Atheism+: the new New Atheists

This new movement has an energy that makes it hard to ignore.

Let me introduce you to Atheism+, the nascent movement that might be the most exciting thing to hit the world of unbelief since Richard Dawkins teamed up with Christopher Hitchens to tell the world that God was a Delusion and, worse than that, Not Great.  

Less than a week old in its current form, Atheism+ is the brainchild of Jen McCreight, a Seattle-based biology postgrad and blogger at the secularist Freethought network. She has called for a "new wave" of atheism on that "cares about how religion affects everyone and that applies skepticism to everything, including social issues like sexism, racism, politics, poverty, and crime." 

On one level, this is just the logical culmination of the huge upsurge in interest prompted by the so-called "New Atheists" and the growth over the last few years of a recognisable community or movement based around ideas of atheism, scientific scepticism and a progressive political agenda. While atheism is, by definition, no more or less than a non-belief in God, in practice it clusters with a variety of other positions, from pro-choice to campaigns against homeopathy. People who espouse "liberal atheism" as it might be called, oppose religion for political as well as philosophical reasons, just as the forces of religion seem to line up - though of course not exclusively - behind seemingly unconnected issues such as opposition to abortion and same-sex marriage and, in the US, gun-control.  

Atheism+ is, at its most basic, an attempt wrap things together more formally, to create a movement that prioritises issues of equality  and does so from an explicitly non-religious perspective. Some would say that such a philosophy already exists in the form of humanism. Others prefer the label Skeptic. Atheism+, however, seeks to capitalise on the sense of identity that has grown up around the word "atheism" during the past few years. One supporter of the idea, Greta Christina, celebrates the term as "a slap in the face that wakes people up." 

In this early phase Atheism+ is fired by anger as much as by as idealism. And, at least initially, much of this anger is directed inward towards the world of atheism itself.

Any community, new or old, has its tensions, and in the past year the atheist/sceptical community has been rocked by a divisive and increasingly bad-tempered debate over sexism and, more generally, a sense that the dominant voices have tended to be white, male and middle-class.  On the one hand, there have been suggestions that atheism and scepticism are philosophies disproportionately attractive to men. Indeed, the stereotype of the atheist as white, intellectually overconfident male - as Richard Dawkins - has long been a favourite among religious apologists. More seriously, there are definite feelings of exclusion, especially on the part of younger women.  

A number of incidents have served to crystallise the sense that all is not right in the world of unbelief.  Most notoriously, there was "Elevatorgate", an late-night incident in a lift during an atheist conference in Dublin during which the blogger Rebecca Watson was propositioned. Her subsequent public complaint about the man's behaviour and sexual harassment within the Skeptic movement drew criticism from Richard Dawkins himself and fuelled an ugly flame war.  She received, and continues to receive, rape and death threats.  

McCreight (it rhymes with "right") has her own experience to draw on.  She first came to prominence as the creator of 2010's "Boobquake", a satirical response to claims by an Iranian ayatollah that women who dressed immodestly were responsible for earthquakes.  McCreight wondered if encouraging women to wear tight t-shirts on a certain day would lead to a noticeable increase in seismic activity worldwide.  It didn't, though it did produce a small earthquake in parts of the skeptical community, in the form of a debate about whether such a stunt was compatible with feminism.

For McCreight personally, the "experiment" had an ambiguous outcome:

I’ve always considered myself a feminist, but I used to be one of those teenagers who assumed the awesome ladies before me had solved everything. But Boobquake made me wake up. What I originally envisioned as an empowering event about supporting women’s freedoms and calling out dangerous superstitious thinking devolved into “Show us your tits!”

McCreight recalls receiving unsolicited sexual invitations and, when she appeared in public, gratuitous comments about her appearance. It all made her feel that atheism was a "boys' club". It might welcome "a young, not-hideous woman who ... I made them look diverse" but  "rescinds its invitation once they realize you’re a rabble-rousing feminist." A movement that claimed to be rationalistic and against prejudice was not simply replicating the sexism of wider society, she felt, but actually magnified it.  Whenever she wrote or spoke about feminism she received hundreds of insulting and hateful comments.  Atheism had become - perhaps it always was - a bolthole for misogyny.  Worse, she wrote, "I don’t feel safe as a woman in this community – and I feel less safe than I do as a woman in science, or a woman in gaming, or hell, as a woman walking down the fucking sidewalk."

The first item on the Atheism+ agenda, then, is a cleansing one. McCreight herself says: "We need to recognize that there’s still room for self-improvement and to address the root of why we’ve been having these problems in atheism and skepticism." Greta Christina has gone so far as to devise a checklist of goals to which atheist organisations should aspire, including anti-harassment policies and ensuring diversity among both members and invited speakers. "To remember that not all atheists look like Richard Dawkins."

That sounds like, at least party, a negative programme - "getting rid of the garbage". Yet the name - or at least the symbol - is pleasingly double-edged. "Atheism plus", the natural reading, implies incompleteness: that other, associated principles need to be added to the core idea to produce a rounded philosophy. But it can also be read as "Atheism positive", going beyond the mere negation of belief. Time will tell whether McCreight's initiative leads to permanent changes in the atheist and sceptical movement, or to the formation of a new and distinct nexus of atheism and progressive politics, or is soon forgotten. But I'd bet against the latter. Whether or not the name sticks, there is an energy behind this new wave that makes it hard to ignore.

Atheism+ is a reaction against the "New Atheism" of Richard Dawkins. Photograph: Getty Images
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All the Premiership teams are competing to see who’s got the biggest stadium

It’s not just a financial, but a macho thing – the big clubs want to show off that they have a whopper.

Here in NW5, where we live noisily and fashionably, we are roughly equidistant from Arsenal and Spurs. We bought the house in 1963 for £5,000, which I mention constantly, to make everyone in the street pig sick. Back in 1963, we lived quietly and unfashionably; in fact, we could easily have been living in Loughton, Essex. Now it’s all changed. As have White Hart Lane and Highbury.

Both grounds are a few metres further away from us than they once were, or they will be when White Hart Lane is finished. The new stadium is a few metres to the north, while the Emirates is a few metres to the east.

Why am I saying metres? Like all football fans, I say a near-miss on goal was inches wide, a slow striker is a yard off his pace, and a ball player can turn on a sixpence. That’s more like it.

White Hart Lane, when finished, will hold 61,000 – a thousand more than the Emirates, har har. Meanwhile, Man City is still expanding, and will also hold about 60,000 by the time Pep Guardiola is into his stride. Chelsea will be next, when they get themselves sorted. So will Liverpool.

Man United’s Old Trafford can now hold over 75,000. Fair makes you proud to be alive at this time and enjoying the wonders of the Prem.

Then, of course, we have the New Wembley, architecturally wonderful, striking and stunning, a beacon of beauty for miles around. As they all are, these brave new stadiums. (No one says “stadia” in real life.)

The old stadiums, built between the wars, many of them by the Scottish architect Archibald Leitch (1865-1939), were also seen as wonders of the time, and all of them held far more than their modern counterparts. The record crowd at White Hart Lane was in 1938, when 75,038 came to see Spurs play Sunderland. Arsenal’s record at Highbury was also against Sunderland – in 1935, with 73,295. Wembley, which today can hold 90,000, had an official figure of 126,000 for the first Cup Final in 1923, but the true figure was at least 150,000, because so many broke in.

Back in 1901, when the Cup Final was held at Crystal Palace between Spurs and Sheffield United, there was a crowd of 110,820. Looking at old photos of the Crystal Palace finals, a lot of the ground seems to have been a grassy mound. Hard to believe fans could see.

Between the wars, thanks to Leitch, big clubs did have proper covered stands. Most fans stood on huge open concrete terraces, which remained till the 1990s. There were metal barriers, which were supposed to hold back sudden surges, but rarely did, so if you were caught in a surge, you were swept away or you fell over. Kids were hoisted over the adults’ heads and plonked at the front.

Getting refreshments was almost impossible, unless you caught the eye of a peanut seller who’d lob you a paper bag of Percy Dalton’s. Getting out for a pee was just as hard. You often came home with the back of your trousers soaked.

I used to be an expert on crowds as a lad. Rubbish on identifying a Spitfire from a Hurricane, but shit hot on match gates at Hampden Park and Ibrox. Answer: well over 100,000. Today’s new stadiums will never hold as many, but will cost trillions more. The money is coming from the £8bn that the Prem is getting from TV for three years.

You’d imagine that, with all this money flooding in, the clubs would be kinder to their fans, but no, they’re lashing out, and not just on new stadiums, but players and wages, directors and agents. Hence, so they say, they are having to put up ticket prices, causing protest campaigns at Arsenal and Liverpool. Arsène at Arsenal has admitted that he couldn’t afford to buy while the Emirates was being built. Pochettino is saying much the same at Spurs.

It’s not just a financial, but a macho thing – the big clubs want to show off that they have a whopper. In the end, only rich fans will be able to attend these supergrounds. Chelsea plans to have a private swimming pool under each new box, plus a wine cellar. Just like our street, really . . . 

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 11 February 2016 issue of the New Statesman, The legacy of Europe's worst battle