3:30 on an Olympic Friday? Great time for Michael Gove to bury news

Teachers at academies will no longer need qualifications.

Interesting that the Department for Education chose today to remove requirements for teachers working at academies to have Qualified Teacher Status (QTS). The change means that a centrally approved year of teacher training is no longer necessary – the onus of choosing and training employees will fall to schools themselves. A spokesman for the Department for Education told the BBC:

This policy will free up academies to employ professionals – like scientists, engineers, musicians, university professors, and experienced teachers and heads from overseas and the independent sector - who may be extremely well-qualified and are excellent teachers, but do not have QTS status.

A positive change then – freeing schools from lots of unneccessary bureaucracy? The Spectator thinks so:

This change might sound technical but its importance is that it means that academies will now be able to employ people who have not gone through a year of teacher training. Previously, an academy couldn’t have employed, say, James Dyson to teach design without him having done a year in a teacher training college.

It's a shame that someone who knows alot about vaccum cleaners hasn't yet been allowed to teach people about this. Still, why would Gove announce this today, when everyone's attention is on the Games?

Christine Blower, General Secretary of the National Union of Teachers, has some reasons:

Our 2011 ComRes poll showed that 89% of parents want a qualified teacher to teach their child, with just 1% comfortable about those without Qualified Teacher Status (QTS) taking charge of a class.

By his own admission, Michael Gove is relaxed about profit-making from schools. He takes his inspiration from Sweden where profits are being made by reducing the number of qualified teachers, and where educational standards have fallen. By contrast, the reason Finland scores so highly in international tables is because they value teachers, trust teachers and pay teachers well.

“Parents and teachers will see this as a cost-cutting measure that will cause irreparable damage to children’s education. Schools need a properly resourced team of qualified teachers and support staff, not lower investment dressed up as ‘freedoms’.

Michael Gove. Photograph: Getty Images
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An unlikely alliance of Hollywood and British builders are exposing the impact of blacklisting

When a secret operation of blacklisting UK construction workers was uncovered six years ago, the prospect of a film like Trumbo making blacklists a talking point was laughable.

“Scores of people lost their homes, their families disintegrated . . . some even lost their lives.” So says Bryan Cranston in the title role of Trumbo, the new film about the blacklist of communist sympathisers that gripped Hollywood for over a decade from the late 1940s.

The screenwriter Dalton Trumbo, a Communist party member, won two Oscars for his work under wraps during the blacklist era. But he spent almost a year in prison for his defiance of the US Congress’s inquisition into “un-American activities”.

Fifty-six years after the effective end of the blacklist and 5,500 miles from Hollywood, Cranston’s words are too close to home for a group of workers from a rather different demographic. In 2009, a government raid on a shady outfit called the Consulting Association discovered a database of over 3,000 builders in an unassuming office in the West Midlands.

With the sponsorship and co-operation of the likes of Balfour Beatty, Skanska, Carillion and Sir Robert McAlpine, the company worked to systematically deny employment to political activists and workplace safety reps who had raised grievances with bosses. Some files contained information that activists believe could only have been supplied by the police.

This week, 71 blacklistees were paid £5.6m by the firms. Hundreds more are fighting on to face the company chiefs in a High Court trial in May.

Some lost their homes, their families, their lives, as Dave Smith and Phil Chamberlain chronicle in their book Blacklisted. In 1995, Roy Bentham, a joiner from Merseyside, was added to the list after taking part in a strike, and soon could not find work anywhere in the northwest. “Being apart from my long-term girlfriend also put a strain on me and her emotionally,” he says. “We have subsequently split up. It does impact on your home life – and it’s still impacting now.”

In Trumbo, the title character clashes repeatedly over resistance tactics with fellow blacklisted writer Arlen Hird, a composite character played by Louis CK. After both men are released from jail, Hird first proposes to sue production companies for lost earnings, but later slams Trumbo for seeing revenge purely in financial terms – and forgetting the politics.

Blacklisted builders face similar dilemmas. Initially unions entered into talks with construction firms over compensation – but these broke down after the firms unilaterally launched their own scheme, branded “cut-price” by reps.

Some of the legal claims now due for the High Court were served as long ago as 2013. But in the past few weeks the litigants have come under immense pressure to withdraw. If they refuse to accept bosses’ offers and the courts subsequently award them less, workers will be forced to cover the firms’ legal fees.

Campaigners say the companies have already spent £20m fighting the claims, and are using this threat to “buy themselves out” of the embarrassing spectacle of having to testify in court.

Trumbo, however, offers a ray of hope. When the secret operation was uncovered six years ago, the prospect of Hollywood making a talking point of blacklisting was laughable. Activists are annoyed their own cases have been met by a “radio silence”. But the Blacklist Support Group wants to take advantage of the buzz around the film, and is encouraging its members to write to their local papers and speak up at public events about the impact of the Consulting Association database.

They will be helped by the fact that Trumbo, in spite of its Hollywood razzmatazz, is a fundamentally political film. Pride, the acclaimed 2014 picture about Lesbians and Gays Support the Miners, did not mention the Communist affiliation of key character Mark Ashton – reportedly to avoid alienating American audiences. Not so in Trumbo. The film even makes a compelling case that the relative comfort of Hollywood is no reason to withdraw our sympathy – and reminds us that scores of poorer and less powerful communists suffered too. “It shows that blacklisting is not a one-off aberration – it’s part and parcel of how capitalism works,” Smith, himself on the construction database, tells me.

It’s hard to imagine blacklists in Britain have been confined to the building trade. It shouldn’t take a blockbuster to make such flagrant human rights abuses a hot topic – but it’s unsurprising it has, given the decline of industrial journalism and the bias of our legal system. Three cheers for Hollywood.

 Conrad Landin is the Morning Star's industrial correspondent. Follow him on Twitter @conradlandin.