Michael Moore’s time to shine

The Scottish Secretary has been quietly effective until now. But how will Michael Moore cope with Al

"You! You should know better!" is how Michael Moore, the Secretary of State for Scotland, recalls me greeting him when he first arrived in parliament, newly elected, and several years after we had first worked together as researchers.

And it's true. I can't bear it when friends of mine stand for parliament. I go out of my way to dissuade them. I hate watching them being torn apart in the media or in that vile snakepit, the Commons chamber. I would like all my friends to live cocooned in safe, secure obscurity. But with Mike, as with some others, I have been proved wrong.

He is the least-known Lib Dem in the cabinet, elevated to it after the David Laws fallout last year. Of all the politicians I know, he remains the person whose feet are most firmly on the ground. Just as well, considering his height.

He has been criticised for being too cautious. Some Scottish Liberal Democrats would like him to go on the attack more often, but that is simply not his style. Mike is not from the Flashman school of politics and to criticise him for that is unfair. He is not in this game for the thrill – he is there to get results and make a difference.

Value judgement

In this, he reminds me of Alistair Darling, whom most people can barely remember from the early years of his career, but who by the end of 13 years in cabinet had widespread respect. Like Darling, Mike is bright, pays attention to detail, and has grown into the job.

His tireless campaigning in the recent Scottish Parliament election campaign has won him a lot of respect in the Scottish party. He will need to rely on that as Alex Salmond attempts to drive a wedge between Moore in Westminster and the new Scottish Liberal Democrat Leader, Willie Rennie. But Mike and Willie know each other well, get on, and understand the way this will work.

I loved a recent story about some hoo-ha on a political scandal-mongering website. Michael's name was in the frame. He walked into the Scotland Office unable to find any of his key staff. Eventually he found them in a meeting room worrying about how to rebut the story. "We know it isn't true, so can we just on with the real job at hand," he said. Typical Michael.

When he was stung like Vince Cable by the Telegraph's honeytrap, not only were his answers great, but he didn't hide away. Instead, he went on air and justified standing up for Liberal Democrat values.

But Moore now faces a critical test. With a single party in power, since the SNP's unexpected outright election victory, the Scotland Office is in a pivotal position between the UK government and the Scottish Executive.

He has been thrust further into the limelight, as the Scotland Bill must now go through Holyrood for a second time. Its first passage was supported by the SNP, but the second passage is an obvious opportunity for First Minister Salmond to start flexing his muscles.

Hot potato

The potential for meltdown between Westminster and Holyrood is significant, but Moore has taken this in his stride, turning the tables on the Scottish government and rightly asking it for a detailed case for the changes they want. After all, he delivered a Scotland Bill where Labour produced only a white paper and the Tory manifesto promised not much more.

But what looked like a substantial package of new powers, likely to get though without controversy, has become a hot potato with the spectre of an eventual independence referendum looming.

Labour and the Tories won't want much in the way of further devolution in the House of Commons, making Michael's strategic role all the more significant. His accountant's mind has the forensic abilities to navigate this difficult bill. And he has a calm and reassuring Commons style that is a tribute to his Presbyterian minister father.

During the final years of Labour's rule in Westminster, Alistair Darling faced up to Gordon Brown, in the interests not of his party, but his country. Michael Moore has the ability and the character to do the same . . . whether facing Westminster or Holyrood.

The fifth man is stepping into the light.

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Did Titantic do more for climate change than Leonardo DiCaprio’s new documentary?

Sex, icebergs and individual plight: the actor’s earlier outing teaches us more about vast disasters than his new docufilm about global warming’s impact, Before the Flood.

“Now you know there was a man named Jack Dawson and that he saved me . . . in every way that a person can be saved.” Or did he? For Titanic actor Leonardo DiCaprio, there is one way in which Jack never did rescue Rose: from the threat of climate catastrophe. 

Over the last 15 years, DiCaprio has made the issue a personal mission. Yet even in his role as UN climate ambassador, he stills feels far from heroic:

“If the UN really knew how I feel, how pessimistic I am about our future . . . I mean to be honest, they may have picked the wrong guy.”

So begins his new documentary, Before the Flood. A quest for answers on climate change, the film sees Leo racing around the world, marvelling at the sound of endangered whales, despairing at the destruction caused by tar-sands – “it looks like Mordor” – and interviewing a series of concerned experts, from professors to Barack Obama to the Pope.

There are plenty of naysayers to stand in his way and put him down. “Who better to educate world leaders on made-up climate change and a crisis that doesn't exist, than an actor with zero years of scientific training?” mocks one commentator from Fox News.

But if DiCaprio can gather enough evidence to believe in himself – AND believe that there are viable solutions out there – then so can we. Or so the story arc promises. His journey thus stands as a guide for our own; a self-education that will lead to salvation for all. 

It's all a little messianic. The film is even named after a biblical painting. And will those who don't already know who DiCaprio is even care? 

The sad fact is that, while DiCaprio’s lasting popularity still owes so much Titanic, the 1997 box-office smash that made his name, his new documentary fails to recapture the dramatic wisdom that put him there. It doesn’t even quip about the icebergs.

This is an oversight. Titanic didn’t win 11 academy awards for nothing. As well as a must-see rite of passage (pun intended) and soundtrack for infinite school discos, it taught me something invaluable about storytelling. Though I was not initially a DiCaprio fan, over the years I’ve come to accept that my lasting love of the film is inseparable from my emotional investment in Leo, or at least in his character, Jack. What Titanic showed so brilliantly was that the fastest way to empathise with suffering on a vast scale – be it a sinking ship or a sinking planet – is to learn to care for the fate of one or two individuals involved.

Every part of Jack and Rose's story is thus intimately linked with the story of the ship. Even that famed sex scene gains its erotic force not from the characters alone, but from their race through the blazing engine room (situated as it is between the foreplay of the naked portrait and the famous post-coital ending in the back of the cab).

And such carefully crafted storytelling isn't only essential to great entertainment but to great activism too. It can literally inspire action – as evidenced by fans’ desperate attempts to prove that both Jack and Rose could have climbed to safety aboard the floating piece of wood.

So would Before the Flood have been better if it had been a little bit more like Titanic and less like An Inconvenient Truth? Yes. And does that mean we should make climate films about epic polar bear love stories instead? Not exactly. 

There are many powerful documentaries out there that make you emotionally invested in the lives of those experiencing the consequences of our indirect (fossil fuel-burning) actions. Take Virunga, a heart-wrenching insight into the struggle of those protecting eastern Congo’s national park.

Sadly, Before the Flood is not one of them. Its examples of climate change – from Beijing air pollution to coral reef destruction – are over-familiar and under-explored. Instead of interviewing a Chinese official with a graph on his iPad, I would have preferred visiting a solar-panel factory worker and meeting their family, who are perhaps suffering from the effects of the smog in a way I can't yet imagine.

If you want a whistlestop tour of all things climate change then this necessary and urgent film is the movie for you. But those hoping it will give new depth to climate activism will be disappointed.

DiCaprio's distant relationship with the effects of climate change leave him stranded at the level of a narrator. He makes for a great elderly Rose, but we need a Jack.

Before The Flood is in limited theatres from 21 October and will be shown on National Geographic on Sunday 30 October.

India Bourke is an environment writer and editorial assistant at the New Statesman.