Comedy cowards

Why don’t satirists go for religion today?

While watching Not Again: Not the Nine O'Clock News, a documentary about the BBC comedy show which ran from 1979 to 1982, on television last night, I was struck by two thoughts. One was that religion of every kind was considered fair game then -- the Beeb showed the sketch in which a cringe-makingly "trendy" vicar declared that it could only be a matter of time before diabolists were allowed into the church, and the four series contained plenty of others, such as Rowan Atkinson's brilliant monologue "Are you a gay Christian?".

My second thought was that although several of the songs were featured, the programme didn't include one of the most fondly remembered, "There's a man in Iran", in which Pamela Stephenson declares her love for Ayatollah Khomeini.

OK, there were many musical numbers, but I couldn't help wondering whether that particular one had been omitted because it was thought to be too controversial in these times. For where are the comedic jabs at religion today? I also watched a Dave Allen DVD over Christmas, which served to remind of how his shows frequently lampooned Catholicism and Christian beliefs (see this clip). Yes, he may have been brought up as an Irish Catholic, and thus had some licence to mock his own culture, just as Mel Brooks was above criticism for his jokes about Jews. (Could anyone else have got away with "The Spanish Inquisition" in his History of the World Part I, I wonder?) But Allen's ribbing of religion, gentle as it may seem now, was risqué and offensive to some at the time. It wasn't entirely safe.

You can find passionate attacks on religion on DVD and the internet by comedians such as Billy Connolly, Bill Maher and Eddie Izzard. But while I applaud Connolly for defending the right of cartoonists to make jokes about Islam, much of this type of material is too angry to be funny. It becomes pure polemic. And although it's possible I've missed it, I don't think you'll find it in the schedules of the terrestrial broadcasters.

Neither is the humour of Connolly et al directed at particular figures. It's creationist v evolutionist stuff, which is fine (if often a little obvious), but also rather abstract. Where are the sketches about the Pope, the Archbishop of Canterbury or the Chief Rabbi? What they do and say has a practical effect on the world as it is now, after all. If only the late Sheikh Abdul Aziz bin Baz, the blind Grand Mufti of Saudi Arabia whose duties nevertheless included television censorship, were still alive. Comedy writers could have had a field day with him.

The question is, has religion retreated so far from the public sphere that it's not worth making jokes about any more? That seems unlikely, especially given the constant complaints from secularists and atheists about its encroachment on what they think should be non-religious turf. Or is it that comedians don't dare touch the subject? And if not, why not?

Going back to Not the Nine O'Clock News, if the reason the BBC didn't screen the Ayatollah song last night was fear of a furious reaction, then we should all be very worried indeed. There is no "right" not to be offended, and we should not let such a "right" gain force through cowardice or default. For it is in such seemingly little ways that our freedoms are lost.

 

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Sholto Byrnes is a Contributing Editor to the New Statesman
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The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

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