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Welcome to Erotica: Laurie Penny on Britain’s Gulag of desire

If you had to build a prison for human pleasure, it would look like this.

You shuffle through the clinical, white foyer of the Olympia Grand Hall in Kensington and, after presenting several forms of ID to prove that you've paid the requisite £20 for your sexy times, security guards usher you into a huge iron stadium full of concession stands and bored-looking women in their scanties.

This is Erotica, "playtime for grown-ups": a festival that is billed both as Europe's "best-attended erotic event" and "a unique shopping experience" - statements that, taken together, possibly explain a great deal about western sexual dysfunction.

If you had to build a prison for human pleasure, it would look like this. Among booths selling tacky, made-in-China suspender sets and a smattering of interestingly shaped dildos are concessions for discount bathrooms and homoeopathic Viagra substitutes; towering above the entire bazaar are giant inflatable female limbs, naked torsos and amputated legs in stockings suspended from steel girders a hundred feet high.

The punters are English, bourgeois and middle-aged; the strippers onstage and in the booths are young and eastern European. They smile desperately through shrouds of fake tan. The punters, a mixture of hardcore fetishists in rubber and older couples in fleeces, clutch plastic pints of lukewarm lager as they watch the grim stage show. Strippers gyrate in nothing but thongs and a couple of England flags, a cross between a jiggle joint and an Anglo-fascist rally. In true British style, the audience claps politely while pre-recorded applause thunders over the speakers.

Damply obscene

I have lingered too long by the lube stand. A wolf-eyed salesperson in a company-branded T-shirt pounces, asking with rehearsed haste if I'd like to hear about the range of titillating products they have on offer today. Without waiting for an answer, he proceeds to test out a variety of intimate friction-reducing fluids on the backs of my hands. It's when he reaches the part about “a nice, tingly, minty sensation all over your bits" that I lose the will to live. I back away, smelling of spearmint and sensing I've been violated.

By this point, I'm starving but the only nourishment that can be had here takes the form of gigantic hotdogs: fat, grey phalluses, oozing chemical grease and waiting to be popped into polystyrene buns for a fiver. Ravenous, I buy one. It tastes rubbery and damply obscene, like an unwelcome intimate encounter. I tear into it vengefully. Behind me, the canned applause begins again.

Since puberty, I had wondered precisely what crypto-capitalism had done with desire. Like many randy young creatures, I always suspected that somewhere behind the welter of sterile posturing, the airbrushed thighs and hollow iconography of abuse, real sensuality was somewhere, straining for release. Now, I know. This is the Gulag. This is where pleasure is stripped down to its most profitable parts and flogged back to the middle classes at a profit. This is where sexuality has retreated, behind endless rails of overpriced latex. This is pleasure turned, inch by torturous inch, into work: the repetitive, piston-pumping moil of mass-produced erotic kitsch that passes for sensuality.

In a way, it's worse than work because we have to smile and pretend we're having fun. The Daily Sport girls in their booth have to smile. The rubber-clad dancers have to smile. Even the grey-faced punters have to smile, resigning themselves to a middle-age in which desire and satisfaction are gradually replaced by the purchase of more plastic tat.

At the end of the day, we all leave unsatisfied. Of course we do: if there were a single stall here where you could actually buy an orgasm, the whole edifice would collapse. It's the Gulag of desire. Nobody gets out, and nobody gets off.

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

This article first appeared in the 29 November 2010 issue of the New Statesman, Congo

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Appreciate the full horror of Nigel Farage's pro-Trump speech

The former Ukip leader has appeared at a Donald Trump rally. It went exactly as you would expect.

It is with a heavy heart that I must announce Nigel Farage is at it again.

The on-again, off-again Ukip leader and current Member of the European Parliament has appeared at a Donald Trump rally to lend his support to the presidential candidate.

It was, predictably, distressing.

Farage started by telling his American audience why they, like he, should be positive.

"I come to you from the United Kingdom"

Okay, good start. Undeniably true.

"– with a message of hope –

Again, probably quite true.

Image: Clearly hopeful (Wikipedia Screenshot)

– and optimism.”

Ah.

Image: Nigel Farage in front of a poster showing immigrants who are definitely not European (Getty)

He continues: “If the little people, if the real people–”

Wait, what?

Why is Trump nodding sagely at this?

The little people?

Image: It's a plane with the name Trump on it (Wikimedia Commons)

THE LITTLE PEOPLE?

Image: It's the word Trump on the side of a skyscraper I can't cope with this (Pixel)

THE ONLY LITTLE PERSON CLOSE TO TRUMP IS RIDING A MASSIVE STUFFED LION

Image: I don't even know what to tell you. It's Trump and his wife and a child riding a stuffed lion. 

IN A PENTHOUSE

A PENTHOUSE WHICH LOOKS LIKE LIBERACE WAS LET LOOSE WITH THE GILT ON DAY FIVE OF A PARTICULARLY BAD BENDER

Image: So much gold. Just gold, everywhere.

HIS WIFE HAS SO MANY BAGS SHE HAS TO EMPLOY A BAG MAN TO CARRY THEM

Image: I did not even know there were so many styles of Louis Vuitton, and my dentists has a lot of old copies of Vogue.

Anyway. Back to Farage, who is telling the little people that they can win "against the forces of global corporatism".

 

Image: Aaaaarggghhhh (Wikipedia Screenshot)

Ugh. Okay. What next? Oh god, he's telling them they can have a Brexit moment.

“... you can beat Washington...”

“... if enough decent people...”

“...are prepared to stand up against the establishment”

Image: A screenshot from Donald Trump's Wikipedia page.

I think I need a lie down.

Watch the full clip here:

Stephanie Boland is digital assistant at the New Statesman. She tweets at @stephanieboland