Farewell Wapping, the Fortress of Solitude

What does the selling off of News International's HQ mean for the future of journalism?

Fortress Wapping is no more. At least, it will be no more soon, as News International seeks to sell off the site which once it had earmarked for a now-shelved campus development.

It's a move that seems like a rather poignant reflection of the state of print. Once upon a time, Wapping was something people fought over; it was the epicentre of the journalists' and printworkers' dispute of 1986, when sales of newspapers in Britain had reached their peak. Now, it's being closed down, with barely a struggle. "A readjustment of a property portfolio," says the statement, but it's hard not to think it's symbolic of more than that.

The News International brand has been poisoned by the phonehacking saga, which still echoed on yesterday, with more statements to parliament and more accusations. It's not going away any time soon, with more arrests continuing. You can't stop something from being news, once it's news; Rupert Murdoch probably knows that best of all.

While James Murdoch is feeling the heat, the aura of invincibility has gone from his father - an aura which was created at around the time when he decided to smash the unions and move to Wapping in the first place. Perhaps the departure from that site could represent the closing of a circle; perhaps it is just a cold business decision in difficult trading times -- the one-off revenues from the sale of prime land should be handsome, although you have to wonder how much greater they would have been in a property boom rather than a slump. Whatever the reason, Fortress Murdoch, Fortress Wapping, which once seemed impregnable is now being abandoned.

It's not just a change of site though. The Wapping announcement coincides with the shedding of more than 100 journalists' jobs. Those of us who've been through the business of being booted out ourselves will recognise the language: consultation; challenging economic conditions; reassessment; an extremely testing time; great confidence for the future; yadda yadda yadda. We've heard it all before, and we know what it means.

As ever with these announcements, I take no pleasure in seeing a bunch of journalists being kicked out after a lifetime in their chosen profession -- even if they did end up working for Murdoch. It's a stark reminder of the state of the industry -- when I started working a big regional daily in 2004, there were nearly 200 journalists working there; now there are 60. When you see even the likes of News International shedding jobs, using that ominous language about 'going forward' that we redundant types remember so well from Powerpoint presentations and friendly memos back at our old workplaces, you know that something is wrong. This could be more than just a little local difficulty.

There's something else: it's been nearly nine weeks since the News of the World printed its last-ever 'souvenir' edition (available now on Ebay for £5m) but the Sun hasn't started printing on a Sunday yet. It may be just around the corner; it may be some distance away. But it is going to happen -- isn't it? And if there's even the slightest possible chance that it isn't, what does that mean for the future of the industry?

The old certainties are gone: Fortress Wapping is no more; the Murdoch aura has disappeared. In their place are new certainties: journalists are going to lose their jobs. Ink is declining. And it's hard to see a time when that is going to change.

Patrolling the murkier waters of the mainstream media
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What David Hockney has to tell us about football

Why the sudden glut of blond footballers? A conversation I had with the artist back in 1966 gave me a clue. . .

In 1966, I went to interview David Hockney at a rather run-down flat in Bayswater, central London. He was 28 and had just won a gold medal at the Royal College of Art.

In his lavatory, I noticed a cut-out photograph from a newspaper of Denis Law scoring a goal. I asked if he was a football fan. He said no, he just liked Denis Law’s thighs.

The sub-editors cut that remark out of the story, to save any gossip or legal problems. In 1966 homosexual activity could still be an offence.

Hockney and a friend had recently been in the United States and had been watching an advert on TV that said “Blondes have more fun”. At two o’clock in the morning, slightly drunk, they both went out, bought some hair dye and became blond. Hockney decided to remain blond from then on, though he has naturally dark hair.

Is it true that blonds have more fun? Lionel Messi presumably thinks so, otherwise why has he greeted this brand-new season with that weird blond hair? We look at his face, his figure, his posture and we know it’s him – then we blink, thinking what the heck, does he realise some joker has been pouring stuff on his head?

He has always been such a staid, old-fashioned-looking lad, never messing around with his hair till now. Neymar, beside him, has gone even blonder, but somehow we expect it of him. He had foony hair even before he left Brazil.

Over here, blonds are popping up all over the shop. Most teams now have a born-again blondie. It must take a fortune for Marouane Fellaini of Man United to brighten up his hair, as he has so much. But it’s already fading. Cheapskate.

Mesut Özil of Arsenal held back, not going the full head, just bits of it, which I suspect is a clue to his wavering, hesitant personality. His colleague Aaron Ramsey has almost the full blond monty. Paul Pogba of Man United has a sort of blond streak, more like a marker pen than a makeover. His colleague Phil Jones has appeared blond, but he seems to have disappeared from the team sheet. Samir Nasri of Man City went startlingly blond, but is on loan to Seville, so we’re not able to enjoy his locks. And Didier Ndong of Sunderland is a striking blond, thanks to gallons of bleach.

Remember the Romanians in the 1998 World Cup? They suddenly appeared blond, every one of them. God, that was brilliant. One of my all-time best World Cup moments, and I was at Wembley in 1966.

So, why do they do it? Well, Hockney was right, in a sense. Not to have more fun – meaning more sex – because top footballers are more than well supplied, but because their normal working lives are on the whole devoid of fun.

They can’t stuff their faces with fast food, drink themselves stupid, stay up all night, take a few silly pills – which is what many of our healthy 25-year-old lads consider a reasonably fun evening. Nor can they spend all their millions on fun hols, such as skiing in the winter, a safari in the spring, or hang-gliding at the weekend. Prem players have to be so boringly sensible these days, or their foreign managers will be screaming at them in their funny foreign accents.

While not on the pitch, or training, which takes up only a few hours a day, the boredom is appalling, endlessly on planes or coaches or in some hotel that could be anywhere.

The only bright spot in the long days is to look in the mirror and think: “Hmm, I wonder what highlights would look like? I’ve done the beard and the tattoos. Now let’s go for blond. Wow, gorgeous.”

They influence each other, being simple souls, so when one dyes his hair, depending on where he is in the macho pecking order, others follow. They put in the day by looking at themselves. Harmless fun. Bless ’em.

But I expect all the faux blonds to have gone by Christmas. Along with Mourinho. I said that to myself the moment he arrived in Manchester, smirking away. Pep will see him off. OK then, let’s say Easter at the latest . . . 

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 22 September 2016 issue of the New Statesman, The New Times