Show Hide image

Laurie Penny on the Occupy movement, three months on

The protest has become a network of mutual support for the lost and destitute.

The protest has become a network of mutual support for the lost and destitute.

The Bank of Ideas is almost empty. It's midnight, and on the roof of London's financial district a serious discussion about the future of the Occupy movement has been interrupted to allow two stray humans to chase after one stray cat.

"We found him in a scrapyard," says a young man called Spiral, cuddling the rescued ginger tom into his hoodie. Spiral is homeless, having left Essex to live in the London occupations last October. "He didn't seem to have any owners, so now we all take care of him," Spiral says. He's talking about the cat, which purrs like a happy engine as more dart-eyed young people approach to offer it some of their dinner -- homemade vegetable soup supplemented by hunks of fish they found in a skip.

Three months on, this is what the Occupy movement looks like: a network of mutual support for the lost and destitute, with anti-capitalist overtones. The Bank of Ideas, an abandoned building owned by the Swiss banking giant UBS and transformed into a space for art sessions, lectures and late-night discussion on the future of the free market, is one of four sites squatted by London's branch of the movement. The occupations began with the encampment on the steps of St Paul's Cathedral, which has just lost its battle against eviction at the Royal Courts of Justice, and branched out to Finsbury Square, and an empty magistrate's court on Old Street. As other world cities have seen similar protests violently evicted by local police, the occupiers of London have clung on through a winter that has seen the nature of the camps change profoundly.

"I came here for the community," says Declan, 29. "Before this I was living in Galway, essentially trying to get together enough weed to get through the day. It's better here." He passes a glowing spliff around the other roof-dwellers. The tranquility group, with its strict policy against drugs and drunkenness, would not approve this gesture of friendship. Muriel, a french artist in her forties, is excited and a little stoned, examining the walls daubed with murals, slogans and lovingly pasted pamphlets. "If bird catcher comes, occupy the sky," she says, reading off the brickwork. "That is truly beautiful. I feel that something beautiful is happening here."

As the winter drags on, many of those who have stayed are those, like Spiral and his cat, who can't or won't go home. They are the waifs and strays and nuts and eccentrics, the wide-eyed young men with theories about how computers can calculate the perfect democracy, the straggle-haired women with bags full of paintbrushes and dirt in the creases of their cheeks. For the more media-savvy organisers of Occupy London, this has created something of a public relations dilemma.

The people who live full or part-time in the camps can now be divided into roughly three categories: those who were homeless before the occupations, those who will shortly be homeless, and those who merely look homeless. Three months of sleeping in tents, washing in the bathrooms of nearby cafes and working around-the-clock to run a kitchen feeding thousands with no running water and little electricity will transform even the most fresh-faced student into a jittering bundle of aching limbs and paranoia. Even those who haven't been living here full-time have an air of righteous exhaustion about them.

This is the part where the noble adventure of political resistance becomes a straightforward slog.

There are many for whom the unglamorous parts of maintaining an honest counter-culture do not fit into the narrative of presentable protest. Last week in New York City, activists from the original occupation in Zuccotti Park were turned away at the door of an event being held in their honour, because they looked and smelled precisely as if they had been living in tents and abandoned buildings since September. In London, at St Paul's, City workers in smart suits stop to snap pictures of the camp's battered marquees, but shy away when a man dressed entirely in pillowcases offers to take a shot with them in it. They're not going to let these people anywhere near their smartphones.

The struggle to keep a polite face on the movement can slip into censoriousness. At the late-night cabaret at Occupy Justice, the empty magistrates' court on Old Street, the burlesque dancers have been forbidden to expose their breasts. "There were some people who didn't think that was a good way of furthering the cause of the Occupy Movement," says Naomi Colvin, a long-time organiser who has become one of the unofficial spokespeople of Occupy London, regularly appearing on panels and in media coverage of the protests. The walls of the courthouse are plastered with signs instructing the heaving crowd of tramps, activists and trendy young Shoreditch hipsters not to smoke, not to write on the walls, not to leave rubbish. "This is a nice place," says one of the working group leaders. "We're nice people here."

Nice, however, has rarely trembled the walls of power.

It should be noted that no amount of scrupulous cleaning stopped the police in New York, Los Angeles, Seattle and other major cities from using the excuse of "unsanitary conditions" to evict protest camps calling for banking regulation -- it's infectious ideas, not infectious diseases, that really have the authorities worried. In London, some of the cleaner activists I meet, including those who have been involved in organising the camps from the start, quietly express the opinion that eviction might now be the best thing that could happen to the occupations. But not everyone agrees.

In the back room of the courthouse I meet Tom, 24, who describes himself as "tramp liaison". Like many members of the movement with less reliable access to showers, Tom has a lot to say about the way "sociology students in jumpers" are setting the agenda. "They talk about 'the homeless problem' at general assemblies, and I stand up and say, 'I'm homeless, are you talking about me?'," he says, sipping from a can of cheap Polish lager. "Yeah, there's definitely tension. All the camp beauraucrats will come up to you and say, 'oh, you can't roll a spliff in the uni tent', and I'm like, 'fuck off man, I'm an activist. I've been out fighting the EDL in Barking all morning'."

The main bone of contention is not drugs, but direction. Some activists are unhappy that Occupy London has chosen to work so closely with the Church on whose ground they have been camped for three months. The St Paul's occupation, which now describes itself unconfrontationally as a "guest" of the Cathedral, has without doubt had its radical bite dulled by the Church of England's grudging, eventual decision to work with the protests. Religiosity seems to ooze out of the flagstones here: ministers and police officers wander unopposed through the camp, which is festooned with signs asking "what would Jesus do?". Three months on, those signs have lost all their irony.

Others believe that movement has been taken over by external lobby groups with their own agenda, and still others are concerned that the general assemblies are choosing to focus, in Tom's words, on "the legal thing". Much of the camps' energy has indeed been directed towards fighting running battles to keep the sites open, and occupiers in the legal working groups hope to set a precedent in English case law to protect protesters' rights to free expression under Article Ten of the European Convention on Human Rights.

This explains some of the anxiety about keeping the camp clean and presentable. "We're really trying to keep the occupation fluffy," says Anna, 31. "There are some people living here who just aren't very used to being listened to." Anna, showing me around an impromptu pro-Palestine photography exhibition in the courthouse, describes the camp's internal conflicts with a generosity that is typical of the Occupy movement at its best. "It's been a massive learning curve for all of us here," she says. "Although, yes, the drinking can be a problem. I think if Occupy achieves anything at all, it'll be a whole load of people getting their voices heard for the first time."

There is a stubborn percentage of the 99 per cent who will never be able to communicate their message politely on Newsnight. Back at the Bank of Ideas, an overweight old man called Boba cannot make it up the stairs because he uses a wheelchair and the lifts are out of order. Throughout the night, the younger and sprightlier occupiers ferry the makings of sweet tea and pieces of food on scrupulously clean plates up and down the stairs to him, and are rewarded with conversation. All of this gives the lie to Orwell's axiom that "serenity is impossible to a poor man in a cold country".

On the roof, the talk turns to meditation, and to the spiritual toxicity of the banking sector. A young Romanian man called Valentin will not stop grabbing my hand and demanding my phone number. Subtle and then decidedly unsubtle hints about personal space do not put him off, and eventually Muriel invites me to sleep beside her; I observe, not for the first time, that there are far fewer young women here than there were in November. When I wake in the morning, someone has put a borrowed sleeping bag around my shoulders. There is a dawn chorus of hippies and homeless teenagers coughing up last night's tar, and the kettle is on.

There are different ways of being on the streets, and all of them are political. As the recession immiserates more and more of us, resistance will increasingly become a process of negotiating trauma, of developing economies of care that include the lost, the destitute, the down-and-out, those who cannot be "fluffy" because they have become crusted over with the debris of desperation. When these occupations are evicted, not everyone involved will be able to go home, scrub the dirt out of their hair and go back to work. Those who have lost their jobs and homes, those who left them to protest, and those who never had them in the first place attract disapprobium from their own side as well as from those determined to slander the anti-capitalist movement as filthy and unkempt. Useful activism, however, usually involves getting your hands dirty.

 

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

Qusai Al Shidi/Flickr
Show Hide image

I can’t follow Marie Kondo's advice – even an empty Wotsits packet “sparks joy” in me

I thought I’d give her loopy, OCD theories a go, but when I held up an empty Wotsits bag I was suffused with so many happy memories of the time we’d spent together that I couldn’t bear to throw it away.

I have been brooding lately on the Japanese tidying freak Marie Kondo. (I forgot her name so I typed “Japanese tidying freak” into Google, and it was a great help.) The “Japanese” bit is excusable in this context, and explains a bit, as I gather Japan is more on the case with the whole “being tidy” thing than Britain, but still.

Apart from telling us that we need to take an enormous amount of care, to the point where we perform origami when we fold our underpants, which is pretty much where she lost me, she advises us to throw away anything that does not, when you hold it, “spark joy”. Perhaps I have too much joy in my life. I thought I’d give her loopy, OCD theories a go, but when I held up an empty Wotsits bag I was suffused with so many happy memories of the time we’d spent together that I couldn’t bear to throw it away.

After a while I gave up on this because I was getting a bit too happy with all the memories, so then I thought to myself, about her: “This is someone who isn’t getting laid enough,” and then I decided that was a crude and ungallant thought, and besides, who am I to wag the finger? At least if she invites someone to her bedroom no one is going to run screaming from it, as they would if I invited anyone to my boudoir. (Etym: from the French “bouder”, to sulk. How very apt in my case.) Marie Kondo – should bizarre circumstance ever conspire to bring her to the threshold – would run screaming from the Hovel before she’d even alighted the stairs from the front door.

I contemplate my bedroom. As I write, the cleaning lady is in it. To say that I have to spend half an hour cleaning out empty Wotsits packets, and indeed wotnot, before I let her in there should give you some idea of how shameful it has got. And even then I have to pay her to do so.

A girlfriend who used to be referred to often in these pages, though I think the term should be a rather less flippant one than “girlfriend”, managed to get round my natural messiness problem by inventing a game called “keep or chuck”.

She even made up a theme song for it, to the tune from the old Spiderman TV show. She would show me some object, which was not really rubbish, but usually a book (it may not surprise you to learn that it is the piles of books that cause most of the clutter here), and say, “Keep or chuck?” in the manner of a high-speed game show host. At one point I vacillated and so she then pointed at herself and said, “Keep or chuck?” I got the message.

These days the chances of a woman getting into the bedroom are remote. For one thing, you can’t just walk down the street and whistle for one much as one would hail a cab, although my daughter is often baffled by my ability to attract females, and suspects I have some kind of “mind ray”. Well, if I ever did it’s on the blink now, and not only that – right now, I’m not even particularly bothered that it’s on the blink. Because, for another thing, I would frankly not care to inflict myself upon anyone else at the moment.

It was all a bit of a giggle eight years ago, when I was wheeled out of the family home and left to my own devices. Of course, when I say “a bit of a giggle”, I mean “terrifying and miserable”, but I had rather fewer miles on the clock than I do now, and a man can, I think, get away with a little bit more scampish behaviour, and entertain a few more illusions about the future and his own plausibility as a character, when he is squarely in his mid-forties than when he is approaching, at speed, his middle fifties.

Death has rather a lot to do with it, I suppose. I had not actually seen, or touched, a dead body until I saw, and touched, my own father’s a few weeks ago. That’s what turns an abstract into a concrete reality. You finally put that to one side and gird up your loins – and then bloody David Bowie snuffs it, and you find yourself watching the videos for “Blackstar” and “Lazarus” over and over again, and reach the inescapable conclusion that death is not only incredibly unpleasant, it is also remorseless and very much nearer than you think.

And would you, dear reader, want to be involved with anyone who kept thinking along those lines? I mean, even if he learned how to fold his undercrackers into an upright cylinder, like a napkin at a fancy restaurant, before putting them in his drawer? When he doesn’t even have a drawer?

Nicholas Lezard is a literary critic for the Guardian and also writes for the Independent. He writes the Down and Out in London column for the New Statesman.

This article first appeared in the 05 February 2015 issue of the New Statesman, Putin's war