BBC defends decision to censor the word "Palestine"

The broadcaster claims that allowing the lyric "free Palestine" would have comprised impartiality.

 

In a ruling on 31 January, the BBC Trust defended its decision to censor the word "Palestine" from a freestyle by rapper Mic Righteous on 1xtra in February last year. In the performance (above), he rapped:

I still have the same beliefs

I can scream Free Palestine,

Die for my pride still pray for peace,

Still burn a fed for the brutality

They spread over the world.

BBC production staff covered up the word "Palestine" with the sound of broken glass. The censored version was also aired in April. Responding to the original complaints, the BBC said that "Mic Righteous was expressing a political viewpoint which, if it had been aired in isolation, would have compromised impartiality."

Yet its own guidelines make allowances for "individual expression" for "artists, writers and entertainers", as long as services "reflect a broad range of the available perspectives over time". The BBC argues that a late night music show was not the appropriate place to get into political debate as it was not obvious when these other views would be aired.

Amena Saleem, of the Palestine Solidarity Campaign said: '"In its correspondence with us, the BBC said the word Palestine isn't offensive, but 'implying that it is not free is the contentious issue', and this is why the edit was made."

But the Israeli occupation of the Palestinian territories is a fact, not a statement of opinion. The UN Security Council classifies Israel as the "occupying force" in the West Bank and Gaza. Indeed, in upholding their decision, the BBC Trust has not addressed this key issue in the complaints. Consequently, nine complainants have said that their main point, that the BBC "demonstrated bias against Palestinians", had been ignored.

At the time, the PSC made the point that the BBC did not ban the song "Free Nelson Mandela" in 1984, even though Mandela was considered to be a terrorist by many western governments.

The BBC Trust has decided it is not "proportionate or cost-effective" to proceed further with the complaint, but the original decision does not seem proportionate either. Indeed, had the BBC allowed the song to go through uncensored, it probably would not have been remarked upon (after all, it was two words, not a long political diatribe). As it is, this incident sends a very uncomfortable message.

Samira Shackle is a freelance journalist, who tweets @samirashackle. She was formerly a staff writer for the New Statesman.

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The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

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