Coming soon: The New Statesman Century

Weidenfeld & Nicolson's 100th anniversary book will feature contributions from George Orwell, Virginia Woolf, John Maynard Keynes and Hugh Grant.

 

From Weidenfeld & Nicolson: 

Weidenfeld & Nicolson to publish

THE NEW STATESMAN CENTURY

Alan Samson, Publisher Non-Fiction, has bought World Rights from Sophie Lambert of Tibor Jones & Associates for THE NEW STATESMAN CENTURY  edited by the magazine ‘s own editor, Jason Cowley. The book will be published by W&N in August 2013 to mark the magazine’s centenary year.

THE NEW STATESMAN CENTURY will celebrate 100 years of stellar and influential journalism with a fascinating selection of the most interesting, groundbreaking and amusing writing to have appeared in the magazine.  Contributors include George Orwell, WB Yeats, HG Wells, Virginia Woolf, Graham Greene, Christopher Hitchens, Gabriel Garcia Marquez, Richard Dawkins and Hugh Grant.

No British periodical or weekly magazine has a richer and more distinguished archive than the New Statesman, which has long been at the centre of British political and cultural life.  If not quite at the centre, then at the most energetic, subversive end of the progressive centre-left.  

Most of the great political and cultural writers of the last 100 years or so have written for the New Statesman.  Many have been on its staff or were associates of it: HG Wells, George Bernard Shaw, John Maynard Keynes, V.S. Pritchett, Paul Johnson, Christopher Hitchens and John Gray.  Many of the radical causes of our times were launched in association with or in the pages of the New Statesman -.  for example, the Campaign for Nuclear Disarmament (CND) and Charter 88.  There is, too, a rich history of illustration and cartoons to draw on, from Low's sketches of the great and the good to the gonzo art of Ralph Steadman and Will Self's early comic strips.

The book is much more than an anthology.  It tells the story of the New Statesman century, from the eve of the First World War to the long aftermath of 9/11 and the Great Recession through which we are still passing.  It looks forward as well as back, offering a unique and unpredictable perspective on a tumultuous century.

Jason Cowley said: “We are delighted to be collaborating on this project with Weidenfeld & Nicolson, a publishing house as distinguished and venerable as the New Statesman itself. The book should delight anyone with an interest in good writing, and the history, politics and literature of a tumultuous century.”

Jason Cowley is a journalist, magazine editor and writer.  He became editor of the New Statesman in October 2008. Before that he was the editor of Granta magazine and a senior editor and writer on the Observer. In 2009 and 2011 he was named editor of the year in the Newspaper and Current Affairs Magazines category at the British Society of Magazine Editors awards. He is the author most recently of a memoir, The Last Game (2009).

Published by W&N in August 2013 at £20 in hardback and £10.99 in eBook. For further information please contact Helen Richardson on 0207 520 4449 or email helen.richardson@orionbooks.co.uk

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Theresa May’s stage-managed election campaign keeps the public at bay

Jeremy Corbyn’s approach may be chaotic, but at least it’s more authentic.

The worst part about running an election campaign for a politician? Having to meet the general public. Those ordinary folk can be a tricky lot, with their lack of regard for being on-message, and their pesky real-life concerns.

But it looks like Theresa May has decided to avoid this inconvenience altogether during this snap general election campaign, as it turns out her visit to Leeds last night was so stage-managed that she barely had to face the public.

Accusations have been whizzing around online that at a campaign event at the Shine building in Leeds, the Prime Minister spoke to a room full of guests invited by the party, rather than local people or people who work in the building’s office space.

The Telegraph’s Chris Hope tweeted a picture of the room in which May was addressing her audience yesterday evening a little before 7pm. He pointed out that, being in Leeds, she was in “Labour territory”:

But a few locals who spied this picture online claimed that the audience did not look like who you’d expect to see congregated at Shine – a grade II-listed Victorian school that has been renovated into a community project housing office space and meeting rooms.

“Ask why she didn’t meet any of the people at the business who work in that beautiful building. Everyone there was an invite-only Tory,” tweeted Rik Kendell, a Leeds-based developer and designer who says he works in the Shine building. “She didn’t arrive until we’d all left for the day. Everyone in the building past 6pm was invite-only . . . They seemed to seek out the most clinical corner for their PR photos. Such a beautiful building to work in.”

Other tweeters also found the snapshot jarring:

Shine’s founders have pointed out that they didn’t host or invite Theresa May – rather the party hired out the space for a private event: “All visitors pay for meeting space in Shine and we do not seek out, bid for, or otherwise host any political parties,” wrote managing director Dawn O'Keefe. The guestlist was not down to Shine, but to the Tory party.

The audience consisted of journalists and around 150 Tory activists, according to the Guardian. This was instead of employees from the 16 offices housed in the building. I have asked the Conservative Party for clarification of who was in the audience and whether it was invite-only and am awaiting its response.

Jeremy Corbyn accused May of “hiding from the public”, and local Labour MP Richard Burgon commented that, “like a medieval monarch, she simply briefly relocated her travelling court of admirers to town and then moved on without so much as a nod to the people she considers to be her lowly subjects”.

But it doesn’t look like the Tories’ painstaking stage-management is a fool-proof plan. Having uniform audiences of the party faithful on the campaign trail seems to be confusing the Prime Minister somewhat. During a visit to a (rather sparsely populated) factory in Clay Cross, Derbyshire, yesterday, she appeared to forget where exactly on the campaign trail she was:

The management of Corbyn’s campaign has also resulted in gaffes – but for opposite reasons. A slightly more chaotic approach has led to him facing the wrong way, with his back to the cameras.

Corbyn’s blunder is born out of his instinct to address the crowd rather than the cameras – May’s problem is the other way round. Both, however, seem far more comfortable talking to the party faithful, even if they are venturing out of safe seat territory.

Anoosh Chakelian is senior writer at the New Statesman.

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