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Laurie Penny: What Margaret Thatcher means to my generation

We are living in the shadow not of Thatcher herself, but of Thatcher the icon.

Why do young liberals hate Margaret Thatcher? It's a fair question, given that many of us, myself included, were still potty-training when she left Downing Street 20 years ago. We weren't on those picket lines. We weren't in those riots. We weren't even old enough to understand why our parents had lost their jobs. So why the drunken half-jokes about dancing on her grave? Why, after two decades, is it still so personal?

It could hardly be anything else. Today's young people are living in the shadow not of Thatcher herself, but of Thatcher the icon. Thatcher for us isn't a real politician with convictions and committees to attend: she is an image, the wicked witch in the woods, the rubber mask of neoliberalism in drag gurning down at a generation just beginning to understand how it has been cheated. In most respects, we still live in a Thatcherite society, atomising itself into marketable units at the expense of the social. Thatcher has become part of the creation myth.

Young people who weren't born during the poll tax riots focus their alienated rage on the image of Thatcher, because, in neo-Thatcherite Britain, images are all we have. The Iron Lady and her cronies instigated the junk-food principle of politics, whereby hungry, needy people will invariably swallow something that isn't good for them if it has a recognisable cartoon face on it - even if, as the coalition cabinet proves, it is sickeningly rich and stuffed with yellow preservatives.

Handbags at dawn

For young women, Maggie casts a second shadow over the entire notion of female empowerment. Twenty years after she left office, it is depressing rather than encouraging that Thatcher is still the enduring Anglo-American model of a woman in a position of political power, one to which all women seeking public office, from Sarah Palin to Harriet Harman, are eventually expected to respond.

Thatcher was no more a feminist than Bradley from S Club 7 was ghetto, but she created a brand of female empowerment - all heels, warmongering and expensive handbags - striking enough to replace the erstwhile aspiration of real woman-power.

There were good reasons for her stylistic self-management; the electorate was always far more likely to accept an Iron Lady than a woman of flesh and blood. But that handbag hovers over today's ambitious young women like a sartorial guillotine, reducing feminism, along with progressive politics, to a lifestyle choice, and neutralising it in the process. As the recession has given the lie to the dream of perpetual growth, young people have begun to develop an idealised, almost pantomimic understanding of what was lost.

Ask any 20-year-old for a Thatcher slogan and they will tell you, "She said there's no such thing as society." We understand, and painfully so, that we now live in a country where community has been replaced with an image of community that can be broken up and sold back to us at a profit.

This is what the "big society" is all about: not cuddly One-Nation Toryism, but the logical conclusion of Thatcherism, with the corporate iconography of society replacing the social even as the welfare state is destroyed. It is no accident the Camerons have employed a stylist and a photographer at public expense, while it has been decided that "wasteful" quangos such as the Youth Justice Board ought to be axed. In personality politics, image is everything.

We may be too young to remember Thatcher high-heeling it out of No 10, but our leaders still dance to the rhythm of her politics and our aspirations are still dominated by her project. The mythology of Thatcherism is more than mortal. When Elton John is called upon to sing her eulogy, he will no doubt conclude that the country burned out long before her legend ever will.

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

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It's easy to see where Berlin is being rebuilt – just hit the streets

My week, from walking the streets of Berlin to class snobbery and the right kind of gentrification.

Brick by brick, block by block, the people are rebuilding the city once called Faust’s Metropolis. To see it clearly, put your boots on. One of the most bracing walks starts by the Gethsemane Church, which served as a haven for dissenters in the last days of the GDR and takes you down ­towards the Hackescher Markt.

Here, in what is still the eastern half of a divided city that wears its division more lightly, is a Berlin experience both old and new. In three decades of frequent visits, it has been fascinating to note how much this part of town has changed. Even a decade ago these streets were rundown. With crumbling buildings showing bulletholes, it wasn’t hard to imagine what the place looked like in 1945. Now there are lilacs, blues, and yellows. Cafés, bars and restaurants abound, serving the young professionals attracted to the city by cheap rents and a renewed sense of community.

 

Breaking the fourth wall

Looking north along Schliemannstraße, you’ll find a delightful vista of well-tended balconies. It’s a pleasant place to live, notwithstanding the gaggle of grotesques who gather round the corner in the square. On Kastanienallee, which forms the second leg of the walk, an old city feels young. It’s a kind of gentrification but the right kind. There’s more to eat, to drink, to buy, for all.

Berlin, where Bertolt Brecht staged his unwatchable plays, was supposed to have been transformed by a proletarian revolution. Instead, it has been restored to health by a very middle-class one. Germany has always had a well-educated middle class, and the nation’s restoration would have impossible without such people. The irony is delicious – not that irony buttered many parsnips for “dirty Bertie”.

 

The new snobbery

The British Museum’s survey of German history “Memories of a Nation” is being presented at the Martin-Gropius-Bau as “The British View”. Germans, natürlich, are curious to see how we observe them. But how do they see us?

A German friend recently in England  said that the images that struck him most forcibly were the tins of food and cheap booze people piled up in supermarkets, and the number of teenage girls pushing prams. Perhaps Neil MacGregor, the former director of the British Museum who will shortly take up a similar role here at the new Humboldt Forum, may turn his attention to a “German View” of the United Kingdom.

There’s no shortage of material. In Schlawinchen, a bar that typifies Kreuzberg’s hobohemia, a college-educated English girl was trying to explain northern England to an American she had just met. Speaking in an ugly modern Mancunian voice that can only be acquired through years of practice (sugar pronounced as “sug-oar”), she refer­red to Durham and York as “middle class, you know, posh”, because those cities had magnificent cathedrals.

When it comes to inverted snobbery, no nation can match us. To be middle class in Germany is an indication of civic value. In modern England, it can mark you as a leper.

 

Culture vultures

The Humboldt Forum, taking shape by the banks of the Spree, reconsecrates the former site of the GDR’s Palace of the Republic. When it opens in 2018 it will be a “living exhibition”, dedicated to all the cultures of the world. Alexander von Humboldt, the naturalist and explorer, was the brother of Wilhelm, the diplomat and philosopher, whose name lives on in the nearby university.

In Potsdamerplatz there are plans to build a modern art museum, crammed in between the Neue Nationalgalerie and the Philharmonie, home to the Berlin Philharmonic. Meanwhile, the overhaul of the Deutsche Staatsoper, where Daniel Barenboim is music director for life, is likely to be completed, fingers crossed, next autumn.

Culture everywhere! Or perhaps that should be Kultur, which has a slightly different meaning in Germany. They take these things more seriously, and there is no hint of bogus populism. In London, plans for a new concert hall have been shelved. Sir Peter Hall’s words remain true: “England is a philistine country that loves the arts.”

 

European neighbours

When Germans speak of freedom, wrote A J P Taylor, a historian who seems to have fallen from favour, they mean the freedom to be German. No longer. When modern Germans speak of freedom, they observe it through the filter of the European Union.

But nation states are shaped by different forces. “We are educated to be obedient,” a Berlin friend who spent a year at an English school once told me. “You are educated to be independent.” To turn around Taylor’s dictum: when the English speak of freedom,
they mean the freedom to be English.

No matter what you may have heard, the Germans have always admired our independence of spirit. We shall, however, always see “Europe” in different ways. Europe, good: we can all agree on that. The European Union, not so good. It doesn’t mean we have to fall out, and the Germans are good friends to have.

 

Hook, line and sinker

There are fine walks to be had in the west, too. In Charlottenburg, the Kensington of Berlin, the mood is gentler, yet you can still feel the city humming. Here, there are some classic places to eat and drink – the Literaturhauscafé for breakfast and, for dinner, Marjellchen, a treasure trove of east Prussian forest delights. Anything that can be shot and put in a pot!

For a real Berlin experience, though, head at nightfall for Zwiebelfisch, the great tavern on Savignyplatz, and watch the trains glide by on the other side of Kantstraße. Hartmut Volmerhaus, a most amusing host, has been the guvnor here for more than 30 years and there are no signs that his race is run. The “Fisch” at twilight: there’s nowhere better to feel the pulse of this remarkable city. 

This article first appeared in the 01 December 2016 issue of the New Statesman, Age of outrage