"New generation"? Miliband really meant it, says Mehdi Hasan

Umunna and Reeves are among the "newbies" joining Labour's new shadow cabinet.

At the start of his first conference speech as Labour leader, in September 2010, Ed Miliband proclaimed:

Conference, I stand here today ready to lead: a new generation now leading Labour.

He used the phrase 14 times in that single speech.

A year later, in the form of his first shadow cabinet reshuffle, Miliband has shown us how actions speak louder than words. The Labour leader appointed six new MPs to his shadow cabinet today: Chuka Umunna, Rachel Reeves, Michael Dugher, Stephen Twigg, Margaret Curren and Liz Kendall.

It is a bold (unprecedented?) move -- but one that I believe will pay dividends. Here's what I wrote in my NS column 12 months ago:

Where are the newbies? If Labour wants to construct an appealing shadow cabinet, rather than a cabinet of shadows, the party has to be bold and unorthodox; it has to promote new blood.

Members of the 2010 intake, such as Chuka Umunna, Rachel Reeves and Lisa Nandy -- all young, dynamic, articulate and intelligent -- have kept their heads down. A senior Labour MP says: "Stop mentioning Chuka's name . . . You're going to make him unpopular in the eyes of his peers and wreck his career."

Why? Because "experience", it seems, matters. Candidates are keen to stress their experience, ministerial or otherwise, in the various missives clogging up inboxes across the PLP. But experience is overrated. As Tony Blair proudly says at the outset of his memoir, A Journey, he arrived at No 10 on 1 May 1997 with no ministerial experience. The same is true of David Cameron -- elected to the Commons as an opposition MP in 2001 but Prime Minister by 2010. Barack Obama, meanwhile, spent just 26 months in the Senate before running for the most important job in world politics.

Nor does a lengthy CV automatically translate into good political judgement. As Ed Balls has argued, the "fortysomethings" in the cabinet who were attracted by the prospect of an "early" general election in the autumn of 2007, including himself, Ed Miliband and Douglas Alexander, were proved right in the end, compared to the "greybeards", such as Jack Straw and Geoff Hoon, who wrongly urged caution.

This isn't about ageism (Curren, after all, is 52), or turning a blind eye to the value of experience. It is about the political advantage to Miliband of having a fresh crop of Labour frontbenchers who are untainted by the Blair-Brown wars, don't have to blindly defend the last Labour government, are loyal, energised and enthusiastic, and, crucially, symbolise "change", "newness" and a break with the past. Opposition, remember, is a team activity; it isn't a solo sport.

Mehdi Hasan is a contributing writer for the New Statesman and the co-author of Ed: The Milibands and the Making of a Labour Leader. He was the New Statesman's senior editor (politics) from 2009-12.

John Moore
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The man who created the fake Tube sign explains why he did it

"We need to consider the fact that fake news isn't always fake news at the source," says John Moore.

"I wrote that at 8 o'clock on the evening and before midday the next day it had been read out in the Houses of Parliament."

John Moore, a 44-year-old doctor from Windsor, is describing the whirlwind process by which his social media response to Wednesday's Westminster attack became national news.

Moore used a Tube-sign generator on the evening after the attack to create a sign on a TfL Service Announcement board that read: "All terrorists are politely reminded that THIS IS LONDON and whatever you do to us we will drink tea and jolly well carry on thank you." Within three hours, it had just fifty shares. By the morning, it had accumulated 200. Yet by the afternoon, over 30,000 people had shared Moore's post, which was then read aloud on BBC Radio 4 and called a "wonderful tribute" by prime minister Theresa May, who at the time believed it was a genuine Underground sign. 

"I think you have to be very mindful of how powerful the internet is," says Moore, whose viral post was quickly debunked by social media users and then national newspapers such as the Guardian and the Sun. On Thursday, the online world split into two camps: those spreading the word that the sign was "fake news" and urging people not to share it, and those who said that it didn't matter that it was fake - the sentiment was what was important. 

Moore agrees with the latter camp. "I never claimed it was a real tube sign, I never claimed that at all," he says. "In my opinion the only fake news about that sign is that it has been reported as fake news. It was literally just how I was feeling at the time."

Moore was motivated to create and post the sign when he was struck by the "very British response" to the Westminster attack. "There was no sort of knee-jerk Islamaphobia, there was no dramatisation, it was all pretty much, I thought, very calm reporting," he says. "So my initial thought at the time was just a bit of pride in how London had reacted really." Though he saw other, real Tube signs online, he wanted to create his own in order to create a tribute that specifically epitomised the "very London" response. 

Yet though Moore insists he never claimed the sign was real, his caption on the image - which now has 100,800 shares - is arguably misleading. "Quintessentially British..." Moore wrote on his Facebook post, and agrees now that this was ambiguous. "It was meant to relate to the reaction that I saw in London in that day which I just thought was very calm and measured. What the sign was trying to do was capture the spirit I'd seen, so that's what I was actually talking about."

Not only did Moore not mean to mislead, he is actually shocked that anyone thought the sign was real. 

"I'm reasonably digitally savvy and I was extremely shocked that anyone thought it was real," he says, explaining that he thought everyone would be able to spot a fake after a "You ain't no muslim bruv" sign went viral after the Leytonstone Tube attack in 2015. "I thought this is an internet meme that people know isn't true and it's fine to do because this is a digital thing in a digital world."

Yet despite his intentions, Moore's sign has become the centre of debate about whether "nice" fake news is as problematic as that which was notoriously spread during the 2016 United States Presidential elections. Though Moore can understand this perspective, he ultimately feels as though the sentiment behind the sign makes it acceptable. 

"I use the word fake in inverted commas because I think fake implies the intention to deceive and there wasn't [any]... I think if the sentiment is ok then I think it is ok. I think if you were trying to be divisive and you were trying to stir up controversy or influence people's behaviour then perhaps I wouldn't have chosen that forum but I think when you're only expressing your own emotion, I think it's ok.

"The fact that it became so-called fake news was down to other people's interpretation and not down to the actual intention... So in many interesting ways you can see that fake news doesn't even have to originate from the source of the news."

Though Moore was initially "extremely shocked" at the reponse to his post, he says that on reflection he is "pretty proud". 

"I'm glad that other people, even the powers that be, found it an appropriate phrase to use," he says. "I also think social media is often denigrated as a source of evil and bad things in the world, but on occasion I think it can be used for very positive things. I think the vast majority of people who shared my post and liked my post have actually found the phrase and the sentiment useful to them, so I think we have to give social media a fair judgement at times and respect the fact it can be a source for good."

Amelia Tait is a technology and digital culture writer at the New Statesman.