled something – fluent enough, as he did go to Cambridge – but gave nothing away, like the PM caught at Prime Minister’s Questions with an unexpected question.

But now it is going to happen. The people who are designing the museum are coming from Manchester to look at my treasures. They asked for a list but I said, “No chance.” I must have 2,000 items of Spurs memorabilia. I could be dead by the time I finish listing them. They’ll have to see them, in the flesh, and then they’ll be free to take away whatever they might consider worth having in the new museum.

I’m awfully kind that way, partly because I have always looked on supporting Spurs as a form of charity. You don’t expect any reward. Nor could you expect a great deal of pleasure, these past few decades, and certainly not the other day at Liverpool when they were shite. But you do want to help them, poor things.

I have been downsizing since my wife died, and since we sold our Loweswater house, and I’m now clearing out some of my treasures. I’ve donated a very rare Wordsworth book to Dove Cottage, five letters from Beatrix Potter to the Armitt Library in Ambleside, and handwritten Beatles lyrics to the British Library. If Beckham and I don’t get a knighthood in the next honours list, I will be spitting.

My Spurs stuff includes programmes going back to 1910, plus recent stuff like the Opus book, that monster publication, about the size of a black cab. Limited editions cost £8,000 a copy in 2007. I got mine free, as I did the introduction and loaned them photographs. I will be glad to get rid of it. It’s blocking the light in my room.

Perhaps, depending on what they want, and they might take nothing, I will ask for a small pourboire in return. Two free tickets in the new stadium. For life. Or longer . . . 

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times