Jeremy Hunt: how much longer can the government hold out?

Hunt wrote to Cameron expressing his support for the BSkyB bid, a month before taking control of the

Ever since last month’s revelations about the relationship between Jeremy Hunt’s office and News Corporation, the accepted wisdom has been that the reason the Culture Minister has remained in office is that David Cameron is using him as a human shield.

That shield was dented yesterday, after the Leveson Inquiry published a memo which showed that Cameron knew that Hunt was in favour of Rupert Murdoch’s £8bn bid to buy BSkyB. The memo was send on 19 November 2010, a month before Cameron handed Hunt the quasi-judicial power to rule on the bid. Although at that point, the decision was in the hands of the Business Secretary, Vince Cable, it makes very clear that Hunt was actively supporting the bid.

Here it is in full:

James Murdoch is pretty furious at Vince's referral to Ofcom. He doesn't think he will get a fair hearing from Ofcom.

I am privately concerned about this because News Corp are very litigious and we could end up in the wrong place in terms of media policy.  

Essentially what James Murdoch wants to do is to repeat what his father did with the move to Wapping and create the world's first multi-platform media operator, available from paper to web to TV to iPhone to iPad.  Isn't this what all media companies have to do ultimately?  And if so,we must be very careful that any attempt to block it is done on genuine plurality grounds and not as a result of lobbying by competitors.

The UK has the chance to lead the way ... but if we block it our media sector will suffer for years.  In the end I am sure sensible controls can be put into any merger to ensure there is plurality, but I think it would be totally wrong to cave in to the Mark Thomson/Channel 4/Guardian line that this represents a substantial change of control given that we all know Sky is controlled by News Corp now anyway.

What next?  Ofcom will issue their report saying whether it needs to go to the Competition Commission by 31 December.  It would be totally wrong for the government to get involved in a competition issue which has to be decided at arm's length.  However I do think you, I, Vince and the DPM should meet to discuss the policy issues that are thrown up as a result.

The memo was sent four days after a phone call between Hunt and James Murdoch - a phone call that was necessary because Hunt's permanent secretary by his permanent secretary Jonathan Stephens.

It is pretty damning stuff. Downing Street’s response was simply to say that the memo does not contradict Hunt’s public statements, as he has always made it clear that in principle he had no problem with the bid.

However, let us remind ourselves of Hunt’s statement to the Commons last month:

I made absolutely no interventions seeking to influence a quasi-judicial decision that was at that time the responsibility of the Secretary of State for Business.

It is difficult to read the memo as anything other than an intervention. Failing to tell the truth to parliament is a breach of the ministerial code. Cameron refused to investigate potential breaches when the news first broke last month. Will he now continue to do so? As the evidence builds up thick and fast that Hunt was not acting in an impartial manner, it is difficult to see how the government will justify its continued refusal to act.

Hunt is due to appear in front of the inquiry on 31 May.

UPDATE 1.45pm

David Cameron has strongly defended Hunt during an interview with ITV's Daybreak. He told the show that the memo was not relevant:

The key thing was it wasn't what [Hunt] had said in the past, it was how he was going to do the job. And I think, if you look at how he did the job, he asked for independent advice at every stage and he took that independent advice and he did it in a thoroughly proper way.

Jeremy Hunt, the Culture Secretary. Photograph: Getty Images

Samira Shackle is a freelance journalist, who tweets @samirashackle. She was formerly a staff writer for the New Statesman.

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An alternative Trainspotting script for John Humphrys’ Radio 4 “Choose Life” tribute

Born chippy.

Your mole often has Radio 4’s Today programme babbling away comfortingly in the background while emerging blinking from the burrow. So imagine its horror this morning, when the BBC decided to sully this listening experience with John Humphrys doing the “Choose Life” monologue from Trainspotting.

“I chose not to choose life: I chose something else. And the reasons? There are no reasons. Who needs reasons when you’ve got Radio 4?” he concluded, as a nation cringed.

Introduced as someone who has “taken issue with modernity”, Humphrys launched into the film character Renton’s iconic rant against the banality of modern life.

But Humphrys’ role as in-studio curmudgeon is neither endearing nor amusing to this mole. Often tasked with stories about modern technology and digital culture by supposedly mischievous editors, Humphrys sounds increasingly cranky and ill-informed. It doesn’t exactly make for enlightening interviews. So your mole has tampered with the script. Here’s what he should have said:

“Choose life. Choose a job and then never retire, ever. Choose a career defined by growling and scoffing. Choose crashing the pips three mornings out of five. Choose a fucking long contract. Choose interrupting your co-hosts, politicians, religious leaders and children. Choose sitting across the desk from Justin Webb at 7.20 wondering what you’re doing with your life. Choose confusion about why Thought for the Day is still a thing. Choose hogging political interviews. Choose anxiety about whether Jim Naughtie’s departure means there’s dwindling demand for grouchy old men on flagship political radio shows. Choose a staunch commitment to misunderstanding stories about video games and emoji. Choose doing those stories anyway. Choose turning on the radio and wondering why the fuck you aren’t on on a Sunday morning as well. Choose sitting on that black leather chair hosting mind-numbing spirit-crushing game shows (Mastermind). Choose going over time at the end of it all, pishing your last few seconds on needlessly combative questions, nothing more than an obstacle to that day’s editors being credited. Choose your future. Choose life . . .”

I'm a mole, innit.