The unhappy history of the workplace.
The Norwegian autobiographical author writes a spring reflection especially for the New Statesman.
In the next instalment of the “Austen Project”, the Scottish crime writer gives her modern-day take on the novel formerly known as Susan.
Two new novels, about a Romanian in Paris in the 1920s and a Belgian living near the French border respectively, are examinations of nationality and identity.
Art and science both had a long history of secret codes hidden in plain sight. Adam Rutherford goes on the hunt.
Bolaño’s books are still appearing and we have not finished understanding them.
The double Man Booker-winning novelist Hilary Mantel on writing for the stage, finishing her Tudor trilogy – and the perils of being a woman in the public eye.
In 1934, Wells arrived in Moscow to meet a group of Soviet writers. While there Stalin granted him an interview.
Most of the writer’s novels are set in modern South Africa; this life of E M Forster is an unlikely change of direction.
An unassuming figure little known in life but hailed after his death as “perhaps the most original political philosopher of this century”.
The response of some Labour MPs to Javid’s promotion was idiotic.
Juliet Jacques talk to US journalist Janet Mock about her book Redefining Realness.
. . . in fact, they are probably better at navigating a world of smartphones and social networks than we crusties aged 20 and over.
With Silent Spring, Rachel Carson helped to launch the modern ecology movement – but it is her sea trilogy that captures her spirit.
A disturbingly funny account of sibling loss. But not the usual kind of sibling.
The Norwegian government keeps book publishers alive.
The author, who has died at the age of 68, created in Adrian Mole a character who spoke to a generation of teenagers growing up in suburban Britain. Here, we recall a few of his finest moments.
Ignore the cultural Jeremiahs: novelists are responding to the changes in language, form and subjectivity.
After her remarkable flights from fact in her statements on abortion, it's disappointing to find that Dorries is just not very good at making things up.
Often, Lydia Davis’s writing requires us to pay very close attention to things most of us choose to pass over.
Imaginative writing is tied intimately to privacy, to the struggle to tell this story, to convey the singular texture of this experience, and no other.
Jessie Childs's God’s Traitors: Terror and Faith in Elizabethan England is a detailed and absorbing account of the difficulties of being Catholic in England in the 17th century.
Twenty years on, we still struggle to comprehend the trauma.
The belief that Westminster is “the mother of all parliaments” is one of the myths the Labour MP for Rhondda seeks to dispel.
Alex Clark talks to South African novelist Damon Galgut about his new novel Arctic Summer, followed by readings from Carol Ann Duffy and Gillian Clarke.
The spirit of Conrad hovers over this tale of an alcoholic Irishman serving in the British army out in Africa during WWII.
Lawrence continues to grip our imagination but can be a problematic lens through which to examine the Middle East.
Why have the confessions of a Norwegian Everyman become a literary phenomenon?
Piketty’s book Capital is being acclaimed as the most important work of political economy to be published in decades. It has certainly caught the attention of Ed Miliband’s inner circle.
Childbirth is just one of the areas in which modern-day feminist beliefs can end up being appropriated by neoliberal and neoconservative agendas. Unless accompanied by structural change, “choice” is too often only meaningful for a small elite.