Alan White's Olympics diary: It's hardly rocket science, this incredible Olympic spirit

Respect, tolerance, and playing by the rules - it's everywhere at these Games.

I’m sorry to be po-faced today. But it was always going to be downhill from the moment I read Jan Moir’s Daily Mail piece, in which she described Marianne Vos (who beat Lizzie Armitstead to gold in the road race) as "some bitch from Holland".

Now, one could be outraged by the rudeness shown to a world-class athlete. The staggering sense of entitlement and arrogance which enables Moir to assume this can pass for a gag. Vos, a double Olympic champion, is a no one to be dismissed, simply because she’s not Our Girl.

But it’s not actually that which angers me. It’s the degree to which Moir just doesn’t get it.

You see, we fans can only perceive sport through a one-eyed perspective – the lens of error. For example: we may not be able to sprint off the shoulder of the last man like Daniel Sturridge, but both we and he can blast one wide from six yards.

We understand mistakes, and the media knows this. Hence, according to the BBC, "questions would have to be asked" about Tour de France fatigue if there were more bad results following the men’s road race, despite the fact they’d have been totally irrelevant. It gets wearying. WHY did we not beat the world’s absolute best at something? WHY didn’t it go to plan for you in the 1.6 seconds between board and water, Tom Daley?

No: we’re very prone to forget about the talent, hard work, barely believable pain and sacrifice that gets our athletes to this summit in the first place, and from which we seem all too happy to see them fall. But there’s a vital thing we do understand. Today, having read Moir’s piece, we see it in spades.

We see it when Daley says "we missed the fourth dive" despite the fact that his partner was the main culprit. We understand when the British Gymnastic team retain their smiles despite a last minute appeal that shifts them from silver to bronze, and we see it in the equivocal, charming reaction of Louis Smith. I happen to catch it live at the boxing, as the crowd cheer and applaud men who’ve been on the end of categorical - nay biblical - ass-whuppings. It’s everywhere.

It’s the Olympic spirit, and it’s hardly rocket science, this stuff. Try to respect the rules, your opponent, and your team mates. Because without that, there is no sport. And that’s partly because sport’s one of the few spheres within which you shouldn’t be judged around all the bullshit that follows you everywhere else – your race, your class, your background. It’s the one place you can’t be dismissed as ‘some bitch from Holland’.

It’s why drugs cheating or fixing amount to a betrayal. There’s a mutual trust thing going on here – we, the fans, will throw our heart and soul into what we’re watching; we’ll support all of you, whatever happens, just as long as we know that it’s real – that you’re likewise giving it everything. If we suspect otherwise, we can’t.

And of course it doesn’t always work out as fairly as all that. Of course there’s a reason Zara Philips does Eventing rather than Boxing, and of course the drugs question will never leave us. The point is the concept - the nebulous, half-formed ideal that permeates the codification of so many sports. And what it boils down to is: here, we’re children once more.

Odds and ends:

  • Apropos of the above, it takes a strength of character to challenge the world’s best at anything. Zoe Smith broke the British record in the clean-and-jerk today. Now read her blog on sexist attitudes to her sport, and ask yourself how many 18-year-olds are that self-aware and articulate. The main story yesterday evening was the disgusting comments made to Tom Daley by a troll on Twitter. There’s been some talk of banning the athletes from using it. I’d rather it remained their choice: if they’re like Ms Smith, they can more than cope.
  • The ticket row rumbles on. Jeremy Hunt’s interview on Radio Four regarding the issue was reassuring , right up until the point he started talking about the events to which he was going over the next couple of days. Which seemed to be: pretty much all the good ones, kthxbye.
  • Speaking of children, you’ll do well to see a sweeter thing than this interview with stunned 15-year-old Ruta Meilutyte after she won the 100m breaststroke. Staggering.
  • The news that the police lost the keys to Wembley made me laugh. It can take me anything up to 30 minutes to find mine, and there are only six seats to search the back of in my flat. With 90,000 to inspect, changing the locks was probably the best response.
  • I’ve only just caught up with this piece on how the Olympics suckered the left, from Andrew Gilligan. Food for thought, at least.
  • The men’s bronze in team gymnastics was a phenomenal result. One of the best things about the coverage has been the Matrix-style camerawork. Here’s how bullet time works – it’s been around longer than you might think.


British gymnast Louis Smith celebrates after his successful pommel horse routine. Photograph: Getty Images

Alan White's work has appeared in the Observer, Times, Private Eye, The National and the TLS. As John Heale, he is the author of One Blood: Inside Britain's Gang Culture.

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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.