Modernism still matters

Writers such as T S Eliot and Samuel Beckett worked in synchrony with continental Europeans

Writers such as T S Eliot and Samuel Beckett worked in synchrony with continental Europeans such as Thomas Mann and Franz Kafka, pushing against the limitations of art. Why have English-language writers turned away from this challenge?

One of the minor themes of my latest book, Whatever Happened to Modernism?, is that a grave problem with cultural life in Britain today is how all issues are reduced to a question of personalities. I learned just how true this is when, shortly before the book came out, the Guardian published an article that was ostensibly about it but which, in fact, was only about personalities (in this instance, Salman Rushdie, Ian McEwan and Julian Barnes). The journalist who wrote it found a few sentences in one chapter of a 200-page book, wrenched them from their context and, on the basis of three telephone conversations with me, passed the whole thing off as an interview. Following the appearance of the article, I was rung up by the Evening Standard and Radio 4's PM programme and emailed by Newsnight - all of which wanted me to "elaborate" on what I had apparently said in the Guardian. When I pointed out that I had not said those things and that I would talk to them only if they gave me the chance to set the record straight (and not discuss personalities), they lost interest. So it goes, as Kurt Vonnegut's narrator says. I am grateful to the New Statesman for giving me the chance to explain what I was trying to do in the book.

I wrote it in the first place to try to make sense of a problem that had long puzzled me: why was it that works of literature such as the poems of T S Eliot, the stories of Kafka and Borges, the novels of Proust, Mann, Claude Simon and Thomas Bernhard seemed worlds apart from those admired by the English literary establishment (works by writers such as Margaret Atwood, John Updike, Martin Amis and Ian McEwan)? The first group touched me to the core, leading me into the depths of myself even as they led me out into worlds I did not know. The latter were well-written narratives that, once I'd read them, I had no wish ever to reread. Was it my fault? Was I in some way unable to enter into the spirit of these works? Or did they belong to a kind of writing that was clearly to the taste of the English public but not to mine?

There was another problem: no composer would dream of writing like Tchaikovsky today, except in an ironic manner; no painter today would dream of painting like Sargent, except in an ironic manner; yet novelists writing in English seemed to want to write like the Victorians and the Edwardians. Others might object that literature is simply different from the other arts and it is absurd to compare them. But then why did I feel that there were profound affinities between Eliot and Picasso, Proust and Bonnard, Simon and Cézanne? Were Eliot and Proust really in thrall to the debilitating idea that they should be modern at all costs? No one who has responded to them could ever imagine this to be the case. Yet critics and reviewers who paid lip-service to Eliot and Proust seemed to fail utterly to see that to take their work seriously meant asking questions about the bulk of current English writing that were simply never asked. Even writers such as William Golding and Muriel Spark, whose work gave me the same thrill
as the one I got from Marguerite Duras and Milan Kundera, were treated as the quirky authors of books about children, shipwrecks and eccentric schoolteachers.

It had not always been like that. When I first came to England in the late 1950s, it was a reviewer in the Observer, Philip Toynbee, who alerted me to the novels of Claude Simon. It was in the pages of Encounter that I first came across the stories of Borges. The back pages of the Listener and the New Statesman were alive with critics familiar with European culture and with a wide historical grasp: John Berger, David Drew and Wilfrid Mellers, among others. By the early 1990s, Encounter and the Listener had gone, to be replaced by three-for-the-price-of-two creative writing courses and literary festivals. What had happened to literary modernism in this country? How did it expire like this, without leaving a trace?

To answer this question, it was necessary to show that modernism was not a "movement", like mannerism, or the name of a period. Like Romanticism, it is multifaceted and ambiguous. And it didn't begin in 1880 and end in 1930. Modernism, whenever it began, will always be with us, for it is not primarily a revolution in diction, or a response to indus­trialisation or the First World War, but is art coming to a consciousness of its limitations and responsibilities.

The principal issue is that of authority. Shelley talked of poets being the "unacknowledged legislators" of the world and the prophetic strand of Romanticism did, indeed, see the artist as inspired and authoritative. Modernism can be seen as a reaction to this and a recognition that the artist is no different from the rest of us. "I am no prophet," says Eliot's Prufrock, and "here's no great matter". Marcel Duchamp spelled out the implications:

The word "art", etymologically speaking, means to make, simply to make. Now what is making? Making something is choosing a tube of blue, a tube of red, putting some of it on the palette, and always choosing the quality of blue, the quality of red, and always choosing the place to put it on canvas, always choosing.

If that is so, why not take a lavatory bowl, isolate it from its normal context, give it a title and, hey presto, it's art! Not all artists were as bold as Duchamp, but every modern artist has had, somehow or other, to come to terms with what he did. Kafka got it, but not Max Brod. Walter Benjamin got it, but not, for all his great gifts, William Empson. Simon got it, but not Irène Némirovsky. Tom Stoppard got it, but not John Osborne.

Alongside the prophetic strand of Romanticism, there runs another: despair at the thought of having come too late, of having only ruins to contemplate, of recognising that the voice of the nightingale can be heard only fleetingly, if at all. That, it would seem, is where the origins of modernism are to be located. But the coming of modernism is like the rise of the bourgeoisie - the closer you look, the further into the distance it recedes.

If, for the Romantics, Shakespeare and Milton were gigantic figures they could not hope to emulate, for some artists in the Renaissance their own age had already lost contact with authority. Albrecht Dürer sums this up in his two parallel engravings of 1514 Saint Jerome in His Study and Melencolia I. The former shows us the saint who gave the Latin west its Bible, at ease within tradition, working away peacefully in his room. The latter shows us a figure many modern artists have identified with: a wild-eyed, impotent giantess in a bleak landscape, surrounded by instruments of making, but incapable of making anything because she is unable to connect with any tradition. Rabelais, Cervantes and Sterne later explored this pre­dicament in comic style and, for that reason, they seem to us to be strikingly modern, the true contemporaries of Borges and Beckett.

Thomas Mann understood all this; his wonderful novel Doctor Faustus is an exploration of the paradoxes and depths of the modernist crisis, which, as the title suggests, he locates firmly in the 16th century. Taking our cue from this, we could say that, for Homer, the Muses dictated both the content and the form of what he had to say; for medieval artists such as the sculptors of the great cathedrals, what was to be depicted was determined by the cathedral's clerics, and the forms - the way the beard of Moses or the hand of Christ were to be carved - was given by tradition. This gives medieval art, as both Pound and Proust recognised, an innocence and freedom from ego that both writers felt went missing from European art in the ensuing centuries.

By the 16th century, the consensus on which this was based had disappeared. Though patrons went on giving specific commissions to artists and composers for the next two centuries, artists were becoming increasingly conscious that, from now on, they had to rely only on their imagination. Our culture, which is still in thrall to the individualistic strain in the Renaissance and in Romanticism, welcomed this as a splendid new freedom. More prescient souls, however, sensed what Duchamp would eventually articulate so icily - if every choice is merely the artist's, why is one choice better than any other?

This is what Kafka, Beckett and Borges struggled with: how to escape the conclusion that whatever you do is private self-indulgence. Your work may earn you and your publisher money but, having no authority, it remains nothing more than an object of consumption, like a pair of shoes.
And yet the urge to speak remains. That is what we find with Prufrock, with Hamm in Beckett's Endgame, with Saul Bellow's Henderson. And this combination of the need, which we all have, to speak out our deepest feelings and the recognition that, as soon as the need is expressed, it becomes obvious that it is not what we meant at all is what makes the work of Eliot, Bellow, Beckett and Bernhard so moving. This is what is so signally lacking in the bulk of postwar English novels, which tend to consist of well-plotted tales in the first or third person, in which morality and the convolutions of plot now take the place of authority.

“How many poems he denied himself/In his observant progress, lesser things/Than the relentless contact he desired." So reads Wallace Stevens's poem "The Comedian as the Letter C". Modernism has found many ways of establishing that "relentless contact" with reality: the constant shift from book to world and back in Rabelais and Sterne; the sly reminders in Nabokov and Queneau that we are reading words on a page; the tragic, climactic wrenchings of Golding's Pincher Martin and Rosalind Belben's Our Horses in Egypt.

At those moments, modern art reaches beyond words to that which we share but cannot speak. I find it in the work of writers as diverse as Marguerite Duras, Robert Pinget, Peter Handke, the French-writing Hungarian Agota Kristof, Gert Hofmann and the Israeli Yaakov Shabtai. I rarely find it in the English-language writers of today.

Since the Romantics, English culture has been deeply suspicious of Romantic posturing and some of this suspicion is reasonable - posturing needs to be debunked. But suspicion too easily slides into philistinism and an intolerance of ambiguity and fear of the unknown. We find this in the cultural commentary of Evelyn Waugh (whose early novels I love and admire), Philip Larkin and Kingsley Amis. Unfortunately, it is now so ubiquitous that people no longer have even a glimmer of what has been lost. My book was written in an attempt to reawaken that sense.

Gabriel Josipovici's "Whatever Happened to Modernism?" is published by Yale University Press (£18.99)

This article first appeared in the 06 September 2010 issue of the New Statesman, The Pope on Trial

MOISES SAMAN/MAGNUM
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The price of a life

In 2014, Islamic State fighters murdered thousands of Yazidis and kidnapped many others, mostly women and children. Their desperate relatives are now trying to buy them back.

1. Taken

On the morning of 3 August 2014, a 58-year-old chef known as Abu Majed faced the most agonising decision of his life. Earlier that summer, Islamic State (IS) fighters had overrun vast areas of northern Iraq. Now, they were closing in on the villages and towns that surround Mount Sinjar, a jagged ridge of rock that rises abruptly from the flatlands and extends for tens of kilometres towards the Syrian border. Abu Majed’s village, Khanasur, had few defences and would fall to the militants. How should he protect his family?

A popular, humorous man, Abu Majed learned to cook in Baghdad in the 1970s before returning to Khanasur to open his gazino, an outdoor restaurant where young people liked to gather for grilled meat, beer and whisky among trees strung with fairy lights. He had five children and was fiercely proud of all of them. They were at the top of their classes at school and his two eldest wanted to study medicine. To Abu Majed – who, like almost everyone else in Khanasur, had descended from a long line of subsistence farmers – these ambitions were remarkable.

Abu Majed’s restaurant had been a haven during many turbulent years in Iraq. He kept it open through the repressive reign of Saddam Hussein and during the violence that followed the US-led invasion of Iraq in 2003. But the threat now posed by the jihadists was greater than anything that had come before – especially because the villagers of Khanasur are Yazidis, an isolated and marginalised religious minority that has lived for centuries in north-west Iraq.

Having heard reports of the jihadists’ brutality elsewhere, Abu Majed was certain that IS’s main target would be the Yazidi men. The best option was for his family to split. After sending his wife and four youngest children – then aged between eight and 15 – to shelter with another family in the village, he walked with his eldest son towards Mount Sinjar. Abu Majed was still on the ascent when his phone rang. On the screen, he saw his daughter’s number. “They’ve captured us,” she whispered.

Abu Majed decided to turn back to try to rescue them, accepting that it would probably be a suicide mission. When he and his son arrived the following day in Khanasur, it was deserted. Devastated and distraught, they returned to Mount Sinjar, joining tens of thousands of fellow Yazidis stranded on the summit with no food, clean water or protection from the fierce sun.

They were trapped. The mountain was surrounded by IS fighters who had rampaged through the nearby villages, slaughtering thousands of Yazidis and taking thousands more hostage. Sometimes they gave people the choice between converting to Islam and death; some converted and were murdered anyway.

A few days into the siege, Iraqi and then American, British and Australian military aircraft began dropping food parcels and water on to the mountain. Often they unloaded from a great height to avoid coming under fire from IS militants and the bottles would burst on impact, water seeping into the yellow dust. When the helicopters could fly low enough, dozens of people struggled to climb aboard so that they could be airlifted to safety – but few made it off the mountain that way. Abu Majed and his son saw old people and infants succumb to starvation. “People were saying, ‘We wish we would die here. Maybe they [IS] could just strike us with chemical weapons.’”

On 7 August, four days after Abu Majed fled to Mount Sinjar, the US launched an aerial campaign to break the siege. At the same time, Syrian Kurdish forces known as the People’s Protection Units (YPG) forced a way through IS lines and opened up a humanitarian corridor a week later. On 14 August, a ragged column of people walked down the mountain and across the sun-bleached landscape into Syria. At great risk, Abu Majed and his son slipped back into Khanasur to salvage a few precious family photographs. Then they walked for 14 hours to the Syrian border. There, they hitched a lift in another family’s car to reach Kurdistan, a semi-autonomous region in northern Iraq.

In March, I met Abu Majed in Dohuk, a city of 350,000 people in the fertile mountains of western Kurdistan, where an uneasy peace prevails. At checkpoints evenly spaced along the city’s main tributaries, grim-faced soldiers scrutinise passing drivers with unsettling diligence. There is a feeling of claustrophobia: the memory of IS’s advance is still so recent and the front lines are close.

Abu Majed is short and bald, with a wide moustache and a narrow, drawn face. He cried several times as he told me his story when we met in an empty café, and each time he would stare down at his untouched tea until the tears stopped. Then he would quietly apologise. He lives alone in a camp for internally displaced people (IDPs) in the nearby town of Shariya and cooks for a battalion of Yazidi soldiers. The work is unpaid but it is a distraction from his sense of loss and loneliness. His eldest son, who fled with him to Mount Sinjar, is a boarder at a pharmacy college. The rest of his family are hostages.

Abu Majed last heard from his wife and three youngest children in October 2015, when they borrowed a smuggled phone from a fellow hostage for a few minutes – just long enough to tell him they were still alive and in Tal Afar, an IS-controlled city in north-west Iraq. He had not heard anything from his eldest daughter, Majida, since March 2015. Then, a few weeks before we met, he received a telephone call from a people smuggler.

 

2. The Yazidis

The United Nations estimates that at least 5,000 Yazidis were murdered in August 2014 and between 5,000 and 7,000 were taken hostage. In the months that followed, news began to spread – through hushed phone calls from hostages and the testimony of escapees – of IS’s systematic violence against its Yazidi prisoners. The men and older boys were separated from their relatives and usually killed. Women and children were kept in cramped and filthy conditions, in prisons and old school buildings, where they were deprived of food and water and forced to convert to Islam. Unmarried or younger women and girls were sold into sexual or domestic slavery or given as gifts to fighters. Boys, some as young as eight, were sent to training camps to become jihadists. This January, the UN estimated that 3,500 Yazidis were still in IS captivity.

The IS fighters who brutalise Yazidi boys in training camps or rape and humiliate female slaves have a brutal sense of religious righteousness. A pamphlet released by the group in 2014 instructs that: “It is permissible to buy, sell, or give as a gift female captives and slaves, for they are merely property, which can be disposed of as long as that doesn’t cause [the Muslim community] any harm or damage.” It specifies that it is “permissible” to have “intercourse with the female slave who hasn’t reached puberty”. Should a woman attempt to escape, she should be punished in a manner that “deters others from escaping”.

In March, the US joined the European Parliament in ruling that IS’s crimes against Yazidis constituted genocide. The Yazidis use the word ferman to refer to the atrocity (it is an Ottoman term meaning “royal decree”) and say that throughout their almost 7,000-year history, they have survived scores of attempts to wipe out their people. In 2007, they were the victims of the second most deadly terrorist attack in modern history – after 9/11 – when Sunni militants killed more than 500 people in simultaneous bomb attacks on two Yazidi villages near Sinjar. They describe the events of
August 2014 as the 73rd ferman.

There are perhaps half a million Yazidis, most of whom live in Iraq, though there are smaller communities in Armenia, Georgia, Germany, Russia and Syria. They have historically remained cut off from the rest of society. This is partly because of long-standing discrimination. Under Saddam Hussein, the Yazidis of Sinjar were banned from teaching their own language – Kurmanji, or Northern Kurdish – and in the 1970s, they were displaced from their ancestral farmlands and homes on the mountain and forced into “collective villages”. (Abu Majed’s village of Khanasur is one such settlement.)

Their isolation is also partly through choice. You can only become a Yazidi by birth and Yazidis cannot marry non-believers, or even outside their own caste or sect. They are discouraged from sharing their religious beliefs, which are largely transmitted orally, with outsiders.

One morning, I visited Lalish, the holiest site in the Yazidi religion, to which all followers must make a pilgrimage at least once in their lives. The shrines are built on a hillside, about 30 kilometres south-east of Dohuk. Visitors and pilgrims take off their shoes in the car park, because every stone in Lalish is sacred. There were a few families and young men with selfie sticks but before the ferman Lalish would have been much busier on a fine spring day. The grey stone shrines, with distinctive conical rooftops, are dedicated to Sheikh Adi and his companions. Sheikh Adi was an 11th-century prophet – or, perhaps, a god – who organised Yazidi society into castes: the laymen, called the murids, and their assigned spiritual guides, known as the sheikhs and pirs.

In a courtyard, I met Sheikh Hussein, whose family has looked after Lalish for generations. He has a thick beard and was wearing a red-and-white keffiyeh knotted into a turban and a baggy khaki jacket with matching Kurdish pantaloon trousers. He chain-smoked slim cigarettes. He told me that he believed the ferman was a punishment from God, because Yazidis had grown distant from him. “What happened to Yazidis was because people don’t remember God, but now people remember God,” he said.

The Yazidi God, Melek Taus, takes the form of a peacock. Parallels between Melek Taus and Azazel, or Lucifer – the angel who, according to Jewish, Christian and Islamic tradition, rebelled against God – have contributed to the belief that Yazidis are devil-
worshippers, a slur that has been used throughout history to justify their persecution. Yazidis do not worship the devil, although unlike Christians, Muslims or Jews, they do not believe that God is purely good. If God is omnipotent, they argue, surely he could defeat the devil? The Yazidi God can be angry and cruel.

 

3. The smugglers

When the chef Abu Majed was contacted by the people smuggler, he was initially suspicious. The smuggler was an Arab Muslim from the town of Sinjar, to the south of the mountain, and IS’s massacres have deepened many Yazidis’ mistrust of their Muslim neighbours. Yet his ethnicity and religion were advantageous: the smuggler could move across IS territory without attracting too much attention and could speak to jihadists in their own language, Arabic.

The smuggler told Abu Majed that his eldest daughter was being forced to work as a nurse in a hospital in Raqqa, the IS stronghold in Syria. He offered details that seemed to fit with the little information Abu Majed had gleaned from speaking to former hostages. The smuggler said that for $18,000 he could buy his daughter from IS and bring her home. Abu Majed has decided to trust him. He has no money but told me that when he receives confirmation from the smuggler that the deal with IS has been agreed, he will start “begging” for funds from his relatives, friends, NGOs – anyone who could help him.

With few other options, despairing Yazidis have resorted to dangerous and expensive ways of rescuing their loved ones from IS captivity. Some, such as Abu Majed, try to scrape together tens of thousands of dollars to pay middlemen – many of them Arab Muslims – who promise to buy slaves from IS fighters in order to liberate them. 

Others have placed their faith in another class of hostage smuggler – often fellow Yazidis – who say that they have devised elaborate schemes for rescuing slaves and sneaking them out of the jihadists’ territory. Their networks extend deep into IS-controlled Iraq and Syria but the operations are planned in Iraqi Kurdistan, where tens of thousands of Yazidis are sheltering in sprawling camps.

Sinjar district is nominally part of Iraq but many Kurds believe that it should be part of Iraqi Kurdistan. The Kurdish regional government (KRG) has sought to extend its influence over the area. In November 2014, the KRG set up its “Office of Kidnapped Affairs” in Dohuk to maintain records of missing people, to ensure that survivors receive assistance and to organise hostage rescues. One afternoon, I arrived at the pink villa where the office is based to meet its director, Hussein al-Qaidi, a Yazidi former NGO worker and meat trader.

Al-Qaidi told me that 2,426 Yazidi hostages have been liberated since August 2014, including 1,204 children and 895 women. He said that more than 1,000 of them had been rescued directly by the office, which runs a network of people smugglers able to work within IS territory. A few Yazidis had escaped without help and in the remainder of cases hostages’ families had independently paid a smuggler to bring their relatives home. In these instances, the Office of Kidnapped Affairs refunds the money.

Al-Qaidi would not detail how rescue missions are conducted, saying that this would threaten future operations. Most of the families I spoke to believed that they were making payments to IS to free their loved ones but al-Qaidi insisted that his office never deals with IS operatives directly. “If you believe this money strengthens Da’esh, it’s not true. It does not go to Da’esh fighters,” he said, using the Arabic acronym for IS.

Al-Qaidi said that the Yazidi hostage crisis had created a perverse trade and a group of “war businessmen” who were pushing up the price of smuggling missions. The KRG is the office’s sole funder and its finances are in a desperate state because of the low oil price, the cost of the war against IS and monetary disputes with the Iraqi government. KRG officials and front-line Kurdish fighters – the peshmerga, or “those who face death” – have not been paid for months. Three families I spoke to, who are internally displaced and yet had somehow raised tens of thousands of dollars to pay smugglers, said that they were still waiting for refunds from the office. The smugglers told me that, for months, no government repayments had been made.

When I asked al-Qaidi what he would do if his office could no longer afford rescues, he said that he had a “plan B”, which he could not divulge. He did say, however, that his office was about to make a big announcement. He was working on a rescue mission to save 19 Yazidi hostages and if I called the next day, he might tell me more.
The following afternoon, I visited a Yazidi couple who have become a crucial part of the smuggling chain and sometimes work as volunteers for al-Qaidi’s office. They live in an apartment in an upmarket gated complex in Dohuk. Khaleel al-Dakhi, 38, is a former lawyer, tall and slim with a cool, confident demeanour.

Moments after we met, he held up his smartphone to display the photograph of a beautiful young woman wearing a tight, red T-shirt, with long, fair hair that she had flicked over one shoulder. He waited for a moment, seemingly enjoying my confusion. Then he told me that she was a Yazidi sex slave who had been put on sale for $11,000.

The photo was sent to al-Dakhi by a Yazidi friend who was posing online as an IS fighter in order to buy and liberate hostages. The friend had obtained a password for an internet chat room through which Yazidi slaves are traded. He forwards information on to al-Dakhi, who keeps a record of where women are being held and by whom.

Al-Dakhi and his wife, Ameena Saeed Hasan, are from the same village as Abu Majed but were already living in Dohuk when IS invaded Khanasur. Hasan had worked as an MP in Iraq’s national parliament until just weeks before the Sinjar crisis. In late 2014, her phone rang incessantly as IS hostages called her to plead for help. At first, she focused on gathering information on where hostages were being kept and how they were being treated, which she passed on to the Iraqi government. Then, she realised, “The government didn’t do anything.”

Using Hasan’s political connections and al-Dakhi’s business ones, they were able to mobilise a network of sympathetic Arab Muslims living in IS-controlled parts of Iraq to help them carry out rescues. They, too, were reluctant to discuss their techniques in detail but said in general hostage smuggling works like this: first, the hostage will provide Hasan or al-Dakhi with precise details of their location and their captor’s routines; then, the couple will co-ordinate with their smuggling network to locate a nearby safe house to which the hostage can flee and from where a smuggler can collect them. The hostage will often be passed between several different smugglers, chosen for their ability to blend into the community, and kept in a number of safe houses until they can travel to the IS border. Al-Dakhi liaises with the peshmerga on the front-line checkpoints so that the escapees are allowed into Kurdistan.

He often drives to the border, or even into the militants’ territory, despite the danger. When the women first see him, they sometimes rip off their headscarves, or kneel to kiss the ground, or break into a run. “They’ve been through all these terrible situations. They have suffered so much and in those moments they can’t believe they’ve made it,” al-Dakhi told me.

He is adamant that no money goes to IS. “We don’t buy hostages, we steal them,” he said. He estimates that he and his wife have rescued over 100 women and children, but they say that it is becoming ever harder to carry out a successful mission. IS has split up many groups of hostages. Increasingly the women are on their own and do not have access to a phone. Smugglers are demanding higher payments because of the rising danger. Six smugglers in al-Dakhi’s network have been killed. On one occasion, an IS fighter pretended on the phone to be a young Yazidi boy and then murdered the smuggler sent to rescue him. Another time, a smuggler was killed by a militant who disguised himself as a female hostage by wearing a black niqab.

 

4. Freedom

I contacted the Office of Kidnapped Affairs several times to ask if the rescue of the 19 Yazidis had been successful and each time was asked to call back. Then, I chanced upon the man who brought the hostages home: Abdallah Sherim, a 41-year-old Yazidi who felt compelled to help with rescues after 56 members of his extended family were kidnapped. I met him near Dohuk, in his brightly painted house on a small hill that overlooks Khanke IDP camp, where rows of blue-and-white tarpaulin tents are pitched close together in the churned-up roadside mud.

Sherim used to work as a trader between Sinjar and Aleppo in Syria. When his terrified relatives began to call him from captivity, he contacted his former business associates, who helped him find Syrians he could trust to assist him in carrying out rescue missions. He claimed to have liberated more than 200 Yazidis, including 24 members of his family. He showed me photographs of two nephews he had smuggled home a year earlier. They had since been resettled in Germany and had sent him snaps in their new football kit.

As we spoke, one of his sons turned up the volume on the TV. It was showing Nuce Ezidixan, a Yazidi news hour that is broadcast daily. Just as I was about to ask him to turn the volume down, I saw on the screen al-Qaidi from the kidnapping office – and then Sherim. They were posing next to the 19 liberated hostages: five women and 14 children. Al-Qaidi did not mention on the television, as Sherim later did, that nine of the smugglers involved in the mission had been captured. Nor did he mention the $6,500 per person the rescue had cost, money the families had raised themselves.

One of the 19 hostages rescued by Sherim’s network and then paraded on Yazidi TV was the 25-year-old Jehan (she asked that I did not use her full name). She is tall and broad-shouldered, with a deep, hoarse voice, and was wearing a long, flowery dress and a threadbare brown headscarf. Her hands were tattooed with the words ya allah – “O, God” – over and over. Her name ran up her right forearm in crude Roman capitals and on that hand was also written, el-hurriya, in Arabic script: “freedom”. All the female hostages had inked that same word on to one another’s hands but when her friend had tattooed her arm, six or seven months earlier, Jehan could not imagine what it would feel like to be free.

I spoke to her in the Rwanga IDP camp in western Kurdistan, where she was staying with the uncle who had paid $6,500 for her release. The camp houses as many as 15,500 people in white prefabricated cabins. It was dusk and groups of women squatted outside their front doors, preparing piles of foraged leaves to cook with oil and serve with rice or bread for dinner.

Jehan’s family rose stiffly from the floor when I arrived. Three sides of their single-room cabin were lined with faded mattresses and a neat pile of blankets occupied one corner. It was becoming chilly and we huddled close to a small kerosene stove. Jehan said that since her release, three days earlier, she had been unable to sleep. She could not stop worrying about her four siblings and her mother, who were still missing and believed to be in IS hands.

They were from Kocho, a village that IS did not attack until 15 August 2014, a day after the siege on Mount Sinjar was broken. When the jihadists stormed Kocho, the men were separated from the women and then shot. The UN estimates that up to 700 men and boys were murdered that day. Jehan was taken with other women, girls and infants by bus to the city of Mosul, 150 kilometres away, where she was later sold into “marriage” to an 18-year-old Libyan fighter with ambitions to become a suicide bomber. They lived together in Raqqa for six or seven months. He forced her to say Islamic prayers and made her promise to teach them to her family. In his will, he granted her freedom. According to IS’s religious leaders, if a fighter liberates his slave, he is guaranteed a
place in heaven.

When her “husband” blew himself up on a suicide mission in Syria in mid-2015, Jehan was free to move wherever she wished within IS territory. Perhaps she could even have planned an escape but she did not know then if she had any family to go home to. Instead, she stayed with an aunt who was kept as a slave in the city of Tal Afar. She moved several times and spent her final months in IS hands living in a guest house in Raqqa. It was populated by would-be jihadi brides who had joined the extremist group from all over the world: the UK, the US, France, New Zealand, Turkey and Pakistan. The women could browse paper files resembling CVs, which listed fighters’ interests and achievements alongside their photographs, to find a husband. She says that her role in the guest house was simply to study the Quran.

Towards the end of 2015, international air strikes on Raqqa intensified, causing terror in the guest house. In February, the five Yazidi women staying there persuaded IS militants to transfer them, together with their 14 children, to a small village. There they were less closely monitored by the jihadists and one hostage succeeded in calling her husband. In turn, the husband called Sherim, the rescue co-ordinator in Dohuk, who engineered an escape plan.

One day at noon, an Arab woman knocked on the door of the house – as they had been told by Sherim to expect – and drove the 19 hostages to the village of Tal Hamis. They spent a week hiding there, before a sheep farmer collected them and took them to his tent, where they stayed for one night. Another Arab smuggler walked them towards the town of Kobane, which has been under Syrian Kurdish control since January 2015, following a fierce four-month battle with IS. The smuggler instructed the women and children  to follow his footsteps exactly to avoid stepping on landmines.

In Kobane, a Kurdish smuggler met them and drove them to a Yazidi shrine in Sinjar, almost 500 kilometres away. There they met Sherim, who accompanied them for the final drive to Dohuk.  Jehan has since been questioned by Kurdish government agents and received medical check-ups but no other support, she says.

Hussein, the uncle who paid for her release, was one of the hundreds of men from Kocho rounded up for execution. He was shot three times, once in the back and twice in the leg and then lay, still as a corpse, among the dead bodies of his friends and neighbours until he could escape. He has been living in Rwanga for over a year and he is heavily in debt. Before he paid for Jehan’s release, he had already spent $20,000 buying back his wife. One of Jehan’s sisters recently managed to call him: she is being held as a slave in the Iraqi city of Fallujah but no one can afford the cost of her release. Another of Jehan’s uncles, named Salem, told me that he had spent $70,000 to buy back his relatives. The family raised the money by borrowing from displaced families in Rwanga and now some of their debtors are asking when they will be paid back. “We’re dead with our eyes open,” Salem said.

On a stormy morning, I travelled from Dohuk to Sinjar. Beyond the main checkpoint out of Kurdistan, there were few cars. We followed a potholed road that runs along the Syrian border. We passed Arab and Yazidi villages flattened in the fight against IS, grey houses whose concrete roofs had sometimes shattered into great, heavy plates and other times had curved and distorted to resemble folds of cloth. The driver listened to a new Yazidi radio station that played prayers, traditional love songs and poetry. “This time, it was a real ferman,” the voice on the radio said, speaking over the militaristic music. “The volcano of hunger came to our mountain . . .” The IS front line has now been pushed back to the south of Mount Sinjar. As they departed, IS left behind booby traps to kill or maim the first Yazidis to return to their abandoned homes or search for their relatives’ remains.

Some Yazidis feel that they can never go back  to their former houses, in villages of ghosts. Many have left for Europe, some illegally and others through special programmes: Germany has resettled around 1,000 Yazidis. Many people in IDP camps told me that they could never feel safe in Iraq again, each repeating the same story. They said that hours before IS invaded, the peshmerga stationed in the area, who were affiliated with the ruling Kurdistan Democratic Party, repeatedly promised that civilians would be protected and told them not to leave their homes. But the peshmerga unexpectedly retreated, taking their weapons with them. Before the Yazidis were attacked, they were betrayed. And long before that final betrayal, they were neglected and sidelined by Iraq’s Muslim majority.

There are other Yazidis who say they will never leave their homes, their shrines and the mountain that protected them during the darkest days of the ferman. The mayor of Snune, the largest town north of the mountain, told me that of the 23,000 families that lived in Sinjar Province in 2014, around 5,000 have come back. They have little to return to: few areas have running water, or electricity, or functioning schools and health clinics. Most are surviving on food handouts from NGOs, Iraq’s government or Kurdish fighters from Turkey.

Finally we reached Khanasur, the home village of the chef Abu Majed. Other than the checkpoint, guarded by two teenage female Yazidi fighters, the once bustling main street was empty. The shops, beauty salons and cafés were boarded up, the shutters spray-painted with the names of peshmerga battalions from Iraqi Kurdistan, Turkey and Syria. At the edge of the village, beyond an abandoned football pitch, we found Abu Majed’s restaurant. The rain had stopped and the cloud had lifted to reveal the long, rugged form of Mount Sinjar.

By peering over the high concrete wall, I could see the roof of the simple bungalow in which Abu Majed and his wife and five children once lived, as well as the tops of the trees in the restaurant garden, which were still strung with unlit fairy lights. A goatherd approached from the nearby scrubland, shaking her head. “Poor Abu Majed,” she said.

Sophie McBain is an NS contributing writer

Sophie McBain is a freelance writer based in Cairo. She was previously an assistant editor at the New Statesman.

This article first appeared in the 26 May 2016 issue of the New Statesman, The Brexit odd squad