Iran Watch: Does Ahmadinejad really want to "wipe Israel off the map"?

Iran Watch, part 4.

Iran Watch, part 4.

I guess I should be flattered. On Tuesday night, at 11:18pm, when some of us were spending time with our families, and others were tucked up in bed, the Blair biographer (hagiographer?) John Rentoul was in front of his computer composing a blogpost trying to ridicule my views about Iran, Israel and nuclear weapons. You see, I had the temerity to dare mention that Israel happens to have nukes and Iran doesn't. Silly me. (Incidentally, I'm going to give Rentoul the benefit of the doubt and assume he didn't mean to deliberately try and link me to Mahmoud Ahmadinejad in the eyes of his readers with his photo of the latter, the use of my name and then the headline "Spot the difference". But if he did, subtle it wasn't and shame on him.)

In a classic "compliment dressed up as an insult", Rentoul referred to me in his opening paragraph as "one of the more thoughtful of the appeasement faction, returning to the scene of his folly". I don't know whether to laugh or cry.

First, if I'd called Iraq as spectactularly badly as Rentoul did, I'd be careful about uttering the word "folly".

Second, if I was a writer who constantly railed against the use of cliché, I'd be wary of invoking lazy Second World War analogies.

I mean, "appeasement"? Really? I'm opposed to nuclear-armed Israel pre-emptively and illegally attacking a nuclear-weapons-free Iran so that makes me an appeaser? I guess Shirin Ebadi, Iran's leading, Nobel-Prize-winning dissident, who also opposes military action against the Islamic Republic, is also an appeaser then. I guess Meir Dagan, the former head of Mossad, who has described an attack on Iran as "a stupid idea" is an appeaser too. Then there's Martin Dempsey, the chairman of the joint chiefs of staff in the United States, who says an Israeli attack on Iran would be "destabilising". He's an appeaser too, John? And how about well-known appeaser Barack Obama, who decried "loose talk of war" from the hawks in his speech to Aipac earlier this week? Are we all appeasers?

Rentoul is more of a chickenhawk than a hawk; a laptop bombardier who demands the west bomb and invade Middle East countries on spurious grounds. Civilian casualties don't seem to figure in his calculations. In fact, for the past nine years, Rentoul has obsessively tried to downplay and discredit the various peer-reviewed studies that document how many hundreds of thousands of innocent men, women and children died in Iraq as a result of the war that he supported - and still supports.

But let's turn to the subject of his latest blogpost, headlined "Spot the difference". Rentoul repeats his earlier assertion on Twitter that

the Iranian President said that Israel must be wiped from the pages of history.

To be fair to the Independent on Sunday columnist, countless politicians and pundits on left and right have bought into this nonsense. The inconvenient truth - for them - is that the Iranian president, despite being an odious, obnoxious and bombastic individual, never used these words.

See Guardian columnist Jonathan Steele's debunking of this myth here and here. See this handy Wikipedia page for other references and further evidence.

And here's Farsi-speaker Professor Juan Cole of the University of Michigan, one of America's leading academic experts on Iran, Iranians and Shia Islam, writing on his blog in 2006:

[Ahmadinejad] made an analogy to Khomeini's determination and success in getting rid of the Shah's government, which Khomeini had said "must go" (az bain bayad berad). Then Ahmadinejad defined Zionism not as an Arabi-Israeli national struggle but as a Western plot to divide the world of Islam with Israel as the pivot of this plan.

The phrase he then used as I read it is "The Imam said that this regime occupying Jerusalem (een rezhim-e ishghalgar-e qods) must [vanish from] from the page of time (bayad az safheh-ye ruzgar mahv shavad)."

Ahmadinejad was not making a threat, he was quoting a saying of Khomeini and urging that pro-Palestinian activists in Iran not give up hope- that the occupation of Jerusalem was no more a continued inevitability than had been the hegemony of the Shah's government.

Whatever this quotation from a decades-old speech of Khomeini may have meant, Ahmadinejad did not say that "Israel must be wiped off the map" with the implication that phrase has of Nazi-style extermination of a people. He said that the occupation regime over Jerusalem must be erased from the page of time.

Again, Ariel Sharon erased the occupation regime over Gaza from the page of time.

When I debated this issue with him on Twitter last month, the flailing, Farsi-less Rentoul sent me a link to a Washington Post "fact-check"-style article, entitled: "Did Ahmadinejad really say Israel should be 'wiped off the map'?" I'm not sure what his reasoning was, given the Post piece concludes:

"Wipe off the map," in other words, has become easy shorthand for expressing revulsion at Iran's anti-Israeli foreign policy. . . But we're going to award a Pinocchio to everyone -- including ourselves -- who has blithely repeated the phrase without putting it into context.

And the piece also cited Karim Sadjadpour, an Iranian specialist at the Carnegie Endowment for International Peace and no apologist for Ahmadinejad, pointing out how the Iranian regime's "goal is not the military destruction of the Jewish state but 'the defeat of Zionist ideology and the dissolution of Israel through a 'popular referendum.'"

So, what was Rentoul's response to being corrected and educated on a subject about which he clearly knows little? An apology? Some sheepishness or humility? Nope. None. He writes on his blog:

In other words, [Ahmadinejad] said what everyone thinks he said.

Er, no, John, he didn't. That's the whole point! Read in context, and with the correct translation, Ahmadinejad's comments mean something quite different. They relate to occupation, regime change and a one-state solution for the inhabitants of Palestine, rather than a military attack and a new Holocaust (which, incidentally, would also kill one million Arab Muslim residents of Israel - why would the Iranians want to do that??). Rentoul is one of the brightest columnists around so I can't understand why he has such difficulty understanding this rather simple point. Perhaps, just perhaps, he is being deliberately disingenuous in his repetition of the false translation and his insistence on its "genocidal" connotations. After all, it's the best argument the hawks have - they can't be allowed to have nukes, or trusted with uranium, because they're genocidal maniacs!

As one Canadian academic cited by the Wikipedia article succintly put it:

Ahmadinejad was quoting the Ayatollah Khomeini in the specific speech under discussion: what he said was that "the occupation regime over Jerusalem should vanish from the page of time." No state action is envisaged in this lament; it denotes a spiritual wish, whereas the erroneous translation - "wipe Israel off the map" - suggests a military threat. There is a huge chasm between the correct and the incorrect translations. The notion that Iran can "wipe out" U.S.-backed, nuclear-armed Israel is ludicrous.

Indeed. The point is this: Rentoul was caught out misquoting the Iranian president for self-serving, fear-mongering purposes. Instead of acknowleding his error, he then claimed that the actual translation means the same thing as his original misquote - and then carries on using the original mistranslation to beat the drum for war against Iran, despite the fact that his pants are on fire and he knows they're on fire.

What's so pathetic about this particular "gotcha" quote is that it was delivered seven years ago and Ahmadinejad has been asked about it, and clarified it, several times in the intervening period. In a January 2006 news conference, he said:

There is no new policy, they created a lot of hue and cry over that. It is clear what we say: Let the Palestinians participate in free elections and they will say what they want.

In a September 2008 interview, the Iranian president was asked: "If the Palestinian leaders agree to a two-state solution, could Iran live with an Israeli state?" To which he replied:

If they [the Palestinians] want to keep the Zionists, they can stay ... Whatever the people decide, we will respect it. I mean, it's very much in correspondence with our proposal to allow Palestinian people to decide through free referendums

Why is it that journalists like Rentoul can't bring themselves to mention such quotes that don't fit their "he's a genocidal maniac" narrative? Is it wilful ignorance? Or their hawkish agenda? Or a bit of both?

Let me finish by dealing with Rentoul's brief, sarcastic critique of my own original blogpost:

Today, [Hasan] returns to the subject, asking: "What about Israel's nukes?"

I'll tell him about Israel's nukes. They're not anyone's favourite thing. But there is a difference between the governments of Israel and Iran. One of them has said that the other "must vanish from the page of time".

I wonder if Hasan can guess which one?

Well, I've dealt with the "vanish from the page of time" stuff, so let me, in a tribute to Rentoul's "Spot the difference" headline, ask him a few questions and get him to "spot the difference" between Iran and Israel (since Rentoul is so intent on presenting the latter as doveish and the former as hawkish):

1) Which country in the Middle East has a secret stash of 100-200 nuclear warheads? Iran or Israel?

2) Which country in the Middle East has been the subject of more than 60 critical UN Security Council resolutions? Iran or Israel?

3) Which country invaded and occupied one of its neighbours between 1978 and 2000 and then bombed it again in 2006? Iran or Israel?

4) Which country continues to illegally occupy Syrian and Palestinian land? Iran or Israel?

5) Which country in the Middle East refuses to sign the Nuclear Non-Proliferation Treaty or allow IAEA inspectors to visit its nuclear facilities? Iran or Israel?

6) Which country in the Middle East has been accused of providing "expertise and technology that was central to [apartheid] South Africa's development of its nuclear bombs"? Iran or Israel?

7) Which country in the Middle East is currently, actively, openly planning an illegal, pre-emptive air attack on another? Iran or Israel?

I await Rentoul's answers.

Oh and on a final, related note, before you shout (a la "Mark Wallace" in the comments to my last blogpost) "Israel is a democracy, Iran isn't!", let me just say that (a) I agree Israel (inside the Green Line) is much more democratic than Iran, but (b) it's irrelevant to the debate over the permissibility of nuclear weapons, given the fact that the only country in history to actually use nuclear weapons was, er, a democracy: the United States, in 1945.

UPDATE:

Yet another formal and official disavowal (denial?) of the "wipe them off the map" line, this time from Mohammad Javad Larijani, "a member of a powerful political clan in Iran and an adviser to the country's supreme leader, Ayatollah Ali Khamenei", speaking to CNN's Christiane Amanpour on 15 March:

Larijani sought to downplay the significance of comments attributed to President Mahmoud Ahmadinejad a few years ago suggesting that Israel should be wiped off the map.

He said the comments were "definitely not" meant in a military sense and that such an approach was not "a policy of Iran."

Case closed.

UPDATE 2:

I know I said "case closed" but I couldn't help but add another update to this blogpost, noting the comments made by Dan Meridor, Israel's minister of intelligence and atomic energy and deputy prime minister, in an interview with Al Jazeera on 16 April 2012:

Al Jazeera's Teymoor Nabili talks to Dan Meridor, Israel's minister of intelligence and atomic energy and deputy prime minister, about this and questions him over Israeli politicians' claims that Mahmoud Ahmadinejad, the Iranian president, said Iran would 'wipe Israel out'.

"They [Iranian leaders] all come basically ideologically, religiously with the statement that Israel is an unnatural creature, it will not survive," Meridor says. "They didn't say 'we'll wipe it out', you are right, but 'it will not survive, it is a cancerous tumour, it should be removed'. They repeatedly said 'Israel is not legitimate, it should not exist'."

Thanks for the clarification, Dan!

Mehdi Hasan is a contributing writer for the New Statesman and the co-author of Ed: The Milibands and the Making of a Labour Leader. He was the New Statesman's senior editor (politics) from 2009-12.

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Love a good box set? Then you should watch the Snooker World Championships

The game relies on a steady arm, which relies on a steady nerve. The result is a slow creeping tension needs time and space to be properly enjoyed and endured. 

People are lazy and people are impatient. This has always been so – just ask Moses or his rock – but as illustrated by kindly old Yahweh, in those days they could not simply answer those impulses and stroll on.

Nowadays, that is no longer so. Twitter, YouTube and listicles reflect a desire for complex and involved issues, expansive and nuanced sports – what we might term quality – to be condensed into easily digestible morsels for effort-free enjoyment.

There is, though, one notable exception to this trend: the box set. Pursuing a novelistic, literary sensibility, it credits its audience with the power of sentience and tells riveting stories slowly, unfolding things in whichever manner that it is best for them to unfold.

In the first episode of the first series of The Sopranos, we hear Tony demean his wife Carmela's irritation with him via the phrase “always with the drama”; in the seventh episode of the first series we see his mother do likewise to his father; and in the 21st and final episode of the sixth and final series, his son uses it on Carmela. It is precisely this richness and this care that makes The Sopranos not only the finest TV show ever made, but the finest artefact that contemporary society has to offer. It forces us to think, try and feel.

We have two principal methods of consuming art of this ilk - weekly episode, or week-long binge. The former allows for anticipation and contemplation, worthy pursuits both, but of an entirely different order to the immersion and obsession offered by the latter. Who, when watching the Wire, didn’t find themselves agreeing that trudat, it's time to reup the dishwasher salt, but we’ve run out, ain’t no thing. Losing yourself in another world is rare, likewise excitement at where your mind is going next.

In a sporting context, this can only be achieved via World Championship snooker. Because snooker is a simple, repetitive game, it is absorbing very quickly, its run of play faithfully reflected by the score.

But the Worlds are special. The first round is played over ten frames – as many as the final in the next most prestigious competition – and rather than the usual week, it lasts for 17 magical days, from morning until night. This bestows upon us the opportunity to, figuratively at least, put away our lives and concentrate. Of course, work and family still exist, but only in the context of the snooker and without anything like the same intensity. There is no joy on earth like watching the BBC’s shot of the championship compilation to discover that not only did you see most of them live, but that you have successfully predicted the shortlist.

It is true that people competing at anything provides compelling drama, emotion, pathos and bathos - the Olympics proves this every four years. But there is something uniquely nourishing about longform snooker, which is why it has sustained for decades without significant alteration.

The game relies on a steady arm, which relies on a steady nerve. The result is a slow creeping tension needs time and space to be properly enjoyed and endured. Most frequently, snooker is grouped with darts as a non-athletic sport, instead testing fine motor skills and the ability to calculate angles, velocity and forthcoming shots. However, its tempo and depth is more similar to Test cricket – except snooker trusts so much in its magnificence that it refuses to compromise the values which underpin it.

Alfred Hitchcock once explained that if two people are talking and a bomb explodes without warning, it constitutes surprise; but if two people are talking and all the while a ticking bomb is visible under the table, it constitutes suspense. “In these conditions,” he said, “The same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: ‘You shouldn't be talking about such trivial matters. There is a bomb beneath you and it is about to explode!’”

Such is snooker. In more or less every break, there will at some point be at least one difficult shot, loss of position or bad contact – and there will always be pressure. Add to that the broken flow of things – time spent waiting for the balls to stop, time spent prowling around the table, time spent sizing up the table, time spent cleaning the white, time spent waiting for a turn – and the ability for things to go wrong is constantly in contemplation.

All the more so in Sheffield’s Crucible Theatre. This venue, in its 40th year of hosting the competition, is elemental to its success. Place is crucial to storytelling, and even the word “Crucible” – whether “a ceramic or metal container in which metals or other substances may be melted or subjected to very high temperatures,” “a situation of severe trial”, or Arthur Miller’s searing play – conjures images of destruction, injustice and nakedness. And the actual Crucible is perhaps the most atmospheric arena in sport - intimate, quiet, and home to a legendarily knowledgeable audience, able to calculate when a player has secured a frame simply by listening to commentary through an earpiece and applauding as soon as the information is communicated to them.

To temper the stress, snooker is also something incredibly comforting. This is partly rooted in its scheduling. Working day and late-night sport is illicit and conspiratorial, while its presence in revision season has entire cohorts committing to “just one more quick frame”, and “just one more quick spliff”. But most powerfully of all, world championship snooker triggers memory and nostalgia, a rare example of something that hasn’t changed, as captivating now as it was in childhood.

This wistfulness is complemented by sensory pleasure of the lushest order. The colours of both baize and balls are the brightest, most engaging iterations imaginable, while the click of cue on ball, the clunk of ball on ball and the clack of ball on pocket is deep and musical; omnipresent and predictable, they combine for a soundtrack that one might play to a baby in the womb, instead of whale music or Megadeth.

Repeating rhythms are also set by the commentators, former players of many years standing. As is natural with extended coverage of repetitive-action games, there are numerous phrases that recur:

“We all love these tactical frames, but the players are so good nowadays that one mistake and your opponent’s in, so here he is, looking to win the frame at one visit ... and it’s there, right in the heart of the pocket for frame and match! But where’s the cue ball going! it really is amazing what can happen in the game of snooker, especially when we’re down to this one-table situation.”

But as omniscient narrators, the same men also provide actual insight, alerting us to options and eventualities of which we would otherwise be ignorant. Snooker is a simple game but geometry and physics are complicated, so an expert eye is required to explain them intelligibly; it is done with a winning combination of levity and sincerity.

The only essential way in which snooker is different is the standard of play. The first round of this year’s draw featured eight past winners, only two of whom have made it to the last four, and there were three second-round games that were plausible finals.

And just as literary fiction is as much about character as plot, so too is snooker. Nothing makes you feel you know someone like studying them over years at moments of elation and desolation, pressure and release, punctuated by TV confessions of guilty pleasures, such as foot massages, and bucket list contents, such as naked bungee jumping.

It is probably true that there are not as many “characters” in the game as once there were, but there are just as many characters, all of whom are part of that tradition. And because players play throughout their adult life, able to establish their personalities, in unforgiving close-up, over a number of years, they need not be bombastic to tell compelling stories, growing and undergoing change in the same way as Dorothea Brooke or Paulie Gualtieri.

Of no one is this more evident that Ding Junhui, runner-up last year and current semi-finalist this; though he is only 30, we have been watching him almost half his life. In 2007, he reached the final of the Masters tournament, in which he faced Ronnie O’Sullivan, the most naturally talented player ever to pick up a cue – TMNTPETPUAC for short. The crowd were, to be charitable, being boisterous, and to be honest, being pricks, and at the same time, O’Sullivan was playing monumentally well. So at the mid-session interval, Ding left the arena in tears and O’Sullivan took his arm in consolation; then when Ding beat O’Sullivan in this year’s quarter-final, he rested his head on O’Sullivan’s shoulder and exchanged words of encouragement for words of respect. It was beautiful, it was particular, and it was snooker.

Currently, Ding trails Mark Selby, the “Jester from Leicester” – a lucky escape, considering other rhyming nouns - in their best of 33 encounter. Given a champion poised to move from defending to dominant, the likelihood is that Ding will remain the best player never to win the game’s biggest prize for another year.

Meanwhile, the other semi-final pits Barry Hawkins, a finalist in 2013, against John Higgins, an undisputed great and three-time champion. Higgins looks likely to progress, and though whoever wins through will be an outsider, both are eminently capable of taking the title. Which is to say that, this weekend, Planet Earth has no entertainment more thrilling, challenging and enriching than events at the Crucible Theatre, Sheffield.

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