Anthony Howard: 1934-2010

Former <em>New Statesman</em> editor dies at the age of 76.

We learned with immense sadness this evening of the death of the former editor of the New Statesman Anthony Howard.

Tony, who died today after a short illness, edited the NS between 1972 and 1978, one of the most fertile periods in the magazine's history, during which he helped to launch the careers of several of this country's leading writers, Martin Amis and Christopher Hitchens notable among them. He went on to become deputy editor of the Observer and was also a regular contributor to the BBC's Newsnight and Panorama programmes.

Tony continued to work as a freelance commentator and book reviewer, not least for the NS, almost until the end of his life. I had the privilege of working with him after joining the NS as culture editor in 2009. His book reviews – mostly of political memoirs and biographies, often heavy with anecdote and frequently enlivened, though never compromised, by personal acquaintance with either the author or the subject – would arrive, always ahead of the deadline and always within the word limit I'd set, not by email nor even by fax, but by letter, a familiarly spidery scrawl on the envelope alerting me to the presence of the precious cargo contained within.

Tony's last contribution to the magazine was not a review, however, but a selection of books of the year, which he dictated to me down the phone. His choices were entirely characteristic – two political biographies and a journalist's memoir:

There were two fine political biographies published this year: Roy Hattersley's David Lloyd George (Little, Brown, £25) and D R Thorpe's Supermac (Chatto & Windus, £25). Equally engaging, if at a slightly more flippant level, is Simon Hoggart's A Long Lunch: My Stories and I'm Sticking to Them (John Murray, £20). Described by its author as "in no way a life of me", it is still the best journalistic memoir since the late Alan Watkins's A Short Walk Down Fleet Street of a decade ago.

In the current issue of the NS, the editor, Jason Cowley, who was unaware of Tony's illness when he was writing, devotes one of the items in his First Thoughts column to this recollection of a communication from his venerable predecessor:

When I became editor of the New Statesman in October 2008, I received a handwritten letter from Anthony Howard, who was editor of this "paper", as he prefers to call it, from 1972 to 1978. Being editor of the NS would be "hard", he said, but I had to stick it out until the centenary in 2013. To me, that seemed a long way off and not something I should think about. But this is my third Christmas double issue as editor. In a few weeks, as we celebrate the arrival of another year, the centenary will not seem that far away at all. Tony: what shall we do?

Tony, of course, would have known exactly what we should do. We shall miss him.

Jason Cowley adds:

I first met Tony Howard when I joined the Times in the mid-1990s – I was a staff writer and he was obituaries editor. But of course I already knew him through his journalism and work for the BBC. Tony was an inspiration: an old-style, scholarly, gentleman journalist, who had a wonderfully encyclopaedic knowledge of British politics. Above all, he was a good and generous man, and was especially supportive of younger journalists. I feel profoundly sad that he will not be here to celebrate the centenary of the New Statesman, which he edited with such distinction from 1972-78. Tony: we'll miss you so much.

UPDATE: Obituaries for Tony Howard continue to appear in all the major news outlets, most of them eulogies for, as Jason puts it, a gentleman-journalist of the old school. Over at Our Kingdom, however, Anthony Barnett strikes a somewhat discordant note.

Ian Hargreaves, New Statesman editor from 1996-1998, writes:

Tony Howard was the ultimate political insider – in Peter Kellner's words, "the people's spy inside the corridors of power". But Tony was always more fascinated with the corridors of politics than the think tanks of policy or the worlds beyond both. His confident eloquence sprang from his learning and love of politicians and of the arts of political rhetoric; his opinions were always crafted to ricochet around a circle of people known to him by name.

As a radio broadcaster, I, like hundreds of others, always knew that I could go to Tony for a well-judged insight or a commonplace, one more adroitly worded than the competition. In my time as successor to him as editor of the New Statesman, he was part of the huddle of opinion which could affect the local weather. He was fond of conspiracy – something which, for Tony, was anything but a spectator sport.

It is right that his finest legacy is the Crossman Diaries. The positioning of Crossman at the then unfulfilled centre of Labour politics and the fact that his diaries were the WikiLeaks of their day speak to Tony's values, to his eye for a drama and to the courage it takes to exploit one. Don't be fooled by your memories of those silken, jowly tones: Tony Howard was a fighter and a mischief-maker – a journalist.

Peter Wilby, editor of the New Statesman between 1998 and 2005, writes:

When I left the Observer in 1975, aged 30, I heard that the New Statesman was looking for an education correspondent. I rang Tony Howard, whom I had not then met. He came straight to the point. "Are you leaving the Observer or is the Observer leaving you?" he demanded. When I replied that the former was the case, he asked for cuttings. After perusing these and making "inquiries", he expressed the broad opinion that I would be "OK". But, he added, he had seen only rare signs of the flashy, reader-gripping phrase. On this, he insisted, I must up my game.

After this rigorous examination (more rigorous than I experienced for some full-time staff jobs), I expected at least a retainer. But, no, he would pay me £40 for each 1,000-word piece (not a princely sum, even in those days) or £60 for 2,000 words. If nothing was published, I would receive nothing. I could expect to get in "the paper" roughly once every two or three weeks, and he "hoped" I would attend weekly editorial conferences. He recognised that I might need to supplement this uncertain income (about five times over, on my conservative estimate) but, if I wrote regularly about education for national dailies or Sundays, our "arrangement" would be "less attractive" to him. On this unpromising basis, our association began and, despite the lack of any increased payments even in a period of rampant inflation, it continued for two happy years.

Tony regarded writing for the NS as an honour and imposed the most exacting standards. His judgements were speedy and precise and could rarely be altered. He could convey, in just a few words, exactly what he wanted, a talent more rare than it ought to be among editors. Over two years, he spiked, I think, one piece and made me rewrite two others. Otherwise, I apparently met his standards, always receiving a congratulatory phone call or written note. He gave me something priceless, which I had previously lacked: a belief that I could not just hack a career in journalism but could, in time, reach its highest levels.

I left the NS to join the Sunday Times, a newspaper of which he disapproved. But we parted on good terms and my career thereafter was punctuated by occasional messages of encouragement and praise. When I became NS editor in 1998, he said that, after an interval of 20 years and six editors since his own departure, "the apostolic succession" had been restored. By that, he meant (I think) that he could count on me to uphold the values and standards of writing that he established during his own editorship, and which were only erratically continued by his successors. Thereafter, his support, though he sometimes offered private criticism, was warm and consistent, through good times and bad.

Jonathan Derbyshire is Managing Editor of Prospect. He was formerly Culture Editor of the New Statesman.

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Jamie Reed: What it's like to stop being an MP

As I approach the whips’ office through the tearoom staircase, a colleague shouts: “It’s Steve McQueen!”

Leaving parliament was never going to be easy. Having entered the Commons at a relatively young age – I was 31 – I knew that a parliamentary existence would be strange, even weird.

I knew that I would never be a “lifer”. A long Commons career followed by a sinecure in the Lords was never for me. This was informed by an aversion not to prolonged public service – the career in the nuclear industry for which I have departed parliament is just as dedicated to public service – but to the culture in which politics in Westminster is undertaken. There is a lot wrong with parliament. I arrived with a healthy contempt for its culture, behaviours and practices; I leave with the knowledge that this contempt was correct.

As a young MP, I felt like Carraway, never like Gatsby. Still, leaving the Commons has taken a huge mental and emotional effort.

21 December 2016

The news of my resignation breaks a few hours early because of a leak. The ­Guardian’s north of England editor, Helen Pidd, brings forward the publication of our interview as a result. Within minutes, my phone explodes. Twitter is unusable. My email server begins to creak. I watch with mounting ­anxiety. Ignoring calls from journalists – many of them friends – I talk instead with my fellow MP John Woodcock.

In politics, you acquire a sixth sense for who would be with you in the trenches at the worst moments. John is such a person. I don’t remember the conversation; I just remember hanging up and crying. I ­shower, dress and head for my in-laws’ farm. When I open the door, there are bottles of champagne on the step. That night, trying to avoid the news, I learn that I was young, popular, brilliant and talented. It’s like being at my own funeral. I drink the champagne.

24 December

I receive a text from Jeremy Corbyn wishing me and my family well. I thank him for his warm words on my resignation.

9 January 2017

I’m en route to the Vogtle nuclear power plant near Atlanta, Georgia, as a guest of NuGen. At Vogtle, Georgia Power is building two AP1000 reactors – the same type as will be built in Copeland. This is a project to which I have devoted 12 years of my life – from writing nuclear policy with the Blair government to making sure that Copeland was chosen as a nuclear new-build site and working to ensure that successive governments maintained the policies underpinning the nuclear renaissance that the Blair-Brown administration began.

Clement Attlee’s Labour government created the nuclear industry, the last Labour government created the nuclear renaissance and I am leaving parliament to return to the nuclear industry – yet Labour will be forced to fight the by-election in my former seat amid allegations of being anti-nuclear. There is nothing new in post-truth politics. Lies have always had the power to seduce.

23 January

It’s my last week in parliament and I’ve made arrangements to see the whips. As I approach the whips’ office through the tearoom staircase, a colleague shouts: “It’s Steve McQueen!”

1 February

I leave my home in Whitehaven for Sellafield at 6.45am. As I drive through the frost, an iridescent light appears on the horizon: a new dawn has broken, has it not?

I collect my pass and enter a whirlwind of meetings, inductions and instructions. Everyone is generous, welcoming and warm. It is at this point that, for the first time, I am faced with irrefutable proof that I am no longer an MP. I am reminded of my parliamentary induction. Chief Whip Hilary Armstrong told us, “Get in the chamber . . . Don’t hide . . . Sink or swim . . .” New Labour was no place for a snowflake. I am reminded, too, of my induction by the House payroll and expenses administrators. A year before the expenses scandal shook Westminster, they informed me: “All we ask is that you don’t buy any antiques . . .”

2 February

As when I entered parliament for the first time, I don’t have a desk. I’m hot-desking, or hot-podding, or hot-cubing. I remind myself that, for now, I remain the Crown steward and bailiff of the Manor of Northstead.

I bump into a colleague from my first time in the nuclear industry. “All right?” he asks.

“Getting there,” I reply.

“You know what they’re saying, don’t you?” he continues.

“No. What?”

“‘The bloody ego has landed.’”

I walk away wondering if it’s now my role in life to remind people of films set in the Second World War.

3 February

It’s a Friday and it strikes me that I have no constituency surgery. Everyone around me has their head down, meeting targets, solving problems. This is a £2bn-a-year operation. There’s no room for Gatsby here. This is why my new role excites me.

The self-immolating stupidity of Brexit, combined with the complex and growing needs of my family, contributed to my decision to leave parliament. Most of all, though, it was the opportunity to work in this organisation and help to drive change within it and my community that caused me to make the switch. My former constituency can and should be at the centre of one of the fastest-growing parts of the UK economy in the years to come. A changing Sellafield and a dynamic industry will be at the heart of this, and time is of the essence.

20 February

The by-election in my former seat draws near and my time as the Crown steward is running out.

I am repeatedly approached by the media for comment and I duck every request. This is for someone else now and I wish my successor well. None of us is indispensable. 

Jamie Reed is Labour MP for Copeland.

This article first appeared in the 24 February 2017 issue of the New Statesman, The world after Brexit