Fighting dirty in Ohio

The state's Republicans have made complex changes to voting rules, with a simple aim: disenfranchising working class communities who are not likely to support them.

Ohio is one of the most important states in this election, and both parties are fighting tooth and nail: not just on the doorsteps, but in the courtrooms as well, mobilising armies of lawyers and wrestling for every angle and advantage they can. Sometimes these tactics can get dirty. The Republican state government of Ohio, and its Secretary of State Jon Husted, knows this well. Democrats accuse it of disenfranchising poorer and minority voting with two separate actions: a controversial voter ID law and a series of complex changes in the hours and availability of early voting.

Early voting begins on October 2, allowing people to cast their vote in person at any time in the five weeks from then until the election. How many people use this option is dependent on several factors, especially the opening hours of the polling stations, which have gone through a number of changes this year. It is a significant factor in elections: in the 2008 Presidential race in-person early voting accounted for 265,048 votes; Obama's margin of victory over McCain in Ohio was just 262,224.

Earlier this year, with almost unbelievable gall, Husted was allowing rural (Republican-run) counties to extend their planned early voting hours into the evenings and weekends, while denying the same opportunity to more industrial, poorer and urban Democrat counties. The New York Times called him out on this in August. Democrats and the Obama campaign cried foul, and Husted was forced to impose uniform hours over the whole state. Democrat campaigners now argue that the hours Husted has imposed are meagre – 8AM until 5PM for the first three weeks, then until 7PM; and only on weekdays; and closed on the the last three days before election day – and so they still discriminate against working-class and poor (and likely Democrat) voters.

An uneasy peace appeared to reign while various aspects of these rules were worked through the courts – the cases are still ongoing; this will be a very litigious campaign – but the flames of controversy were relit by Doug Preisse, chairman of the Franklin county Republican party, who was accused of racism after telling a newspaper in the state capital Columbus: “I guess I really actually feel we shouldn’t contort the voting process to accommodate the urban – read African-American – voter-turnout machine.”

Pete Gerken is the President of the board of election commissioners of Lucas county, in the north of the state. He is a Democrat. “Just in this county alone [in the 2008 Presidential election], 28,000 people voted early, 5000 of those on weekends,” he tells me. “Any redrawing of early voting hours is an attempt to suppress people's ability to vote. The majority of people who use early voting, especially those who need it to be after work or on weekends, tend to be Democrat. They're working-class, they're working people; they can only get there after work.”

Running parallel with the early voting argument is another row, about the new voter ID laws that Ohio and a number of other states have just adopted. These new laws demand that voters, who could previously present themselves at the polling station with just a utility or rent bill as identification, must now produce state-issued photo identification at the polling station. This, opponents say, discriminates heavily against minorities and the poor, who are statistically far, far less likely to have photo ID – or indeed to have heard of the new law.

“The Republican officials in the State who passed the laws are doing it under the flag of preventing voter fraud,” says Gerken. “But there hasn't been any fraud – it's a problem that doesn't exist in the state of Ohio. In the last four years there have been less than ten charges of voter fraud in the whole state. They're trying to fix a problem that doesn't exist, and trying to fix it with a jackhammer. What is happening is people are being taken out of the queue – people who don't drive, the poor, the elderly. It disenfranchises people from their right.

“It's a strategy. It's a strong strategy, and [the Republicans are] trying it in lots of states. … It flies in the face of our democratic values, and I don't think they care.”

Pennsylvania is one of the states in which the voter ID row has been loudest. Here, according to a study by Matt Baretto at the University of Washington, around an eighth of the electorate, more than a million voters, are currently without state photo identification for one reason or another; and only 34 per cent are aware of the new law. The Pennsylvania Supreme Court is currently debating the issue, and will announce its decision in the next couple of weeks. It will be big news when it does.

In Ohio, Husted - despite being ordered by a district court judge to reinstate early voting on the last three days before the election - has not yet done so; claiming that to act while the ruling is still being appealed would “futher confuse voters”. In this, he is probably right. The tooth-and-nail legal battles being fought over these issues can only further alienate voters from the process – but in a state that might come right down to the wire, to the candidates each battle is absolutely crucial. Which means, unfortunately for fans of a nice clean contest, it's going to be no-holds-barred right up until election day.

Previously in this series: How the fighting talk fizzled from Mitt Romney's party

Mitt Romney on the campaign trail in Painesville, Ohio. Photo: Getty

Nicky Woolf is reporting for the New Statesman from the US. He tweets @NickyWoolf.

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How “cli-fi” novels humanise the science of climate change

The paradox is that the harder climate-fiction novels try, the less effective they are.

When the Paris UN Climate Change Conference begins at the end of November, the world’s leaders will review the climate framework agreed in Rio in 1992. For well over 20 years, the world has not just been thinking and talking about climate change, it has also been writing and reading about it, in blogs, newspapers, magazines – and in novels.

Climate change fiction is now a recognisable literary phenomenon replete with its own nickname: “cli-fi”. The term was coined in 2007 by Taiwan-based blogger Dan Bloom. Since then, its use has spread: it was even tweeted by Margaret Atwood in 2013:

It is not a genre in the accepted scholarly sense, since it lacks the plot formulas or stylistic conventions that tend to define genres (such as science fiction or the western). However, it does name a remarkable recent literary and publishing trend.

A 21st-century phenomenon?

Putting a number to this phenomenon depends, partly, on how one defines cli-fi. How much of a novel has to be devoted to climate change before it is considered cli-fi? Should we restrict the term to novels about man-made global warming? (If we don’t, we should remember that narratives about global climatic change are as old as The Epic of Gilgamesh and the Biblical story of the flood.) If we define cli-fi as fictional treatments of climate change caused by human activity in terms of setting, theme or plot – and accept there will be grey areas in the extent of this treatment – a conservative estimate would put the all-time number of cli-fi novels at 150 and growing. This is the figure put forward by Adam Trexler, who has worked with me to survey the development of cli-fi.

This definition also gives us a start date for cli-fi’s history. While planetary climatic change occurs in much 20th-century science fiction, it is only after growing scientific awareness of specifically man-made, carbon-induced climate change in the 1960s and 1970s that novels on this subject emerged. The first is Arthur Herzog’s Heat in 1976, followed by George Turner’s The Sun and the Summer (published in the US as Drowning Towers) in 1987.

At the turn of this century, Maggie Gee and TC Boyle were among the first mainstream authors to publish climate change novels. In this century, we can count Atwood, Michael Crichton, Barbara Kingsolver, Ian McEwan, Kim Stanley Robinson, Ilija Trojanow and Jeanette Winterson as major authors who have written about climate change. The past five years have given us notable examples of cli-fi by emerging authors, such as Steven Amsterdam, Edan Lepucki, Jane Rawson, Nathaniel Rich and Antti Tuomainen.

Creative challenges

Cli-fi is all the more noteworthy considering the creative challenge posed by climate change. First, there is the problem of scale – spatial and temporal. Climate change affects the entire planet and all its species – and concerns the end of this planet as we know it. Novels, by contrast, conventionally concern the actions of individual protagonists and/or, sometimes, small communities.

Added to this is the networked nature of climate change: in physical terms, the climate is a large, complex system whose effects are difficult to model. In socio-cultural terms, solutions require intergovernmental agreement – just what COP21 intends – and various top-down and bottom-up transformations. Finally, there exists the difficulty of translating scientific information, with all its predictive uncertainty, into something both accurate and interesting to the average reader.

Still, cli-fi writers have adopted a range of strategies to engage their readers. Many cli-fi novels could be classified as dystopian, post-apocalyptic or, indeed, both – depicting nightmarish societies triggered by sometimes catastrophic climate events. A future world is one effective way of narrating the planetary condition of climate change.

Some novelists are also careful to underpin their scenarios with rigorous climatic predictions and, in this way, translate science fact into a fictional setting. Kingsolver, who trained as an ecologist, is the best example of this – and Atwood and Robinson are also known for their attempts at making their speculations scientifically plausible. Also, cli-fi novels, particularly those set in the present day or very near future rather than in a dystopian future, tend to show the political or psychological dimensions of living with climate change. Readers can identify with protagonists. To some extent, the global community is represented in fictional everymen or everywomen. Or, often, it is through such characters that science is humanised and its role in combating climate change better understood.

Can cli-fi lead to change?

Could cli-fi affect how we think and act on climate change? The paradox is that the harder cli-fi tries, the less effective it is. Many writers want to inspire change, not insist on it: the line between literature and propaganda is one that most novelists respect. Literature invites us to inhabit other worlds and live other lives. Cli-fi at its best lets us travel to climate-changed worlds, to strive there alongside others and then to return armed with that experience.

In Paris, the UN will seek a global agreement on climate action for the first time in more than 20 years. There is plenty of climate change fiction out there to help provide the mental and psychological space to consider that action.

The Conversation

Adeline Johns-Putra, Reader in English Literature, University of Surrey

This article was originally published on The Conversation. Read the original article.