The Canadian author reflects on ageing, generational inequality, reworking Shakespeare and writing stories that no one will read for a century.
Stalin emerges from Stephen Kotkin’s book as that most frightening of figures – a man of absolute conviction.
Hers is the spirit of the age: the age of selfishness. An age of greed, financial crime, and indifference to the poor, sick, and disabled.
From Judith Kerr’s The Crocodile Under the Bed to a Psammead sequel, there are plenty of new titles to delight all ages this season, writes Amanda Craig.
To capitalise on the success of Wolf Hall or perhaps to offer an accurate historical account of Cromwell, there have been four recent or reissued biographies of Henry VIII’s first minister. Borman’s narrative adds a fifth.
When it comes to solutions to our post-crisis problems, Martin Wolf argues, the first step is to jettison the straitjacket of mainstream economics – and this he proceeds to do.
Under the surface of World Order is a searing critique of the Obama administration’s foreign policy. While Obama has embraced the label of “realist”, this is not a realism that Kissinger recognises.
The Canadian author and social activist on parenthood, people power and why climate change could be the ultimate opportunity for the left.
The weird realism that runs through Lovecraft’s writings undermines any belief system – religious or humanist – in which the human mind is the centre of the universe.
Green, one-eyed men, a chubby, disfigured dwarf, writhing worms with humanoid faces, aborted foetuses and vast, white eggs with red jigsaw patterns on them.
Nora Webster is the tale of a woman inside a house. It’s a small house in a small town in Ireland, in the late 1960s and Nora, recently widowed, lives here with her two teenage sons and her daughters who, like the house, are semi-detached.
Two publications ostensibly designed to provide reassurance and wisdom to parents of primary-age children and perhaps to tap in to the ever-growing “pushy parenting” market.
To see how the world has changed, look no further than the dictionary.
Atul Gawande argues that medicine has skewed our attitude to mortality. The neurosurgeon Henry Marsh reviews.
Watching a person write is one of the most boring things in the world. Please don’t inflict your process on us.
On self and voice in new novels by Rachel Cusk and Will Eaves.
From Deborah Harry to Ed Sheeran, four visual journeys through the lives of pop stars.
James Meek’s superb new book exposes the perversities, hypocrisies and failures of privatisation.
England’s upper-middle class pretend that class no longer matters. But try to infiltrate the tribe and you’ll see how strict the rules are, says anthropologist Kate Fox.
Are artists solitary individuals, or do they emerge from a workshop, family or other communities? In other words, are all works of art collective creations? Is an artist obliged to engage with politics or is it enough just to make good stuff?
Jane Shilling reviews a new autobiography of the veteran British fashion designer and punk icon.
Marsden examines the notion that there are places on the earth which chime mysteriously with the human spirit, which drew our ancestors to them just as we are drawn there.
Robinson’s trilogy set in small-town Christian America is more than great fiction – it is a political and ethical project.
Should adults be reading books supposedly aimed at children and teenagers? According to the literary establishment in 2014, this is a question fraught with difficulty. But is it really as hard as all that?
The French author has never been internationally popular, but he is nevertheless widely studied. Leo Robson looks at the reaction to his Nobel win, and what this tells us about the way his work is perceived.
John Gray should attack his ideas, not his character.
What makes Head of State worth reading is that it is Marr unbuttoned. The cloak of fiction allows him to express his view of his world in the way he used to when chatting to his fellow hacks, waiting to go live from Downing Street.
Karl Miller was less a literary editor and more a conductor. He wielded his baton with the authority of a maestro.