Nick Clegg apologises for tuition fees pledge

"There's no easy way to say this: we made a pledge, we didn't stick to it and for that I am sorry."

Nick Clegg has filmed an apology for the party's pledge over tuition fees, which will be broadcast to coincide with the Liberal Democrat party conference.

The Lib Dem leader says: 

"I'd like to take the opportunity to set a few things straight. When I meet people around the country, it's obvious that you have strong and pretty mixed reactions to things the Liberal Democrats have done in government . . . I meet people who are disappointed and angry that we couldn't keep all our promises, above all our promise not to raise tuition fees."

He that it was a "mistake" to make the pledge, when the only way that Lib Dems would be in power was as a coalition partner of Labour or the Tories, who wanted to raise fees. Clegg adds:

"There's no easy way to say this: we made a pledge, we didn't stick to it and for that I am sorry. . . When we're wrong, we hold our hands up. But when we're right we hold our heads up too. We were right to leave the comfort of opposition to face the realities of Government and I know we are fighting for the right things."

Making the video is a bold move from Clegg: will it "detoxify" the Lib Dem brand, or cement the image of him as a weak leader who has lost his core voters' support? Here's the video, courtesy of ITV: decide for yourself.

Nick Clegg. Source: ITV News

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

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Indie band The 1975 want to “sue the government” over the Electoral Commission’s latest advert

Frontman Matt Healy perhaps isn’t aware that the Electoral Commission is not, in fact, the government (or believes that this is part of a wider conspiracy).

How do you make registering to vote in the EU Referendum cool? It sounds like something  from The Thick of It, but judging by the Electoral Commission’s latest TV ad for their new voting guide, this was a genuine question posed in their meetings this month. The finished product seems inspired by teen Tumblrs with its killer combination of secluded woodlands, vintage laundrettes and bright pink neon lighting.

But indie-pop band The 1975 saw a different inspiration for the advert: the campaign for their latest album, I Like It When You Sleep For You Are So Beautiful Yet So Unaware Of It (Yes, a title perhaps even more cumbersome than “The EU Referendum - You Can’t Miss It (Phase One)”).

Lead singer Matt Healy posted a picture of the guide with the caption “LOOK OUT KIDZ THE GOVERNMENT ARE STEALING OUR THOUGHTS!!” back on 17 May. The release of the TV spot only furthered Healy’s suspicions:

Healy perhaps isn’t aware that the Electoral Commission is not, in fact, the government (or believes that this is part of a wider conspiracy).

The 1975’s manager, Jamie Oborne, was similarly outraged.

Oborne added that he was particularly “disappointed” that the director for the band’s video for their song “Settle Down”, Nadia Marquard Otzen, also directed the Electoral Commission’s ad. But Otzen also directed the Electoral Commission’s visually similar Scottish Referendum campaign video, released back in September 2014: almost a year before The 1975 released the first promotional image for their album on Instagram on 2 June 2015.

Many were quick to point out that the band “didn’t invent neon lights”. The band know this. Their visual identity draws on an array of artists working with neon: Dan Flavin’s florescent lights, James Turrell’s “Raemar pink white”, Nathan Coley’s esoteric, and oddly-placed, Turner-shortlisted work, Bruce Nauman’s aphoristic signs, Chris Bracey’s neon pink colour palette, to just name a few – never mind the thousands of Tumblrs that undoubtedly inspired Healy’s aesthetics (their neon signs were exhibited at a show called Tumblr IRL). I see no reason why Otzen might not be similarly influenced by this artistic tradition.

Of course, The 1975 may be right: they have helped to popularise this particular vibe, moving it out of aesthetic corners of the internet and onto leaflets dropped through every letterbox in the country. But if mainstream organisations weren’t making vaguely cringeworthy attempts to jump on board a particular moment, how would we know it was cool at all?

Anna Leszkiewicz is a pop culture writer at the New Statesman.