Game of Thrones and the Good Ruler complex
There are many problems with this series, but subtlety isn’t one of them.
By Laurie Penny Published 04 June 2012 9:49
I love Game of Thrones, but it’s not subtle. The stupendously popular swords-and-sorcery HBO romp is a glossy smorgasbord of rape, gratuitous sex and ultra-violence. Its major plot points, based on George R. R Martin’s Song of Ice and Fire novels, are so simplistic that they may as well have been scrawled in crayon on the intricate wallpaper of literary-televisual tradition: the goodies are the rough, noble Northerners, the Stark family, none of whom have any discernible character defects, and the baddies are the yellow-haired Southern Lannisters, prosperous, duplicitous, incestuous, murderous and lots of other horrible things ending in ‘ous’, and somewhere in there are ice-zombies and prostitutes and blood-feuds and dragons and prostitutes and eunuchs and prostitutes and pirates and prostitutes and witches and prostitutes and one randy dwarf with daddy issues. The whole thing is about as sophisticated as a sucking chest-wound, of which, incidentally, the series features a fair few.
Game of Thrones is, in short, about as much gory, horny fun as any pop-cultural artefact can be in a post-Fordist, post-crisis spectacle society which has not yet sanctioned hatchet-slashing death-matches between social outcasts and starving circus animals, although David Cameron has not yet revealed the details of his plan to tackle Britain’s housing crisis. No wonder everyone’s watching.
By ‘everyone,’ I mean almost four million people viewing the premiere in America alone, and many millions more watching the show online and in repeats across the English-speaking world. The general awfulness of what passes for reality means we need least an hour every week where everybody gets lost in a crypto-Medieval saga of mythical beasties, heaving bosoms, court intrigue and buckets of blood. Which is probably why so many otherwise discerning liberal viewers choose to give Game of Thrones a free pass on its staggering race and gender problems and enjoy the shit out of it anyway.
As well as being mightily entertaining, Game of Thrones is racist rape-culture Disneyland with Dragons. To say that this series is problematic in its handling of race and gender is a little like saying that Mitt Romney is rich: technically accurate, but an understatement so profound that it obscures more than it reveals. Take, for example, one single sub-plot: a very young princess, a blonde and beautiful thirteen-year-old virgin whose remarkable fairness of complexion is a motif of the series, is sold off as a child-bride by her unscrupulous brother, a man who likes to have sex whilst talking about dragons in the bath.
The unfortunate girl’s new husband is a dark-skinned, savage warlord from the Mystical East who, being a savage, is unable to conceive of any sex that isn’t exclusively rape-based, and as such violently assaults the little princess every night. But it’s all ok because a prostitute slave teaches the thirteen-year-old princess super sexy sex skills, and she proceeds to blow the warlord’s mind so throughly that they fall in love. Later in the series she uses her magical blondness and a bunch of baby dragons to free all the slaves in the Mystical East. If the enormous teetering pile of ugly stereotypes here is not immediately obvious, see me after class and we’ll go through it step by step.
None of which is to say the story isn’t exciting. That’s rather the point. A story doesn’t need to be comfortable, realistic or generous towards the downtrodden in order to be gripping; and a piece of art doesn't have to be perfectly politically correct to be fun, or important. We're allowed to enjoy problematic things, as long as we're honest about their problems. It would be nice, though, if those of us who enjoy this series despite its many, many prostitutes problems could just stop making asinine excuses for it. The worst by far of those excuses is “Game of Thrones is based on the Medieval World, and the Medieval World Was Sexist and Racist.” Well, yes, 14th century Europe wasn’t a lot of fun if you were a woman, but nor did it have, for example, dragons, or magical shape-changing witchy-woo assassins. Westeros does, because Westeros is a fantasy world. If the creator of a fantasy series can dream up an army of self-resurrecting zombie immortals he can damn well dream up equal marriage rights, and if he chooses not to do so then that choice is meaningful, as is our assumption that the default setting for any generically legendary epic must involve really rather a lot of rape.
That, for most of us, tends to be where the discussion around Game of Thrones stops. The whole thing is so obviously screwed up that it’s easier just to accept its problems and be entertained anyway - in comparison to, for example, HBO’S Girls, also airing this season, whose every scene-change and plot twist has been minutely vivisected for cultural relevance by the ready scalpels of internet pop-criticism.
But the most interesting thing of all about Game of Thrones is what you get when you strip away the blood and tits and get to the bare narrative bones under all that greasy meat. I’m talking about the basic story of the whole saga. I’m talking about one of the oldest stories of all, a story with the power to draw millions of us around the flatscreen just as our notional ancestors gathered around the hearths. I’m talking about The Search For The Good Ruler.
The clue is in the title. Game of Thrones is all about kings and queens, all about who gets to be in charge and how they win and retain power, by violence, by force of will or simply by accident. The essential assumption of this story is a familiar one: sovereignty and leadership are inherently good things, common workers need decent kings or queens to make them happy and prosperous, and even if a catalogue of leaders are bad, mad or murderous, if you can just find the right king, the true, wise, noble king who deserves to be on the throne, then everything will be okay.
Related to this narrative is the Training of the Good King, another extremely old and powerful story. The question of who will be in charge of Westeros when the whole enormous megaplot screeches to an end has still not been resolved in the books or the series, and as this season closes there are several candidates, each with their own individual hurdles on the road to ultimate crowniness. There’s Daenerys Targaryen, Her Aforementioned Blondeness. There’s Robb Stark the boy warrior, who doesn’t quite get enough screen-time to imply narrative or personal longevity, and his brother Bran who, despite being only ten, has been treated to a crash-course in Lordery by virtue of everyone else in the vicinity being either common, a woman or dead. And then there’s Jon Snow, illegitimate son of Eddard Stark (or is he??!?!) and general beefcake, doing his time in the wintry Northlands fighting beasties. All of these people are the Westeros version of the one per cent, and any of them who make it to the end of the series will surely end up with the power of life and death over large numbers of anonymous agrarian workers.
The Search for the Good Ruler is the big story of Game of Thrones. One of the reasons that it’s so compelling is that it’s also the big story of most of the nations in which the show airs, in various different ways. That fundamental notion - that if we are just lucky enough to get the right ruler, the ruler who, by might of right or right of might or by virtue of being the richest bastard or simply because their German great-granny happened to marry into the right family of inbred peasant-butchering Saxons, that if we just find the right one everything will still be ok - that’s still a story that we cling to. The Good Ruler. It’s going to run and run.
So it’s interesting that Game of Thrones is reaching its climax just as the Diamond Jubilee really gets under way in Great Britain. My feed-reader, favourite news websites and Twitter timeline are simultaneously full of babble and gossip about fantasy kings and queens and chatter and nonsense about real-life kings and queens to an extent that excitement about the two rather overlaps. When I try to explain to people in America exactly why it matters that Britain has a queen and not a president, I’m thinking as a republican in the literal sense but also as a person who loves stories, a person who believes that stories are politically important, and as a fan.
The stories we choose to tell about power are important. It doesn’t matter if the Queen actually wields any of the surprisingly significant amount of power she has for anything other than the purchase and maintenance of a large collection of ugly hats*. It matters that the people of Britain are subjects, not citizens, and that the rest of the world - especially the United States, which was supposed to have gotten rather definitively over all this two centuries ago - gets all het up about that. It matters that the big stories we tell each other about power are still about the Good Ruler, still about kings and queens, good lords and loyal subjects, with all the assumptions about hierarchy and inequality that that entails.
The Jubilee weekend would have been slightly more interesting had there been more of a Game of Thrones aesthetic to the whole thing, with feasting and stabbings and half-naked prostitutes gyrating all along the Thames under the bunting and Paul Burrell’s head rotting on a spike in Westminster. Personally, I think we need a different sort of story right now, one that isn’t all pomp and ceremony and ruthless social hierarchy wrapped in gold brocade, a story with, just maybe, no kings or queens at all. But if I have to watch a game of thrones, I’ll take the one with the horny dwarf any day.
*Really, fashion press: can we please stop pretending that Elizabeth Windsor is a style icon now? It’s the most godawful forelock-tugging lie I’ve seen put out by an industry that runs on stimulants and self-deception more than any other grimy corridor of the media, and that’s saying something. The Queen is not a style icon. She never has been, and she never will be. It’s just that nobody has been allowed to tell her she looks shocking in candy-coloured box-waisted twin-sets in over sixty years.
Note: This article was edited at 8.07pm on 4 June.
Latest tweets
More from New Statesman
- Online writers:
- Steven Baxter
- Rowenna Davis
- David Allen Green
- Mehdi Hasan
- Nelson Jones
- Gavin Kelly
- Helen Lewis
- Laurie Penny
- The V Spot
- Alex Hern
- Martha Gill
- Alan White
- Samira Shackle
- Alex Andreou
- Nicky Woolf in America
- Bim Adewunmi
- Glosswitch
- Kate Mossman on pop
- Ryan Gilbey on Film
- Martin Robbins
- Rafael Behr
- Eleanor Margolis
- Tools and services:
- Polls
- Predictions
- Archive
- Magazine
- PDF edition
- RSS feeds
- Advertising
- Subscribe
- Special supplements
- Stockists




















179 comments
You clearly haven't actually read the books, and you don't seem to have actually watched the show. Maybe it was on ithe the background while you were doing something else. That's about as charitable as I'm able to be here.
First of all, Penny, i love you. marry me?
Secondly, these comments make it clear that many people don't understand what sexism is. So far the arguments against the (books&show) being sexist are:
there are strong female characters
that the series show the evils of RAPE (and being evil) thus actually telling people it is bad
That it is capturing the reality of medieval times so and so the RAPE is necessary.
well. lets see how true these statments are
1) Having strong female characters does not mean that a show can not be sexist. Here is why i think it is sexist despite them
a) Except for Arya, the show is full of woman whose plans fail and fail and fail again. They are strong and charismatic, but each seems to have a fatal defect that makes them unable to accomplish their plans. They are almost always thwarted, punished, threatened and/or Raped. They are alomst always portrayed as victims or potential victims.
b) Arya is our hero. Everybody loves her, and hey that is okay. But really, why do we like her so much? Because she is a 9 years old kickass who is getting better and better at swordfigting. She is the tomboy, who we (specially geek woman) feel for. Good good. But if we changed Arya's name to say, Adrian would it change anything in her character? probably not. She is boyish. She is not weak like a ''woman''. The best character in the show is loved precisely because she does not act like a girl. We know it is possible to have kickass girl characters in stories, acting like girls while being hereos, Examples being Buffy(who always had the time to party at bronze while smultaneously saving the world...again) We had Coraline (whom i adore beyond words) Neil Gaimans tough-girl hero. Even Misty of pokemon counts.
c) i hear you shouting : but daenerys! to me, so lets talk about her. The thirteen years old girl who gets off of being raped. (in the books kids) yeah, really? I like her too, i like the dragons and blondeness but...there is something off. Not about who she is but how she is written. How she is portrayed.
d) books entail torture porn. let's not kid ourselves on this, when someone is raping another person and when you hear the rapist's thoughts, it is torture porn. Believe me on that is not done in order to convey the evils of rape. it is there in order to be a page turner.It is there in order to capture attention. It is there so that adolescent boys who did not get their fills of hentai can have more misguided ideas about how sex works. It makes me cringe because i think sexuality as a good positive thing. Also, did you know that when top gun came out, the enlistment rates doubled up? Media sure does effects us. Not so quite bainwashing, but it does. We learn things from it. And with this series, it is not that rape is evil.
e) Capturing the medieval europe. hmmm. yeah, okay. why is it explictly written or shown than? There are other ways to let audiance know rape is happening or has happened. It has been done both in tv and literature creativly and succesfully before. People have pulled it off without coming of as sexist or vulgar.
My last words are to those great girls and woman who like fantasy, just like i do. I repeat penny's words, he t is okay if you (we) like Game of Thrones, but we gotta be honest about what it is. Imagine Buffy at the end of the 6th season guys, yeah when spike...you know before he left for... ( i dont want to spoil things so if you have seen the show you got what i mean) Would it be empowering for her? Would you stand up for it? Do you think you could bear to watch it on tv if they showed (or read)? Answer is no. Because when fantasy is genuine, when it is truthful, when you know what seeing her means, you would not want it promoted.
Anyways, Geek on!
Now, I'm just a fan, so maybe I'm way off, and I haven't seen the show, just read all of the books, but here goes:
I agree that the rape/sexual assault (as well as all the sex in general, and all of the talk about sex that everyone seems oddly comfortable talking about publicly) is overdone. A few times, it did feel like it was going for titillation. But I do think that Martin went over the top with the sex/sexual assault/violence for a purpose. One of the tropes of the entire series is how destructive and violent power is. We're given the perspective of the powerful throughout the series, which may make the casual reader think the book is 'endorsing' their perspective somehow. But the books again and again have either the 'best' or the weakest characters dying or the cruelest, most evil characters winning. Martin is trying to be true to life; the bad guys often win, and the victims are usually the powerless left by the side.
As for sexism and the major female characters: Arya is portrayed as driven and self-reliant. Her gender is only an issue to others, or where it holds her back. When you call her "weak like a woman", you're suggesting that feminine women in the series are "naturally" weak. On the contrary, Dany and Cersei are both 'feminine' characters, and both are able to command great power.
[Spoiler]That Cersei falls from power and loses her primacy in Westeros society isn't proof of her weakness; it's proof of how the world treats her differently for being a woman. That the series depicts a sexist world doesn't make the series sexist per se. It just makes it honest. Again and again, Cersei wishes she were born a man. Not because she is weak, but because she isn't allowed to be who she wants.
Could you point me to a male character not doing something wrong and not having his plans backfire at him?
I guess what you want is female characters who do everything right while males still do everything wrong as everyone is doing in the story? Wouldn't that be misandristic (sp?).
Everybody fucks up in this story be they male or female, the settings clearly indicate that female characters have to do a lot more to accomplish anything and if you don't read it as being presented negatively (hence criticizing this aspect of our (past?) society) then you're reading it wrong.
Male and female are treated equally by the author, that alone ensure that the story isn't sexist. The setting being a patriarchal society or the abundance of hardship burdenning the women because of this only serve to emphasize the injustice.
Just a small point, but British people are 'citizens', not 'subjects', and have been since the 1981 British Nationality Act.
I have seen only the first season but have read all the books. That said, this analysis completely misses the point of both the series and the books.
First, the Starks are not heroes per se. In fact, a lot of bad shit [trying to avoid spoilers] happens to them. Often said bad shit is a direct result of the Stark sense of honor and trying to do the right thing. So being "good" is not good in GoT.
The Lannisters aren't completely evil, either, which is precisely what makes them interesting. I never would have thought that I'd be sympathetic to the incestuous twins Cersei and Jaime, but Jamie's feelings for Cersei are written so genuinely that one almost forgets she is his sister and feels bad for him when they are apart. Tywin Lannister, though often a jerk to Tyrion, is one of the most compentent leaders for Westeros - so even if he's personally cruel to Tyrion and forced Cersei to marry Robert when she didn't want to, he's arguably the best ruler for the people. So the point is really to question the relationship between doing the right thing as a leader and as an individual, as well as to question who is really good or evil or a hero.
Moreover, I think it's also important to separate the GoT books from the TV show with respect to issues of race and gender. There are many places where nuance in the books is lost in the show. First, book Danerys isn't raped by Drogo; he doesn't have sex with her after the wedding until she indicates her consent. I grant you that it is coercive by today's standards but less problematic than in the HBO show particularly in the context of societies with arranged marriage. It also seems to me that part of GRRM's point in showing a decidedly sexist society is to reveal the problems caused by sexism. Danerys, despite being deeply concerned about her people, is repeatedly viewed as a sex object. So often she uses this to her rhetorical advantage - "I am only a young girl but" - but inside is frustrated by the lack of respect. Similarly, Cersei's manipulations and obsession with her son Joffrey are because she was never given a chance to learn to rule / rule herself. It is only through Joffrey, after all, that she can claim power in Westeros so naturally she is obsessively fixated on him. Actually, open frustration with Westeros' sexism is running theme with GRRM's female characters, as well as a compelling sense that the country would be a lot better off - at the very least, more peaceful - were they in charge (see Brienne and Asha in addition to Danerys). So if anything, I actually find GoT more progressive than most popular authors, even in mainstream fiction. His first person narrations are at times problematic (I'm not as aware of my breasts as his women tend to be) but it seems clear at least in the books that his point in depicting such a sexist society is to show that it's unfair to women and hurts the nation as a whole.
Have you even watched the show? You sure haven't read the books!
This would be a great article, but your central thesis falls short. Why? Because it's established in the backstory that Westeros has had honorable; rightful, wise rulers... And yet problems still remain.
In the future, I encourage you to watch a show before you critique it. You are much less likely to badly embarrass yourself that way.
Hey, a critique of the GoT show! How timely and original! I'm glad all real news stopped so you could write this wonderful fluff piece! I feel enlightened and less rapey.
Hey! A comment telling a woman essentially to shut up and think about all the people who have it worse than her! HOW TIMELY AND ORIGINAL!
Hey.
A totally predictable reply from your boilerplate file.
Way to go.
Ideology and Adaptation
What is important about the treatment of women in GOT is not whether or not they are equal, or strong characters, or whatever. Commentors are right to point out that there are "strong female characters" in the show. But, this is no guarantee that the show is not sexist. The Tory party includes "strong female characters" but it is still sexist; "raunch culture" is full of supposedly "strong females" doing such "assertive" things as as pole dancing; and the female CEO's are often used to justify not only the "glass ceiling" women experience in the workplace, but the fact that women (perhaps working for these same companies) tend to occupy the most precarious and low paid jobs.
What is important in the HBO series is that - as Laurie puts it - "Game of Thrones is, in short, ... gory, horny fun." The importance of this is exactly that the show appeals at the level of (sexual) fantasy. It is basically pornographic - not because of the amount or "level" of nudity and sex, but because it operates by positioning the viewer as voyeur, allowing them to indulge in the vicarious pleasures of highly stylised and fetishised versions of so much that we reject and repress: machismo, sexual domination, racism (inc. its sexual anxieties), &c. The fact that these things are presented ambivalently (i.e. as being bad) and that they are distanced from us through the "medieval" conceit is not an excuse; it is precisely the means by which this 'voyeuristic/vicarious' position is constituted. That is, the balance of guilt and pleasure necessary to dealing with repressed social/sexual fantasies.
A lot of fantasy fiction suffers this problem - i.e. basically, that it is written by patriarchal old men sublimating their sexual desires and frustrations. And normally these are men who never really managed to reach sexual 'maturity' (i.e. entry into the symbolic order). Others escape this, e.g. think of Philip Pullman's great His Dark Materials series; it's not a problem inherent in the genre, form or setting.
The further point is that it is interesting that in a deeply conservative moment that it is this series of fantasy novels which HBO decided to adapt and screen, and that the series (which is really glossy, but actually quite boring once you're over being positioned as passive peep-show punter) has been so successful. I'm not fully sure how these things connect, but I'm sure Laurie is right to intuit that there is a connection.
By the by, it's always interesting to read something by PennyRed, and I'm glad she keeps writing. Therefore, solidarity for the other day; and the only thing worse that David Starkey's behaviour was the barrage of (sexist and abusive) attacks launched against her by patriarchy and capitalism's deputies in the wake of the debacle. Keep going! Best -
' If the creator of a fantasy series can dream up an army of self-resurrecting zombie immortals he can damn well dream up equal marriage rights,' - This is a plausible sounding, yet utterly fatuous statement. The world Mr. Martin has created would not work if it conformed to our civilized norms. Which medieval society does Ms. Penny have in mind as a model for her gender-relations utopia? If you want a portrayal of medieval society in which all the knights are really nice guys who make an effort to respect and understand women, then watch Merlin or A Knight's Tale or something equally anodyne.
The TV producers have certainly sexed the stories up for broadcast (It seems the old mantra: 'if in doubt, add tits' has held true) but that's because they're TV producers. The one spot where I agree with Ms. Penny concerns the racism; the portrayal of the Dothraki lacks the nuance found in the books. Furthermore, the TV series seems to have missed the point that while the people of Westeros viewed the Dothraki as savages, the Dothraki held the same opinion of the Westerons. Surely it would have been possible for the producers to do something with this rather more interesting point about racism instead of just throwing their arms up in the air and saying: 'sod it - dusky foreign savages it is then'.
Perhaps Nevèrÿon.
Like it or not, the Nevèrÿon series shows that is possible to tell a compelling medieval fantasy story with swords and dragons in a world that doesn't traffic in sexist assumptions.
Perhaps Nevèrÿon.
Like it or not, the Nevèrÿon series shows that is possible to tell a compelling medieval fantasy story with swords and dragons in a world that doesn't traffic in sexist assumptions.
WE LOVES GAME OF THRONES
NO!!! WE HATES IT! STUPID, FILTHY, FAT, GAME OF THRONESES!
I've read all the books and watched all the episodes. And I'm still very torn over the representations of women and of sexuality in GoT. On the one hand, I can see the intent of the author to highlight the ills of rape and sexism, and the highly detrimental effects that this has had on the (often strong) female characters. Yet I find it increasingly difficult to reconcile the graphic sexual violence with the purported message that 'rape is bad'. I feel like the writing and consumption of such graphic sexual violence is disturbing in and of itself. And I worry about anyone who extolls Arya and Brienne as 'strong' female characters. In my mind, they are extremely traumatised people whose gender/sexuality has been a source of great pain and distress to them, not a source of strength. If a woman can only be seen as 'strong' if she adapts masculine habits, dress, moral codes and becomes hardened to physical violence and murder as a way of life, then something is quite awry.
" the baddies are the yellow-haired Southern Lannisters"
Well that's not true with Tyrion being most viewers' favourite character and I think many would prefer him to be King rather than a Stark.
Surely Tyrion is specifically the dark sheep of the family?
I think nearly anyone would have a Stark over any of the other Lannisters.
Great article Laurie.
To all the idiotic comments :
Laurie Penny likes Game Of Thrones.. she says so in the article maybe you should read her piece before insulting her and wishing she 'stop breathing; . In fact I recall her writing an article last year where she actually praised it . Enjoying the entertaining spectacle of Game of Thrones doesn't mean you shouldn't criticize the horrific sexism and racism contained in it.
(In my opinion the plot is the crappiest and thinnest cliched fantasy guff I've ever come across and I've read a lot of crap fantasy. I have to admit there is a lot of good acting and the direction is generally good.)
To this particular idiotic comment.
Being a sensible, reasonable and intelligent human being (which plainly Penny isn't) is good enough reason not to criticise the "horrific sexism and racism" allegedy shown in GoT. For a start, it is a story, not actual events - see the important distinction there? There's no logical reason to imply that the author is somehow bigoted just because he didn't imagine some equalitarian utopia in which to stage his story. The series has a medieval motif and uses many of the attitudes of the era. It would be a stupid ridiculous parody of itself if it tried to suddenly be PC. It would be unbelievable to the extreme. This is also why, incidentally, if you count the number of men killed, maimed, tortured or beaten you'll find it a hell of a lot higher then the number of women - and yes, it is irrelevant for you to argue that it is mainly men who commit those crimes in the show. Perhaps you and Penny think this is some sort of sexism at work also? Female actors not getting enough good death scenes?
And in my opinion anybody who thinks that the plot is cliched fantasy guff is just incapable of enjoying good literature or TV. Game Of Thrones goes flat out in the face of cliches, it destroys many of them utterly, bringing me to the conclusion you don't really know what you are talking about. Just another subpar armchair critic who likes seeing his words in print.
Good piece. I was just kevetching about how much I can't get into GoT and you've pretty much nailed a lot of the things that keep me from enjoying it.
I think if fantasy depicted the world as we would like it to be it would very soon get very boring, and also the dragons fit much more realistically into Westeros than equal rights would.
You sounds like you have definitely not read the books, as your depiction of the 'goodies' and the 'baddies' utterly fails to spot the main point of the books, that makes your accusation of them having no subtlety frankly laughable. One of the main themes of the series is showing what was thought to be strong and beautiful wicked and weak, and vice versa. The reader knows that Tyrion is a hero, but Westeros thinks him an ugly murderer; Arya and Daenerys become incredibly strong characters. And the reader's own first impressions are overturned when the Bran-pushing incestuous Jaime Lannister becomes a point of view character and we start to sympathise with him.
I disagree with almost everything you say in this article. Rape is never positively portrayed, and while I occasionally suspect that I am reading Martin's fantasy in a disturbingly personal sense (hence the proliferation of prostitutes), I don't expect a fantasy world to have modern sensibilities, and may well be disappointed if it did. , .
This article is absolutely ridiculous. It is incredibly obvious that you haven't even watched the show and that you're jumping on a bandwagon just to attract attention. Well congratulations, you succeeded.
Game of Thrones is a fantasy with TONS of strong women - if you had watched the show then you would know this. Brienne, one of the newest characters, is a female warrior who slayed three men that had killed a pair of prostitutes. Arya, a young female character, is en route to becoming a deadly assassin. Cersei, the Queen Regent, is an incredibly strong female character, as is Catelyn Stark. And Dany, well she's probably the strongest of them all, the mother of Dragons. I mean really, you should research what you're writing about before you sit down and type this rubbish out.
Yes, there are scenes of rape but they aren't just exclusive to females. At several points during the shows two seasons, there have been scenes in which males have threatened other males with rape. Game of Thrones depicts the dark battles for power in a time somewhat reminiscent of Medieval ages. Also, it's a TV show, if you don't like it, you can write your own one.
On behalf of women everywhere who love and enjoy Game of Thrones, please go away. You're giving us a bad name.
This article is absolutely ridiculous. It is incredibly obvious that you haven't even watched the show and that you're jumping on a bandwagon just to attract attention. Well congratulations, you succeeded.
Game of Thrones is a fantasy with TONS of strong women - if you had watched the show then you would know this. Brienne, one of the newest characters, is a female warrior who slayed three men that had killed a pair of prostitutes. Arya, a young female character, is en route to becoming a deadly assassin. Cersei, the Queen Regent, is an incredibly strong female character, as is Catelyn Stark. And Dany, well she's probably the strongest of them all, the mother of Dragons. I mean really, you should research what you're writing about before you sit down and type this rubbish out.
Yes, there are scenes of rape but they aren't just exclusive to females. At several points during the shows two seasons, there have been scenes in which males have threatened other males with rape. Game of Thrones depicts the dark battles for power in a time somewhat reminiscent of Medieval ages. Also, it's a TV show, if you don't like it, you can write your own one.
On behalf of women everywhere who love and enjoy Game of Thrones, please go away. You're giving us a bad name.
This says more about your own world view than the show.
Have you even seen it?
Some of the blame for this has to rest with the unimaginative writer, Martin. Since when did 'fantasy' exclusively mean a tale set in a feudal context? If that's the only fantasy that fantasy writers can come up with, it's a shame they became writers.
Fantasy doesn't have to be set in a feudal context, but GRR Martin has always been very open about the fact that it's loosely based on the War of the Roses.
Stark vs Lannister = York vs Lancaster.
Maybe you shouldn't criticise books you've never read.
Yes, just as much of the blame for that unimaginative feudal snorefest Gormenghast must rest with Peake. It's a shame he became a writer.
I have to run buuuuut one last comment:
1. I was enchanted by Greek mythology growing up. I loved it. Not sure what you mean by the background to D&D.
2. You're just asking for the books not to be about western medieval society. Well they are. How many *real world* societies can you find where women have been dominant in history? Among other things, the books feature a woman conqueror who by all accounts is the "hero of legend" that Melisandre mistakes as Stannis (Daenerys), a woman knight who is better than all the men (Brienne), two women who are the true power behind two of the kings (Melisandre and Cersei), and a land where the most prominent warriors are women (Dorne). Frankly, women are way more prominent in this world than they ever were in the true history.
3. Did you seriously just argue that having strong female characters is anti-feminist? Yes, many have a rough time of it, but none more so than the men. And if there is one charmed too-good-to-be-true character in the whole series, it is a woman: Daenerys.
I think you just want the series to be politicized / revisionist. Which is fair - I feel pretty strongly reading it that GRRM has a great deal of sympathy for his female characters - and if it were politicized, you'd like the slant it gave. However, I think it rather unfair to accuse the series of being sexist when it is in fact just apolitical, trying to set a character drama in a quasi-medieval world.
Anyway, I'm embarrassed by some of the comments from other book fans here. If you are interested in this stuff, I'd point you to this:
http://www.zaun-experten.de
A much longer and more thorough analysis than you'll see pretty much anywhere else.
No way was the blonde dragon princesss supposed to be 13 when she married. She was naked most scenes in series one and I very much doubt even the prostitute rape filled world of GOT could show a naked 13 year old girl . She was a grown women ffs.
Are you sure you actually watch the show or just trying to write an article on something as it is very popular and will therefore get a lot of feedback?
No way was the blonde dragon princesss supposed to be 13 when she married. She was naked most scenes in series one and I very much doubt even the prostitute rape filled world of GOT could show a naked 13 year old girl . She was a grown women ffs.
Are you sure you actually watch the show or just trying to write an article on something as it is very popular and will therefore get a lot of feedback?
She is 13 in the books, but 15 in the series. Please get annoyed at the right things.
No way was the blonde dragon princesss supposed to be 13 when she married. She was naked most scenes in series one and I very much doubt even the prostitute rape filled world of GOT could show a naked 13 year old girl . She was a grown women ffs.
Are you sure you actually watch the show or just trying to write an article on something as it is very popular and will therefore get a lot of feedback?
No way was the blonde dragon princesss supposed to be 13 when she married. She was naked most scenes in series one and I very much doubt even the prostitute rape filled world of GOT could show a naked 13 year old girl . She was a grown women ffs.
Are you sure you actually watch the show or just trying to write an article on something as it is very popular and will therefore get a lot of feedback?
Game of Thrones apparently is subtle, because without a big flashing notice on the screen during scenes of rape and violence against women saying "THIS IS NOT OK", Laurie Penny doesn't get the series very much.
The series is a crapsack world for everyone concerned; its just that for the majority of the women (who aren't delightfully cunning tomboys or gigantic warrior women) that manifests as being treated as chattel. You might not have noticed, but Westeros isn't a great place to be if you happen to be disabled, a bastard, poor, overweight, or in the way of the Dothraki.
As to the accusations of sexism: in these situations, whether or not a story is sexist isn't only dependent on what kind of gender relations it portrays its society as having; it's how that kind of state is portrayed that counts. Martin and HBO both make it clear that a sexist society such as that of Westeros is a bad thing. There are plenty of great female characters: Aria, Danaerys, Cersei, Catelyn, Brienne the Blue, and more. These characters aren't all likable, but neither are the male characters. What matters is that these characters are three-dimensional and exist as intelligent beings as opposed to sex objects.
If Martin were a sexist, there wouldn't be an Aria, taking care of herself (and her male companions) on the run and training to be an assassin, nor a Brienne, who fights and defeats any man that comes her way. Cersei, perhaps, is the best example of Martin's belief that sexual politics in Westeros is not ideal, because in her POVs we see how the sexist standards of her society warped her into the villain she is, when she could have been a great, capable ruler. She is adept at the "Game of Thrones," but the fact that, as a woman, she is ultimately dependent on men to make her choices is her downfall.
There are prostitutes in this world, yes, and women are raped and treated abominably, yes, but it serves a purpose, and the message meant by the treatment of women in Westeros is that women are equal to men, and that sexism is wrong.
This is one of the most asinine articles that I've ever read, and just further proof that there's a particular brand of feminist who is simply looking for things to feel offended by. Sucks, too, because folks like this end up marginalizing the very real and legitimate complaints that exist elsewhere.
Its a bit rich complaining the fantasy world in GoT is to pessimistic, evil, racist, not-PC, whatever. Real history wasn't any better and most of the present day world isn't either. It is just more comfortable to pretend that we have evolved past the point of what is presented in GoT as everyday shit life. Well, we haven't and as far as accuracy goes you cant really get more accurate about social dynamics than GoT. Caught between wolves and lions indeed.
Another piss-and-moan feminist rant about penises lousing up literature and television. Get over it, already. Penises don't spit poison and, yes, the medieval world (GoT was based on the Wars of the Roses) was a nasty time.
Seriously. Must you feminazis drain the visceral, vicarious fun out of everything? I don't want a doily under my beer, dammit!
I have always thought it pretty asinine to say that if a series has fantastic elements, it should choose to sweep under the rug real-world problems. Yes, Game of Thrones has dragons. If you've read the books, which you seem to have, you will also know that even that fantastical element in subverted into something rather dark. This is a story about a world gone mad. Bake gender equality into such a depiction and it becomes so wildly implausible as to ruin the story. The story supports feminism by adding loads of strong women. I'd rather have that than pretending medieval society is a nice place to live.
Also, couldn't disagree more with the one-sidedness of the characters. Yes, the Starks are the most sympathetic. But Cersei and Jaime are one-sided evil? Please. And that's not even getting to people like Theon who are grey in every sense.
Danerys's storyline is problematic, but... please, show me even a handful of epic stories about white people living among other cultures that are not accused of racism. The protagonist of a story is always elevated above the people around them, white people write about white people, and sometimes they like their protagonists to be in a foreign nation. Shrug.
I disagree. With your first point. (And I'm going to keep replying on here until someone replies to me!)
For you to suggest that "world gone mad" - ie turbulent - or a diverse fantasy world could not have a) either something approaching gender equality or b) A world in which (in SOME tribes at least) the OTHER sex - females - are dominant - shows you don't have much of a sf imagination! Also that you haven't even read Greek myth or the background to D&D!
And it also shows George Martin as the sexist little sexist he is.
As for all this - "but he makes up by including strong women" - which I've heard several times on here - but isn't that largely for effect?! Like: he wants them strong so as to torture them better?! It all seems a bit Penelope-Pitstop-vs-Dick-Dastardly, tie-the-heroine-to-the-railroad-track-lets-all-get-our-jollies-off-looking-at-a-woman-in-peril type of thing! (Modern (dis)improved version: sans the Edwardian delicacies!)
I have to run buuuuut one last comment:
1. I was enchanted by Greek mythology growing up. I loved it. Not sure what you mean by the background to D&D.
2. You're just asking for the books not to be about western medieval society. Well they are. How many *real world* societies can you find where women have been dominant in history? Among other things, the books feature a woman conqueror who by all accounts is the "hero of legend" that Melisandre mistakes as Stannis (Daenerys), a woman knight who is better than all the men (Brienne), two women who are the true power behind two of the kings (Melisandre and Cersei), and a land where the most prominent warriors are women (Dorne). Frankly, women are way more prominent in this world than they ever were in the true history.
3. Did you seriously just argue that having strong female characters is anti-feminist? Yes, many have a rough time of it, but none more so than the men. And if there is one charmed too-good-to-be-true character in the whole series, it is a woman: Daenerys.
I think you just want the series to be politicized / revisionist. Which is fair - I feel pretty strongly reading it that GRRM has a great deal of sympathy for his female characters - and if it were politicized, you'd like the slant it gave. However, I think it rather unfair to accuse the series of being sexist when it is in fact just apolitical, trying to set a character drama in a quasi-medieval world.
Anyway, I'm embarrassed by some of the comments from other book fans here. If you are interested in this stuff, I'd point you to this:
http://www.fempop.com/tag/game-of-thrones-sexist-series/
A much longer and more thorough analysis than you'll see pretty much anywhere else.
The point is explicitly made that the Starks aren't perfect and many innocent people are dying in the war between them and another rich family.
OK then - so why, in ALL these books, does G R R Martin never have a peasants' revolt?! Or some stirrings of same, or aristocrats expressing fear of same? Why no Wat Tyler peasant leader, who says: "Brethren, we must STOP this?!" Why no John Ball of a rebellious priest?
WHY don't they seem to have any legendary (in their own time!) anti-authoritarian outlaws? Robin Hoods? If Martin has taken the Isaac Asimov principle of borrowing from an empire here and a kingdom there - well, it's very selective borrowing! He seems to have accomplished the feat of making his Middle Ages both shittier and more interminable than the real ones!
- There is a clear Robin Hood in this story, and his name is Beric Dondarrion. Like most Robin Hood legends, he is himself a noble, but he leads peasants against nobles and is a major player in book 3.
- There is a peasants' riot in book 2, bad enough to terrify the ruling Lannisters.
- Pretty much the entire Daenerys storyline has involved inciting revolution among an oppressed people.
- The high septon in book 4 is lower-class and he establishes religious power over the monarchy in a rather dramatic way. Not sure if it will lead to a full revolution, but certainly he is a major player at the current point in the story.
Hmm. Well I've read 4 books out of the first 5, is it - how many are there now?! And I don't recall a clear Robin Hood, a Wat Tyler or a John Ball figure! That Beric Dondarrion name rings a bell - but none of them really seem to achieve much, do they? Not that which is good for the peasants and an inspiration which they can rally around!
In the original Robin Hood lays/gestes, he was a yeoman, not a noble - check them out. Actually he probably was real, too, only I believe there was more than one. A lady who runs a website I'm interested in says that he was from Yorkshire not Nottinghamshire, and that he lived before the time of King Richard I.
I don't remember any major peasant revolting in book 2! I only remember that evil "mountain" of a knight who later came to a sticky "end", raiding and terrifying them!
Yeah I know Danaerys frees the slaves but - she's probably the only even slightly socially concerned person in the book! &doesn't it work to her advantage! :s
Don't think I met the septon yet!
People from Yorkshire, always think everything is from Yorkshire. It's the first rule of the north.
Yours,
A proud Lancastrian
Hmm. Well I've read 4 books out of the first 5, is it - how many are there now?! And I don't recall a clear Robin Hood, a Wat Tyler or a John Ball figure! That Beric Dondarrion name rings a bell - but none of them really seem to achieve much, do they? Not that which is good for the peasants and an inspiration which they can rally around!
In the original Robin Hood lays/gestes, he was a yeoman, not a noble - check them out. Actually he probably was real, too, only I believe there was more than one. A lady who runs a website I'm interested in says that he was from Yorkshire not Nottinghamshire, and that he lived before the time of King Richard I.
I don't remember any major peasant revolting in book 2! I only remember that evil "mountain" of a knight who later came to a sticky "end", raiding and terrifying them!
Yeah I know Danaerys frees the slaves but - she's probably the only even slightly socially concerned person in the book! &doesn't it work to her advantage! :s
Don't think I met the septon yet!