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Protest by consensus: Laurie Penny on Madrid's Occupy

Like most of the occupations around the world today, Madrid's Puerta del Sol is peaceful.

In Spain, the revolution doesn't start till after teatime. It's 4pm on a Saturday and I'm wandering through Puerta del Sol in Madrid, the main city square that was occupied last May by thousands of anti-austerity activists, to find just two folding tables piled with leaflets. Behind one of them, some earnest young people in their late twenties are collecting votes for a people's referendum they have organised, involving some three million people across Spain, to decide what the 15O movement behind the evening's planned protest is actually demanding.

"In May, we asked everyone for proposals and suggestions for the change they wanted to see," says Rai, an eager 29-year old software developer helping to co-ordinate this referendum. "In the end we had about 11,000 suggestions. That was too much, and we couldn't get everyone to agree, so a group of four hundred made them into just five suggestions."

The referendum is so broad that the edges are hard to see -- participants are required to vote yes, no or abstain to "less political corruption" and "a more sustainable economy", alongside more specific demands for greater representation for smaller parties within Spain's current two-party system. Most people I speak to believe this is an improvement on the terms of the upcoming General Election, whose results are seen as a foregone and depressing conclusion -- more austerity, with a little less mitigation and no real choice for voters.

Rai wears a t-shirt saying "citizen of the new world". As protests begin to be coordinated across the planet, the shape of that new world is still uncertain although behind us in Sol, four or five young activists are doggedly constructing a giant globe out of bamboo and papier mache. I ask Rai if he expects many people to be here tonight. "I don't know," he says, admitting to a loss of radical energy in Spain's movement over the summer. "A few, maybe."

Four hours later the square is crammed with over 60,000 people, a vast, stamping, shouting human mass. "I'm here because I am indignados!" One girl shouts at me in broken English. "We are angry!"

As more demonstrators press their way into the square, chanting about the failure of representative democracy and calling for, among other things, the dismissal of the local governor, there is literally no room to turn around. Some activists break into an empty building on one side of the square and begin to drop banners: "somos los 99 percent", reads one, echoing the slogan of the "occupy" protests around the globe, as news pours in about sister demonstrations in New York, Boston, Lisbon, London and almost a thousand other towns and cities around the world.

This is a global protest, and it seeks to address a global problem: the monopolisation of wealth by the elite and the failure of free-market capitalism to create a liveable future for humanity.

The alternatives for that future are unformed, but they are at last being debated in open people's forums around the world. The giant papier-mache globe has now been completed and actually looks quite impressive, glittering with red and green LEDs at points of global occupation as it hangs in the middle of the noisy twilit square.

Like most of the occupations around the world today, Puerta del Sol is a peaceful protest. As each banner drops, the crowd cheers it cacophonously; those packed into the sidestreets can't see the banners, so they don't even know why they're cheering, but they cheer anyway, a thunderous roar reverberating back through the crowd and through the heart of the Spanish capital.

"Maybe people don't listen to us now, but in the future they will have to," says Eva, 18, as the night draws in and the crowd settles down for an enormous general assembly. "They can't ignore us. We are the 99 per cent."

In every wing of this protest movement I have reported from, one common theme is the fetishisation of form and process over ideology. In Madrid, as in London and New York, all decisions, from the smallest breakout circle to general assemblies of thousands, are made using the "consensus" model of direct democracy, waving hands in various simple signals and operating with discussion facilitators rather than leaders, a system that some say originated in the Quaker movement several centuries ago.

There are different dialects of hand-signal consensus in different countries-in Spain they wave their hands higher, in New York a system called "progressive stack" is designed to ensure that minority voices are heard -- but the principle is the same.

It's a principle of democracy done at ground level, and people involved in this "consensus" process find it incredibly empowering -- a refreshing contrast to the alienating remoteness and weary predictability of parliamentary representative democracy, which most people here see as totally irrelevant to their real lives.

The sense of collective engagement overwhelms the multiplicity of different strategies and suggestions within the movement: everyone turns up with their own problems and grievances, but the process of engagement becomes just as important . "I do not come here to affirm who I am already," one visiting Spanish activist in New York said last week, "I come here to discover who I can be with other people. This is a new kind of politics."

I believe that what we are seeing here is the beginnings of a substantive change not just to the nature of modern politics, but to the way in which it is done, demanded and delivered, a change shaped by network technology just as the printing press changed politics six centuries ago.

It baffles the hell out of the press, and not even those who have been involved deeply from the start pretend to be able to see the end game, but one thing's for sure -- it would be a grave mistake to write off this unique movement before it has really begun.

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

Photo: Getty
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The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

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