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Laurie Penny on the Occupy movement, three months on

The protest has become a network of mutual support for the lost and destitute.

The protest has become a network of mutual support for the lost and destitute.

The Bank of Ideas is almost empty. It's midnight, and on the roof of London's financial district a serious discussion about the future of the Occupy movement has been interrupted to allow two stray humans to chase after one stray cat.

"We found him in a scrapyard," says a young man called Spiral, cuddling the rescued ginger tom into his hoodie. Spiral is homeless, having left Essex to live in the London occupations last October. "He didn't seem to have any owners, so now we all take care of him," Spiral says. He's talking about the cat, which purrs like a happy engine as more dart-eyed young people approach to offer it some of their dinner -- homemade vegetable soup supplemented by hunks of fish they found in a skip.

Three months on, this is what the Occupy movement looks like: a network of mutual support for the lost and destitute, with anti-capitalist overtones. The Bank of Ideas, an abandoned building owned by the Swiss banking giant UBS and transformed into a space for art sessions, lectures and late-night discussion on the future of the free market, is one of four sites squatted by London's branch of the movement. The occupations began with the encampment on the steps of St Paul's Cathedral, which has just lost its battle against eviction at the Royal Courts of Justice, and branched out to Finsbury Square, and an empty magistrate's court on Old Street. As other world cities have seen similar protests violently evicted by local police, the occupiers of London have clung on through a winter that has seen the nature of the camps change profoundly.

"I came here for the community," says Declan, 29. "Before this I was living in Galway, essentially trying to get together enough weed to get through the day. It's better here." He passes a glowing spliff around the other roof-dwellers. The tranquility group, with its strict policy against drugs and drunkenness, would not approve this gesture of friendship. Muriel, a french artist in her forties, is excited and a little stoned, examining the walls daubed with murals, slogans and lovingly pasted pamphlets. "If bird catcher comes, occupy the sky," she says, reading off the brickwork. "That is truly beautiful. I feel that something beautiful is happening here."

As the winter drags on, many of those who have stayed are those, like Spiral and his cat, who can't or won't go home. They are the waifs and strays and nuts and eccentrics, the wide-eyed young men with theories about how computers can calculate the perfect democracy, the straggle-haired women with bags full of paintbrushes and dirt in the creases of their cheeks. For the more media-savvy organisers of Occupy London, this has created something of a public relations dilemma.

The people who live full or part-time in the camps can now be divided into roughly three categories: those who were homeless before the occupations, those who will shortly be homeless, and those who merely look homeless. Three months of sleeping in tents, washing in the bathrooms of nearby cafes and working around-the-clock to run a kitchen feeding thousands with no running water and little electricity will transform even the most fresh-faced student into a jittering bundle of aching limbs and paranoia. Even those who haven't been living here full-time have an air of righteous exhaustion about them.

This is the part where the noble adventure of political resistance becomes a straightforward slog.

There are many for whom the unglamorous parts of maintaining an honest counter-culture do not fit into the narrative of presentable protest. Last week in New York City, activists from the original occupation in Zuccotti Park were turned away at the door of an event being held in their honour, because they looked and smelled precisely as if they had been living in tents and abandoned buildings since September. In London, at St Paul's, City workers in smart suits stop to snap pictures of the camp's battered marquees, but shy away when a man dressed entirely in pillowcases offers to take a shot with them in it. They're not going to let these people anywhere near their smartphones.

The struggle to keep a polite face on the movement can slip into censoriousness. At the late-night cabaret at Occupy Justice, the empty magistrates' court on Old Street, the burlesque dancers have been forbidden to expose their breasts. "There were some people who didn't think that was a good way of furthering the cause of the Occupy Movement," says Naomi Colvin, a long-time organiser who has become one of the unofficial spokespeople of Occupy London, regularly appearing on panels and in media coverage of the protests. The walls of the courthouse are plastered with signs instructing the heaving crowd of tramps, activists and trendy young Shoreditch hipsters not to smoke, not to write on the walls, not to leave rubbish. "This is a nice place," says one of the working group leaders. "We're nice people here."

Nice, however, has rarely trembled the walls of power.

It should be noted that no amount of scrupulous cleaning stopped the police in New York, Los Angeles, Seattle and other major cities from using the excuse of "unsanitary conditions" to evict protest camps calling for banking regulation -- it's infectious ideas, not infectious diseases, that really have the authorities worried. In London, some of the cleaner activists I meet, including those who have been involved in organising the camps from the start, quietly express the opinion that eviction might now be the best thing that could happen to the occupations. But not everyone agrees.

In the back room of the courthouse I meet Tom, 24, who describes himself as "tramp liaison". Like many members of the movement with less reliable access to showers, Tom has a lot to say about the way "sociology students in jumpers" are setting the agenda. "They talk about 'the homeless problem' at general assemblies, and I stand up and say, 'I'm homeless, are you talking about me?'," he says, sipping from a can of cheap Polish lager. "Yeah, there's definitely tension. All the camp beauraucrats will come up to you and say, 'oh, you can't roll a spliff in the uni tent', and I'm like, 'fuck off man, I'm an activist. I've been out fighting the EDL in Barking all morning'."

The main bone of contention is not drugs, but direction. Some activists are unhappy that Occupy London has chosen to work so closely with the Church on whose ground they have been camped for three months. The St Paul's occupation, which now describes itself unconfrontationally as a "guest" of the Cathedral, has without doubt had its radical bite dulled by the Church of England's grudging, eventual decision to work with the protests. Religiosity seems to ooze out of the flagstones here: ministers and police officers wander unopposed through the camp, which is festooned with signs asking "what would Jesus do?". Three months on, those signs have lost all their irony.

Others believe that movement has been taken over by external lobby groups with their own agenda, and still others are concerned that the general assemblies are choosing to focus, in Tom's words, on "the legal thing". Much of the camps' energy has indeed been directed towards fighting running battles to keep the sites open, and occupiers in the legal working groups hope to set a precedent in English case law to protect protesters' rights to free expression under Article Ten of the European Convention on Human Rights.

This explains some of the anxiety about keeping the camp clean and presentable. "We're really trying to keep the occupation fluffy," says Anna, 31. "There are some people living here who just aren't very used to being listened to." Anna, showing me around an impromptu pro-Palestine photography exhibition in the courthouse, describes the camp's internal conflicts with a generosity that is typical of the Occupy movement at its best. "It's been a massive learning curve for all of us here," she says. "Although, yes, the drinking can be a problem. I think if Occupy achieves anything at all, it'll be a whole load of people getting their voices heard for the first time."

There is a stubborn percentage of the 99 per cent who will never be able to communicate their message politely on Newsnight. Back at the Bank of Ideas, an overweight old man called Boba cannot make it up the stairs because he uses a wheelchair and the lifts are out of order. Throughout the night, the younger and sprightlier occupiers ferry the makings of sweet tea and pieces of food on scrupulously clean plates up and down the stairs to him, and are rewarded with conversation. All of this gives the lie to Orwell's axiom that "serenity is impossible to a poor man in a cold country".

On the roof, the talk turns to meditation, and to the spiritual toxicity of the banking sector. A young Romanian man called Valentin will not stop grabbing my hand and demanding my phone number. Subtle and then decidedly unsubtle hints about personal space do not put him off, and eventually Muriel invites me to sleep beside her; I observe, not for the first time, that there are far fewer young women here than there were in November. When I wake in the morning, someone has put a borrowed sleeping bag around my shoulders. There is a dawn chorus of hippies and homeless teenagers coughing up last night's tar, and the kettle is on.

There are different ways of being on the streets, and all of them are political. As the recession immiserates more and more of us, resistance will increasingly become a process of negotiating trauma, of developing economies of care that include the lost, the destitute, the down-and-out, those who cannot be "fluffy" because they have become crusted over with the debris of desperation. When these occupations are evicted, not everyone involved will be able to go home, scrub the dirt out of their hair and go back to work. Those who have lost their jobs and homes, those who left them to protest, and those who never had them in the first place attract disapprobium from their own side as well as from those determined to slander the anti-capitalist movement as filthy and unkempt. Useful activism, however, usually involves getting your hands dirty.

 

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

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The Tinder dating app isn't just about sex – it's about friendship, too. And sex

The lines between sex, love and friendship are blurrier than ever, as I found out quickly while using the app.

The first time I met someone using Tinder, the free dating app that requires users to swipe left for “no” and right for “yes” before enabling new “matches” to chat, it was an unqualified success. I should probably qualify that. I was newly single after five years in a committed relationship and wasn’t looking for anything more than fun, friendship and, well, who knows. A few weeks earlier I had tried to give my number to a girl in a cinema café in Brixton. I wrote it on a postcard I’d been using as a bookmark. She said she had a boyfriend, but wanted to keep the postcard. I had no date and I lost my page.

My Tinder date was a master’s student from Valencia called Anna (her name wasn’t really Anna, of course, I’m not a sociopath). When I arrived at the appointed meeting place, she told me I was far more handsome IRL (“in real life”) than my pictures suggested. I was flattered and full of praise for the directness of continental Europeans but also thought sadly to myself: “If only the same could be said about you.”

Anna and I became friends, at least for a while. The date wasn’t a success in the traditional sense of leading us into a contract based on exclusivity, an accumulating cache of resentments and a mortgage, but it had put me back in the game (an appropriate metaphor – people speak regularly of “playing” with the app).

According to Sean Rad, the co-founder who launched Tinder in late 2012, the service was invented for people like me. “It was really a way to overcome my own problems,” he told the editor of Cosmopolitan at an event in London last month. “It was weird to me, to start a conversation [with a stranger]. Once I had an introduction I was fine, but it’s that first step. It’s difficult for a lot of people.” After just one outing, I’d learned two fundamental lessons about the world of online dating: pretty much everyone has at least one decent picture of themselves, and meeting women using a so-called hook-up app is seldom straightforwardly about sex.

Although sometimes it is. My second Tinder date took place in Vienna. I met Louisa (ditto, name) outside some notable church or other one evening while visiting on holiday (Tinder tourism being, in my view, a far more compelling way to get to know a place than a cumbersome Lonely Planet guide). We drank cocktails by the Danube and rambled across the city before making the romantic decision to stay awake all night, as she had to leave early the next day to go hiking with friends. It was just like the Richard Linklater movie Before Sunrise – something I said out loud more than a few times as the Aperol Spritzes took their toll.

When we met up in London a few months later, Louisa and I decided to skip the second part of Linklater’s beautiful triptych and fast-track our relationship straight to the third, Before Midnight, which takes place 18 years after the protagonists’ first meet in Vienna, and have begun to discover that they hate each others’ guts.

Which is one of the many hazards of the swiping life: unlike with older, web-based platforms such as Match.com or OkCupid, which require a substantial written profile, Tinder users know relatively little about their prospective mates. All that’s necessary is a Facebook account and a single photograph. University, occupation, a short bio and mutual Facebook “likes” are optional (my bio is made up entirely of emojis: the pizza slice, the dancing lady, the stack of books).

Worse still, you will see people you know on Tinder – that includes colleagues, neighbours and exes – and they will see you. Far more people swipe out of boredom or curiosity than are ever likely to want to meet up, in part because swiping is so brain-corrosively addictive.

While the company is cagey about its user data, we know that Tinder has been downloaded over 100 million times and has produced upwards of 11 billion matches – though the number of people who have made contact will be far lower. It may sound like a lot but the Tinder user-base remains stuck at around the 50 million mark: a self-selecting coterie of mainly urban, reasonably affluent, generally white men and women, mostly aged between 18 and 34.

A new generation of apps – such as Hey! Vina and Skout – is seeking to capitalise on Tinder’s reputation as a portal for sleaze, a charge Sean Rad was keen to deny at the London event. Tinder is working on a new iteration, Tinder Social, for groups of friends who want to hang out with other groups on a night out, rather than dating. This makes sense for a relatively fresh business determined to keep on growing: more people are in relationships than out of them, after all.

After two years of using Tinder, off and on, last weekend I deleted the app. I had been visiting a friend in Sweden, and took it pretty badly when a Tinder date invited me to a terrible nightclub, only to take a few looks at me and bolt without even bothering to fabricate an excuse. But on the plane back to London the next day, a strange thing happened. Before takeoff, the woman sitting beside me started crying. I assumed something bad had happened but she explained that she was terrified of flying. Almost as terrified, it turned out, as I am. We wound up holding hands through a horrific patch of mid-air turbulence, exchanged anecdotes to distract ourselves and even, when we were safely in sight of the ground, a kiss.

She’s in my phone, but as a contact on Facebook rather than an avatar on a dating app. I’ll probably never see her again but who knows. People connect in strange new ways all the time. The lines between sex, love and friendship are blurrier than ever, but you can be sure that if you look closely at the lines, you’ll almost certainly notice the pixels.

Philip Maughan is Assistant Editor at the New Statesman.

This article first appeared in the 26 May 2016 issue of the New Statesman, The Brexit odd squad