And man created life

Does this strengthen or weaken belief in intelligent design?

So, at last it has been done. Scientists, led by the human genome decoder Craig Venter, have created synthetic life. We're not talking Frankenstein or Asimov's robots; so far, it's just a bacterium that has been given the name Synthia. But Venter, for one, is in no doubt as to the significance of his work. As he told the Times:

It is our final triumph. This is the first synthetic cell. It's the first time we have started with information in a computer, used four bottles of chemicals to write up a million letters of DNA software, and actually got it to boot up in a living organism.

Though this is a baby step, it enables a change in philosophy, a change in thinking, a change in the tools we have. This cell we've made is not a miracle cell that's useful for anything, it is a proof of concept. But the proof of concept was key, otherwise it is just speculation and science fiction. This takes us across that border, into a new world.

It does indeed. While it may be a great achievement, it is obviously worrying the ends to which this new technology could be put, especially if it falls into the wrong hands. There are some places in which we would be wise to tread very carefully, just as in the case of space exploration.

As Professor Stephen Hawking said recently of other forms of life that might be out there in the universe: "I imagine they might exist in massive ships, having used up all the resources from their home planet. Such advanced aliens would perhaps become nomads, looking to conquer and colonise whatever planets they can reach." (Remember the alien visitors in Tim Burton's film Mars Attacks?)

"We only have to look at ourselves to see how intelligent life might develop into something we wouldn't want to meet," he said. That's the important worry as far as other life, whether it's extraterrestrial or man-created, is concerned.

But back to Synthia. Some religious people will almost certainly regard her creation as man presuming to interfere with what should be the preserve of the divine. The Daily Mail's headline starts with the words "Scientist accused of playing God", and there'll be more of that to come, for sure.

And yet, could Venter actually be thought of as doing, if not "God's work", then at least a favour to the Almighty? Think of the teleological argument, or the argument from design, which suggests that the order we see in the universe could not have come about by chance.

As William Paley put it in his watchmaker analogy, if he were to stumble across a watch, "I should hardly think . . . that for anything I knew, the watch might have always been there . . . There must have existed, at some time, and at some place or other, an artificer or artificers . . . who comprehended its construction, and designed its use."

Many continue to find versions of this reasoning compelling. When I interviewed the philosopher Sir Anthony Kenny, a former Jesuit priest and the only man I've ever met who was excommunicated, he said to me: "The reason that I'm agnostic is that the Argument from Design seems to be quite strong in pointing to the need for some extra-cosmic intelligence."

We'll have to wait and see how Venter's work develops. But if we were to observe Synthia and conclude that she must have been designed by someone or something, we would be correct.

It would be intriguing if, far from strengthening the hand of science over supernaturalism, this newly created life only confirmed the beliefs of those who observe the world and assume that it, too, must have had an intelligent designer.

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Sholto Byrnes is a Contributing Editor to the New Statesman
John Moore
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The man who created the fake Tube sign explains why he did it

"We need to consider the fact that fake news isn't always fake news at the source," says John Moore.

"I wrote that at 8 o'clock on the evening and before midday the next day it had been read out in the Houses of Parliament."

John Moore, a 44-year-old doctor from Windsor, is describing the whirlwind process by which his social media response to Wednesday's Westminster attack became national news.

Moore used a Tube-sign generator on the evening after the attack to create a sign on a TfL Service Announcement board that read: "All terrorists are politely reminded that THIS IS LONDON and whatever you do to us we will drink tea and jolly well carry on thank you." Within three hours, it had just fifty shares. By the morning, it had accumulated 200. Yet by the afternoon, over 30,000 people had shared Moore's post, which was then read aloud on BBC Radio 4 and called a "wonderful tribute" by prime minister Theresa May, who at the time believed it was a genuine Underground sign. 

"I think you have to be very mindful of how powerful the internet is," says Moore, whose viral post was quickly debunked by social media users and then national newspapers such as the Guardian and the Sun. On Thursday, the online world split into two camps: those spreading the word that the sign was "fake news" and urging people not to share it, and those who said that it didn't matter that it was fake - the sentiment was what was important. 

Moore agrees with the latter camp. "I never claimed it was a real tube sign, I never claimed that at all," he says. "In my opinion the only fake news about that sign is that it has been reported as fake news. It was literally just how I was feeling at the time."

Moore was motivated to create and post the sign when he was struck by the "very British response" to the Westminster attack. "There was no sort of knee-jerk Islamaphobia, there was no dramatisation, it was all pretty much, I thought, very calm reporting," he says. "So my initial thought at the time was just a bit of pride in how London had reacted really." Though he saw other, real Tube signs online, he wanted to create his own in order to create a tribute that specifically epitomised the "very London" response. 

Yet though Moore insists he never claimed the sign was real, his caption on the image - which now has 100,800 shares - is arguably misleading. "Quintessentially British..." Moore wrote on his Facebook post, and agrees now that this was ambiguous. "It was meant to relate to the reaction that I saw in London in that day which I just thought was very calm and measured. What the sign was trying to do was capture the spirit I'd seen, so that's what I was actually talking about."

Not only did Moore not mean to mislead, he is actually shocked that anyone thought the sign was real. 

"I'm reasonably digitally savvy and I was extremely shocked that anyone thought it was real," he says, explaining that he thought everyone would be able to spot a fake after a "You ain't no muslim bruv" sign went viral after the Leytonstone Tube attack in 2015. "I thought this is an internet meme that people know isn't true and it's fine to do because this is a digital thing in a digital world."

Yet despite his intentions, Moore's sign has become the centre of debate about whether "nice" fake news is as problematic as that which was notoriously spread during the 2016 United States Presidential elections. Though Moore can understand this perspective, he ultimately feels as though the sentiment behind the sign makes it acceptable. 

"I use the word fake in inverted commas because I think fake implies the intention to deceive and there wasn't [any]... I think if the sentiment is ok then I think it is ok. I think if you were trying to be divisive and you were trying to stir up controversy or influence people's behaviour then perhaps I wouldn't have chosen that forum but I think when you're only expressing your own emotion, I think it's ok.

"The fact that it became so-called fake news was down to other people's interpretation and not down to the actual intention... So in many interesting ways you can see that fake news doesn't even have to originate from the source of the news."

Though Moore was initially "extremely shocked" at the reponse to his post, he says that on reflection he is "pretty proud". 

"I'm glad that other people, even the powers that be, found it an appropriate phrase to use," he says. "I also think social media is often denigrated as a source of evil and bad things in the world, but on occasion I think it can be used for very positive things. I think the vast majority of people who shared my post and liked my post have actually found the phrase and the sentiment useful to them, so I think we have to give social media a fair judgement at times and respect the fact it can be a source for good."

Amelia Tait is a technology and digital culture writer at the New Statesman.