Frank Ocean comes out: a brave move in the exaggeratedly heterosexual world of hip hop

What it means to be the first out gay star in urban music.

Of the many remarkable things about R&B singer Frank Ocean’s announcement that he is gay, let’s start with his choice of words. Last night he wrote on his Tumblr that what he was about to post was originally intended for the thank you section of his forthcoming album, Channel Orange, but had been brought forward because of gathering rumours about his sexuality.

He then posted an exquisitely moving account of his first love affair with a man. “I don’t have any secrets I need kept anymore,” he writes. “There’s probably some small shit still, but you know what I mean. I was never alone, as much as I felt like it… as much as I still do sometimes. I never was. I don’t think I ever could be.”

Ocean’s poetry and precision makes it a personal statement more than a political one, worlds apart from the stilted, formal language customarily used by celebrities coming out of the closet: remember Ricky Martin’s “I am a fortunate homosexual man” two years ago? You don’t have to be gay to identify with its sentiments. You simply have to know what it feels like to be in love.

But despite the quiet intimacy of the language, Ocean’s statement has made a big noise. For years, various big rappers, both male and female, have attracted speculation over their sexuality but none have confirmed it. Earlier this year underground rapper Lil’ B announced his new album would be called I’m Gay but quickly backtracked by adding a parenthetical “(I’m Happy)” and avoiding the issue. Now, in a stroke, the landscape has changed.

It should be noted that Ocean is a singer rather than a rapper and that the hip hop crew he’s affiliated with, Odd Future Wolf Gang Kill Them All, is an unorthodox outfit which, despite its excessive fondness for the word “faggot”, already has one out member: female DJ/producer Syd Tha Kid. But Ocean has a major label deal and appeared on Jay-Z and Kanye West’s colossal Watch the Throne album so he has enough of a profile to qualify as the first out, gay star in the world of urban music. Hip hop mogul Russell Simmons calls it  “a game-changer”: “Today is a big day for hip-hop. It is a day that will define who we really are.”

It comes at an interesting time for LGBT musicians. Until this year, an openly gay artist had never topped the US Billboard charts: the likes of George Michael and REM’s Michael Stipe did so long before coming out. But in May, former American Idol runner-up Adam Lambert ended that drought with his album Trespassing. In the same month Jamaican dancehall artist Beenie Man recorded a video apology for his previous homophobic lyrics, while Tom Gabel, of Florida punk band Against Me!, declared that he would henceforth be known as Laura Jane Grace, making him not exactly rock’s first transsexual but its first arena-headlining one.

But Ocean’s move is still courageous. Openly gay musicians rarely fare well in the US; hip hop/R&B, where exaggerated heterosexuality is the norm, is uncharted territory. Even though the initial online response has been overwhelmingly positive, not every listener will be happy listening to Channel Orange, or last year’s brilliant online mixtape Nostalgia, Ultra, knowing that the love songs are about another man. Ocean also risks being forever defined in the public eye by his sexuality. Neil Tennant of the Pet Shop Boys once told me why he didn’t come out until 1994: “One of my reasons for not coming out [earlier] was that you get typecast, so you become ‘gay pop star Neil Tennant’, and I didn’t used to be that. People use the gay thing to marginalise you.” About his lyrics up to that point he said, “I always quite liked that ambiguity. Now people just say, Yeah, it’s gay.”

Time will tell whether Ocean’s candour affects the fortunes of Channel Orange, or whether he inspires some high-profile closeted performers to follow suit. But his impact on the wider world of hip hop, R&B and beyond is undeniable. Research regularly shows that the key factor in changing people’s attitudes to issues such as gay marriage is having an LGBT friend, colleague or family member: personal experience informs the public sphere. Conversely, gay celebrities can influence private views and deeds. Ocean may just have helped countless gay teenagers to realise that they are never alone.

Dorian Lynskey tweets: @dorianlynskey

Frank Ocean performs at Coachella. Photo: Getty Images

Dorian Lynskey is a journalist living in London. He blogs at:

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Emmanuel Macron's "moralisation of politics" comes at a heavy price for his allies

"Fake" jobs in French politics, season 3 episode 1.

Something is rotten in the state of France. No political party – at least none that existed before 2016 – seems immune to the spread of investigations into “fake” or shady parliamentary jobs. The accusations sank centre-right candidate François Fillon’s presidential campaign, and led to Marine Le Pen losing her parliamentary immunity in the European parliament (and proxy wars within her party, the National Front). Both deny the allegations. Now the investigations have made their way to the French government, led by Edouard Philippe, Emmanuel Macron’s Prime Minister.

On Wednesday morning, justice minister François Bayrou and secretary of state for European affairs Marielle de Sarnez announced their resignation from Philippe’s cabinet. They followed defence minister Sylvie Goulard’s resignation the previous day. The three politicians belonged not to Macron's party, En Marche!, but the centrist MoDem party. Bayrou, the leader, had thrown his weight behind Macron after dropping his own presidential bid in April.

The disappearance of three ministers leaves Emmanuel Macron’s cross-party government, which includes politicians from centre left and centre right parties, without a centrist helm. (Bayrou, who has run several times for the French presidency and lost, is the original “neither left nor right” politician – just with a less disruptive attitude, and a lot less luck). “I have decided not to be part of the next government,” he told the AFP.

Rumours had been spreading for weeks. Bayrou, who was last part of a French government as education minister from 1993 to 1997, had been under pressure since 9 June, when he was included in a preliminary investigation into “embezzlement”. The case revolves around whether the parliamentary assistants of MoDem's MEPs, paid for by the European Parliament, were actually working full or part-time for the party. The other two MoDem ministers who resigned, along with Bayrou, also have assistants under investigation.

Bayrou has denied the allegations. He has declared that there “never was” any case of “fake” jobs within his party and that it would be “easy to prove”. All the same, by the time he resigned, his position as justice minister has become untenable, not least because he was tasked by Macron with developing key legislation on the “moralisation of politics”, one of the new President’s campaign pledges. On 1 June, Bayrou unveiled the new law, which plans a 10-year ban from public life for any politician convicted of a crime or offence regarding honesty and transparency in their work.

Bayrou described his decision to resign as a sacrifice. “My name was never pronounced, but I was the target to hit to attack the government’s credibility,” he said, declaring he would rather “protect this law” by stepping down. The other two ministers also refuted the allegations, and gave similar reasons for resigning. 

Macron’s movement-turned-unstoppable-machine, En Marche!, remains untainted from accusations of the sort. Their 350 new MPs are younger, more diverse than is usual in France – but they are newcomers in politics. Which is exactly why Macron had sought an alliance with experienced Bayrou in the first place.

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