Daily Star’s tacit support for EDL is no surprise

It could be a good thing – at least we now know where they stand.

Wednesday's front page of the Daily Star has been widely seen as an endorsement of the English Defence League. Roy Greenslade of the Guardian called it "a clear piece of propaganda on behalf of the EDL", while the Independent's Ian Burrell asked, "Has the Daily Star decided to back the EDL?"

It's just a coincidence, of course, that Richard Desmond should moot the EDL's spiritual home of Luton as the base for his newspapers, but it couldn't be better timing. Who knows? Maybe the EDL will hold a "Welcome to Luton" street party for Star hacks when they arrive at work for the first time in Bedfordshire.

My fellow media blogger Five Chinese Crackers expresses the view of many of us who viewed the Star as just a worthless comic and not worthy of serious criticism, saying: "I hardly ever looked at the Star, since it exists primarily as a vehicle for selling pictures of tits to stupid people," but admits we're going to have to start taking it seriously now.

This is, after all, a national newspaper – of which there are only ten – aligning itself with an organisation that many consider to be odious, hostile to freedom and deeply unpleasant. Of course, as many other bloggers have documented down the years, Daily Star headlines often bear little or no relation to the stories below, and it's a similar case with this one. The EDL boss saying "We aren't ruling it out" is alchemised into "EDL to become political party". No matter. The Star has its story, and backs it up with a remarkably chummy editorial column.

It's been coming for a while. Back in November, Hope Not Hate wrote politely to the Star asking the paper to tone down its coverage of Muslims. It came on the back of a Star poll which found that 98 per cent of readers feared Britain was becoming a Muslim state – the most recent poll found that 98 per cent of readers, perhaps not entirely unrelatedly, backed the policies of the EDL.

At the time, I looked at the reaction on nationalist and EDL message boards and blogs, and found it was highly positive. One blogger wrote, delightedly, "This is the first article I have read, from both the national and regional media, that hasn't been critical of the EDL," and hoped for more in the future. It would seem that wish has been granted.

It seems an odd decision, on the face of it, from the Star to be so matey with the EDL. Perhaps 98 per cent of Star readers really do support the EDL; and phone polls are entirely representative of a readership's feelings on any particular subject. Perhaps there is a lot of latent support for the EDL from ordinary Brits who feel angry at what they see as the Islamification of their country, based on the kind of stories they read in the Star (and elsewhere, in slightly more complicated terms). Perhaps it's just a way of targeting a narrow demographic as a way of tunnelling out of the general slump in newspaper sales, abandoning broad appeal in favour of a particular type of reader.

As I said last week, newspapers may be reflecting their readerships, but if they're just confirming prejudices rather than reporting what's actually going on, that erodes the credibility of all newspapers even more.

If you look back further, this was a newspaper that would have had a "Daily Fatwa" edition published, had it not been for a revolt by the newsroom's union chapel. So, this isn't a new flirtation, but perhaps rather a "coming out" by the Star, and perhaps is to be welcomed by the rest of us. At least we know what we're dealing with now, and it's out in the open. At least we know where they stand.

Patrolling the murkier waters of the mainstream media
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Young people want big ideas – that's why I refuse to dumb down Radio 4

My week, from finding a way through the fog to getting the quarterly audience figures.

I walk to work through Regent’s Park, when possible accompanied by my dogs, which my husband then collects on his bike ride and takes home. If there is time we have coffee together in the small hut just before the inner circle. This is a good way to listen to the Today programme, I find, as I can keep one ear in, achieve a rational, critical detachment and still enjoy the birds, and then add the other ear if a strong interview demands immersion, or take both out altogether when despair creeps up. On the subject of Today, I hope to have some fun with Sarah Sands, whom we have just appointed as the programme’s new editor; it’s good to see an experienced woman brought in at a senior level to the BBC.

 

A winter’s tale

The park through the seasons has become something of an addiction, measured out by inspired planting of appropriate annuals, the names of which I note and discuss with the gardeners when I dare interrupt them.

Memorable events occur quite frequently during this walk: I once stumbled upon a proposal of marriage involving a beautiful young woman who once had worked for me; an elderly Chinese gentleman practises t’ai chi regularly at a certain spot and I imagine talking to him about the changes he has seen in his lifetime back home. I have seen a rare green woodpecker on the grass pecking boldly in plain sight, and hopeless ducks, silent, puffed up, marooned in the fountains, unable to find their way back to the ponds, so close by.

At the start of winter, while walking home one day, I got stuck in the park, with a group of other stragglers, as the gates locked with the onset of darkness. Rather than retreating the way I had come, I accepted the offer (from a rather good-looking stranger) of a lift down from the top of the gate. The atmosphere then was alive, exhilarating, with crowds heading for the Frieze Masters marquee. How different it all is now, in 2017. There’s a new mood, a new American president, a new era.

 

Musical interlude

Recently, Roger Vignoles – the glorious pianist and a close friend – was playing, as he often does, in a lunchtime concert recorded for Radio 3 around the corner from Broadcasting House at the Wigmore Hall, with the baritone Roddy Williams. French songs: Fauré, Poulenc, Honegger, with a handful from Caplet (the latter quite new to me). All thoughts of politics fled, giving way to “L’adieu en barque”, set late one summer’s day on the river, a moment to clear the fog, both within and enveloping us that day in London.

I left an hour later in clear sunshine, feeling smug because we have commissioned Roddy’s Choral ­History of Britain for Radio 4 later this year.

 

Power trip

Waiting for coffee to brew, I was discussing Book of the Week with Gill Carter, commissioning assistant on this slot, when my drama commissioner, Jeremy Howe, put his head round the door. “Clarke Peters (yes, the one from The Wire) is here reading The Underground Railroad for Book at Bedtime.” Assured, deep tones rang out from a tiny studio on the third floor. “I have to keep stopping,” he said, as I thanked him.

Who could not be overcome by this story of slavery and bravery at this moment in American history? I am so glad to bring it to listeners this month. “Can you help?” the producer pleaded as we left. “We’re about to be thrown out of the studio.” That’s real power, I thought, as ten minutes later Jeremy had conjured up the extra time.

Clarke Peters will be back in the autumn with a series about the real history of black music in the UK which, he says, is little understood.

 

Culture and anarchy

This is the time of year when we launch the commissioning round calling for big ideas for next year. It’s a humbling thing to stand in our beloved art-deco Radio Theatre in front of hundreds of programme-makers, hoping that they will be inspired to bring “the best which has been thought and said in the world” (my guiding principle from Matthew Arnold).

I try on these occasions to lay out a little of how I see the shape of the world in the commissioning period ahead. This year the Loneliness of the Long-Distance Runner overcame me. Better perhaps simply to outline the way we commissioned the first week of 2017 to catch the mood. T S Eliot, more or less all New Year’s Day, read by the formidable Jeremy Irons, raised an echo of the Thirties, then a factual series of considerable documentaries across the week described The New World, followed by writers around the globe Imagining the New Truth.

Finally, inspired by Twelfth Night and the spirit of misrule, the comedy writer John Finnemore, one of our favourites, took over as the Lord of Misrule himself.

The imaginative world and writers have never been more needed. Whether it is truth or post-truth, I suspect that dramatic, imagined and creative truth when properly achieved is probably the nearest we can ever get to truth itself.

 

Tuning in

It’s the week of Rajar. These are quarterly audience figures for radio. In the past few months, they tell us, over 11 million people have listened each week to BBC Radio 4, setting new records. Just under half are below our average age of 56 and 1.5 million are under 35. At the moment we seem to have over two million weekly visitors to the website and roughly 20 million monthly global downloads.

Who says young people don’t want intelligent content? Who says that dumbing down is the only way to attract big audiences? We at Radio 4 try to be all about smartening up. We mark Rajar Day (whether the numbers are up or down) with cake, so I make my way to Paul for two tarts, pear and blueberry this time.

Gwyneth Williams is the controller of BBC Radio 4

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times