Where we see vulnerability, Frankie Boyle sees a target

Frankie Boyle passes off his jokes about rape and "retards" as satire, but it is just vile with a smile, says Nicky Clark.

What has Frankie Boyle got that Jim Davidson hasn’t? Celebrity friends on Twitter, for a start. These sons of Glaswegians both like to think of themselves as edgy, opposed to political correctness and telling it like it is. If "funny for money" is a spectrum then Jim stays to the right and Frankie stays to the left, but they are in step.
 
They both have armies of devoted fans ready to pay for the privilege of the comedy of cruelty. They talk about free speech, but I see it as having a higher purpose than ridiculing a glamour model’s children, or making jokes about "special needs". 

Whereas Davidson is overt, obvious and blatant in his bigotry, Boyle, like the teacher he wanted to be, is educating us lesser souls that he knows best and we really need to listen. Call it satire, but to me, it’s just vile with a smile.
 


The BBC has hosted both of these “comics” and brought their humour to a wider audience. However, that relationship has waned and died in both cases. Boyle wrote a letter detailing how it wasn’t his fault and made a beeline for taboo-busting Channel 4. His new sketch show got several complaints for “jokes” which demonstrate both his favourite topic and some people’s tolerance for cruelty.

In a few short punchy sentences, Frankie realised his talent lay in belittling and dehumanising a blind autistic child, but he packaged this up as a comment about Katie Price's celebrity and called it satire. I’m not sure that’s exactly what people immediately think of when they hear the word satire. I think of iconoclasts, destroyers of pomposity, the pretension of politics laid bare.
 
Suggesting that an innocent child needs to be prevented from fucking his own mother isn’t exactly an exhaustive deconstruction of our celebrity culture. And suggesting that his mother and step-father were fighting over his custody in a divorce because neither wanted him due to his disability, doesn’t exactly address the issue of a media obsessed with reality TV shows, or the dumbing down of a ratings driven medium. But as I say, we all have our own interpretation of satire.



Ultimately, however it’s dressed up, the truth is that where we see vulnerability, Frankie sees a target. He likes the word “retard” which I’m sure he would like us to believe is a statement referencing linguistic oppression. I think he just likes to mock the “weak”.
 
If he feels oppressed by others asking him not to use it, how does he think it feels to be a learning disabled person having abuse screamed at them in the street? It’s pretty oppressive to be too scared to leave your home, because people who find “Fun Boy” Frankie and his arsenal of barbed comments “hilarious” tend to copy their heroes. School is tough enough when you have a disability. Bullies must bless the day when their scriptwriter got his own show.
 

Gemma Hayter, the woman with learning disabilities ask to drink urine and beaten to death in 2010, could tell Frankie a thing or two about hatred and oppression. I doubt it would make him cry like the documentary on Palestine which brought him to tears. Having clearly learned from the old style bigots, Frankie lets his left-leaning, caring side show so that the obviousness of his bullying gets diluted enough so as to be overlooked in favour of the “good stuff”. Gemma was learning disabled and she found some friends who liked a laugh. They liked it so much that they laughed and laughed as they tortured her to death and then dumped her naked body by a railway line. 

Perhaps they didn’t call her “retard” as they tortured her. But it's likely that they did, because hate crimes, as with all bullying, often begin with a “joke” and verbal abuse. It’s unlikely Gemma would have got any of the “jokes” that preceded her murder. She wasn’t cynical or aware enough of her own vulnerability to know the difference between being a friend and being a toy to be played with and then thrown away. To her family, she was a person who mattered not a punchline to a joke. Certainly not “just a retard”. 

I suppose the difference is in the detail as you exchange tweets with other celebrities, then tweet rape “jokes” followed by info on rape survivor fundraisers. Smart clever, ironic, satirical even. Bizarrely, the same stars who appear on Comic Relief to tearfully tell us about projects which help disabled children recover from bullying in school seem willing to effectively hold your coat; giving you the credibility to get TV shows commissioned where you can verbally punch disabled people in the face.

Funny ha ha.

The point is, Frankie, when I see your face, all I see is man who knows better, laughing all the way to the bank. All I think of are children, who become adults, who get beaten to death because celebrities like you normalise stigmatising attitudes through bigoted jokes.

Your way is to follow the path of "never apologise, never explain" and certainly don’t change - because just like Jim Davison, you know there’s enormous amounts of money to be made from misery.

I suppose that’s not your problem though, is it? You just make the mess. You can’t be expected to clean it up.
 

Or, as the original title of Tramadol Nights put it: Deal with this, retards.

Nicky Clark tweets: @mrsnickyclark 

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The tale of Battersea power station shows how affordable housing is lost

Initially, the developers promised 636 affordable homes. Now, they have reduced the number to 386. 

It’s the most predictable trick in the big book of property development. A developer signs an agreement with a local council promising to provide a barely acceptable level of barely affordable housing, then slashes these commitments at the first, second and third signs of trouble. It’s happened all over the country, from Hastings to Cumbria. But it happens most often in London, and most recently of all at Battersea power station, the Thames landmark and long-time London ruin which I wrote about in my 2016 book, Up In Smoke: The Failed Dreams of Battersea Power Station. For decades, the power station was one of London’s most popular buildings but now it represents some of the most depressing aspects of the capital’s attempts at regeneration. Almost in shame, the building itself has started to disappear from view behind a curtain of ugly gold-and-glass apartments aimed squarely at the international rich. The Battersea power station development is costing around £9bn. There will be around 4,200 flats, an office for Apple and a new Tube station. But only 386 of the new flats will be considered affordable

What makes the Battersea power station development worse is the developer’s argument for why there are so few affordable homes, which runs something like this. The bottom is falling out of the luxury homes market because too many are being built, which means developers can no longer afford to build the sort of homes that people actually want. It’s yet another sign of the failure of the housing market to provide what is most needed. But it also highlights the delusion of politicians who still seem to believe that property developers are going to provide the answers to one of the most pressing problems in politics.

A Malaysian consortium acquired the power station in 2012 and initially promised to build 517 affordable units, which then rose to 636. This was pretty meagre, but with four developers having already failed to develop the site, it was enough to satisfy Wandsworth council. By the time I wrote Up In Smoke, this had been reduced back to 565 units – around 15 per cent of the total number of new flats. Now the developers want to build only 386 affordable homes – around 9 per cent of the final residential offering, which includes expensive flats bought by the likes of Sting and Bear Grylls. 

The developers say this is because of escalating costs and the technical challenges of restoring the power station – but it’s also the case that the entire Nine Elms area between Battersea and Vauxhall is experiencing a glut of similar property, which is driving down prices. They want to focus instead on paying for the new Northern Line extension that joins the power station to Kennington. The slashing of affordable housing can be done without need for a new planning application or public consultation by using a “deed of variation”. It also means Mayor Sadiq Khan can’t do much more than write to Wandsworth urging the council to reject the new scheme. There’s little chance of that. Conservative Wandsworth has been committed to a developer-led solution to the power station for three decades and in that time has perfected the art of rolling over, despite several excruciating, and occasionally hilarious, disappointments.

The Battersea power station situation also highlights the sophistry developers will use to excuse any decision. When I interviewed Rob Tincknell, the developer’s chief executive, in 2014, he boasted it was the developer’s commitment to paying for the Northern Line extension (NLE) that was allowing the already limited amount of affordable housing to be built in the first place. Without the NLE, he insisted, they would never be able to build this number of affordable units. “The important point to note is that the NLE project allows the development density in the district of Nine Elms to nearly double,” he said. “Therefore, without the NLE the density at Battersea would be about half and even if there was a higher level of affordable, say 30 per cent, it would be a percentage of a lower figure and therefore the city wouldn’t get any more affordable than they do now.”

Now the argument is reversed. Because the developer has to pay for the transport infrastructure, they can’t afford to build as much affordable housing. Smart hey?

It’s not entirely hopeless. Wandsworth may yet reject the plan, while the developers say they hope to restore the missing 250 units at the end of the build.

But I wouldn’t hold your breath.

This is a version of a blog post which originally appeared here.

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