The uses of role models

Can inspirational LGBT figures help the victims of homophobic bullying?

This week, at the launch event for Diversity Role Models - a charity that aims to tackle homo/bi/transphobic bullying in schools - I heard the heart-breaking story of the suicide of Dominic Crouch, told by his father, Roger. Impassioned, articulate and dignified, Roger explained how a Year 10 game of Spin the Bottle generated escalating rumours that his son was gay. Feeling unable to talk about his experiences, Dominic texted 999 to say he was going to kill himself, only to be told that as he was not registered as a deaf user, no emergency service had been notified. Twenty minutes later, he jumped to his death.

Inspired by Dominic's death and Roger's subsequent activism, Diversity Role Models provide free workshops to secondary school pupils, where people of various genders and sexualities will discuss the insidious effects of queer-bashing and provide positive messages about the future. Like the US-led It Gets Better campaign, also sparked by teenage suicides, it may be criticised for over-relying on celebrity figures, possibly obscuring vital grass roots work, and for failing to address the structural roots of prejudice. (The suicide of 14-year-old Jamey Rodemeyer in New York, after making his own It Gets Better video led to him being further bullied, was particularly traumatising.) These criticisms are not invalid, and I'm sure that DRM's founder, ex-teacher Suran Dickson, has considered and assessed them.

But let's consider the "insidious effects of queer-bashing" for a moment. Allow me to take you to Horley, Surrey, in October 1996. (Imagine a high street full of charity shops, newsagents that only grudgingly stock papers besides the Mail, and residents writing uppity letters to Reigate & Banstead Council about the town centre's paving and you're there.) I've just turned 15, in Year 10 at the local comprehensive, and I'm on a coach to Belgium to visit the First World War battlefields.

The school's social hierarchies are ruthlessly exposed by the coach's seating arrangements. There's a brilliant Simpsons line where Milhouse tells Bart that their Springfield Elementary standing is "around three and a half. We get beaten up, but we get an explanation". Mine's slightly higher, as nobody ever touches me - I went through puberty early so have stubble and a deep voice (nightmarish given my wish to transition, but to my advantage here), I'm quick-witted enough, and competent at football, all of which secure some (grudging) respect. However, I admit to liking poetry and show no interest in finding a girlfriend, so I'm around level five on The Milhouse Scale, and sit nearer the front than the back.

Sick of being the outsider, I'm trying to ingratiate myself with the counter-cultural crowd. They disdain my musical choices (scorning grunge and Britpop, I listen to old music: with synthesisers!) so I need another way in. I see it: two boys, so unpopular that they're sat nearest the teachers. The guy who walks to school with me speculates about their sexualities, doing camp Seventies comedy-style impersonations of them with suggestive noises: despite - or more likely because of - frequently being called "queer", and prepared to do anything to stop people realising that I am, I join in.

They don't dare answer back. I never dare apologise.

We return, and I resume my post-school routine of secretive cross-dressing and contemplating suicide to Joy Division. I think about how my "friends" and I ruined these boys' trip, how I would most likely remain silent (at best) when the bullying came back to school with us, something they must be dreading, and how I would have hated to have been the subject of such abuse. Soon, inevitably, I was, even though my gender issues never became explicit. What goes around ...

A decade later, I saw an old classmate at a queer-friendly disco in Brighton, and explained how I'd felt guilty ever since. "Don't worry," he said, "they weren't gay." Their sexualities, though, were only part of the issue. Constantly hearing "queer" as an insult and "gay" as a catch-all pejorative for anything insufficiently masculine (including transgender behaviour) I'd internalised this hatred, turning it into all-consuming self-loathing before firing it at seemingly easy targets, hoping this would deflect attention from me.

Simultaneously, I tried to conform to whatever I thought The Normal was. This meant not only suppressing my gender identity, with consequent lifelong mental health problems, but also not reading in my spare time, not pursuing my interest in art and not displaying sensitivity towards anyone else, as all these things were branded "gay". It took years to catch up, intellectually and personally: I can never know, but I strongly suspect I was not the only one who felt like this. Luckily, I did not help to cause, or meet a tragedy like Dominic's, but this cycle, unbroken, damages so many lives - not just lesbian, gay, bi, trans or queer lives - in so many different ways, and it's sad that it takes something as awful as the suicide of a bright young man to highlight the need for change.

What stopped me from taking my own life, like Dominic, Jamey and others? By Year 11, knowing that the end was in sight, but before that, finding people in the media who'd worked through similar issues. With reasons to look, I dug deep for inspirational trans people as none were prominent, but just before I left school, Dana International won Eurovision. I hate all Eurovision songs (bar Telex's) and hadn't watched, but her victory gave pupils a positive platform to share their opinions on transsexualism, and I was amazed to hear confident, popular confident classmates sincerely express their acceptance. If only this had happened before all this damage to myself and others, I thought, but it helped me find strength to come out as a cross-dresser soon after, putting me on my path towards self-acceptance, and sharing my experiences with others.

But no attempt to provide positive trans media representation ever quite assuages my guilt about what I did in my symbiotic, mutually destructive teenage circles. These memories still make me less willing to go into schools to evoke the discussion I desperately needed as a Section 28-era teenager, not just because I worry about which questions or actions I'd provoke, but also as I'd feel like a hypocrite. Our school's culture silenced everyone, including me, and I was too afraid to challenge the heteronormative bullying that filled the space: the long-term effect is to make me reluctant to work towards rectifying the situation even though I have the personal, psychological and intellectual distance that neither my classmates nor I had aged fifteen.

So whatever its limitations, Diversity Role Models can provide a structure for those wanting to plug the gap, setting healthier terms for debate and bringing personal contact to teens who may be too scared or confused to seek it for themselves. Even if it takes a generation or two to change the environment, it's a good start - for everyone.

Juliet Jacques is a freelance journalist and writer who covers gender, sexuality, literature, film, art and football. Her writing can be found on her blog at and she can be contacted on Twitter @julietjacques.

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The dog at the end of the lead may be small, but in fact what I’m walking is a hound of love

There is a new, hairy face in the Hovel.

There is a new, hairy face in the Hovel. I seem to have become a temporary co-owner of an enthusiastic Chorkie. A Chorkie, in case you’re not quite up to speed with your canine crossbreeds, is a mixture of a chihuahua and a Yorkshire Terrier, and while my friend K— busies herself elsewhere I am looking after this hound.

This falls squarely into the category of Things I Never Thought I’d Do. I’m a cat person, taking my cue from their idleness, cruelty and beauty. Dogs, with their loyalty, their enthusiasm and their barking, are all a little too much for me, even after the first drink of the day. But the dog is here, and I am in loco parentis, and it is up to me to make sure that she is looked after and entertained, and that there is no repetition of the unfortunate accident that occurred outside my housemate’s room, and which needed several tissues and a little poo baggie to make good.

As it is, the dog thinks I am the bee’s knees. To give you an idea of how beeskneesian it finds me, it is licking my feet as I write. “All right,” I feel like saying to her, “you don’t have to go that far.”

But it’s quite nice to be worshipped like this, I have decided. She has also fallen in love with the Hovel, and literally writhes with delight at the stinky cushions on the sofa. Named after Trude Fleischmann, the lesbian erotic photographer of the Twenties, Thirties and Forties, she has decided, with admirable open-mindedness, that I am the Leader of the Pack. When I take the lead, K— gets a little vexed.

“She’s walking on a loose lead, with you,” K— says. “She never does that when I’m walking her.” I don’t even know what that means, until I have a think and work it out.

“She’s also walking to heel with you,” K— adds, and once again I have to join a couple of mental dots before the mists part. It would appear that when it comes to dogs, I have a natural competence and authority, qualities I had never, not even in my most deranged flights of self-love, considered myself to possess in any measurable quantity at all.

And golly, does having a dog change the relationship the British urban flâneur has with the rest of society. The British, especially those living south of Watford, and above all those in London, do not recognise other people’s existence unless they want to buy something off them or stop them standing on the left of the sodding escalator, you idiot. This all changes when you have a dog with you. You are now fair game for any dog-fancier to come up to you and ask the most personal questions about the dog’s history and genealogy. They don’t even have to have a dog of their own; but if you do, you are obliged by law to stop and exchange dog facts.

My knowledge of dog facts is scant, extending not much further beyond them having a leg at each corner and chasing squirrels, so I leave the talking to K—, who, being a friendly sort who could probably talk dog all day long if pressed, is quite happy to do that. I look meanwhile in a kind of blank wonder at whichever brand of dog we’ve just encountered, and marvel not only at the incredible diversity of dog that abounds in the world, but at a realisation that had hitherto escaped me: almost half of London seems to have one.

And here’s the really interesting thing. When I have the leash, the city looks at me another way. And, specifically, the young women of the city. Having reached the age when one ceases to be visible to any member of the opposite sex under 30, I find, all of a sudden, that I exist again. Women of improbable beauty look at Trude, who looks far more Yorkie than chihuahua, apart from when she does that thing with the ears, and then look at me, and smile unguardedly and unironically, signalling to me that they have decided I am a Good Thing and would, were their schedules not preventing them, like to chat and get to know me and the dog a bit better.

I wonder at first if I am imagining this. I mention it to K—.

“Oh yes,” she says, “it’s a thing. My friend P-J regularly borrows her when he wants to get laid. He reckons he’s had about 12 shags thanks to her in the last six months. The problems only arise when they come back again and notice the dog isn’t there.”

I do the maths. Twelve in six months! That’s one a fortnight. An idea begins to form in my mind. I suppose you don’t have to be a rocket scientist to work out what it is. But no. I couldn’t. Could I?

Nicholas Lezard is a literary critic for the Guardian and also writes for the Independent. He writes the Down and Out in London column for the New Statesman.

This article first appeared in the 28 April 2016 issue of the New Statesman, The new fascism