This is what online harassment looks like

Obscene images, hate sites and a game where people are invited to beat you up have been inflicted on Anita Sarkeesian.

When I first wrote about the sexist abuse of women online, collating the experiences of nearly a dozen writers, the response was largely positive. Many hadn't been aware there was a problem; they were shocked. Others had assumed that they were the only ones whose every word on the web was greeted with a torrent of abusive, threatening comments.

But a few reactions stood out, among them that of Brendan O'Neill, the Telegraph blogs section's resident contrarian. He wrote that feminist campaigners pointing this out was a "hilarious echo of the 19th-century notion that women need protecting from vulgar and foul speech". We were, he said, "a tiny number of peculiarly sensitive female bloggers" trying to close down freedom of speech.

The best response to that argument, incidentally, comes from Ally Fogg, who wrote recently:

What you fail to understand is that the use of hate speech, threats and bullying to terrify and intimidate people into silence or away from certain topics is a far bigger threat to free speech than any legal sanction.

Imagine this is not the internet but a public square. One woman stands on a soapbox and expresses an idea. She is instantly surrounded by an army of 5,000 angry people yelling the worst kind of abuse at her in an attempt to shut her up. Yes, there's a free speech issue there. But not the one you think.

I couldn't have put it better myself. As the months have gone on, and more "trolls" (or "online bullies", if you're a semantic stickler) have been exposed, the perception that what we're talking about when we talk about online harrassment is "a few mean comments" or an insult or two has grown.

On 12 June, I wrote about American blogger Anita Sarkeesian, who launched a Kickstarter programme to raise $6,000 to research "tropes vs women in videogames". Donating was - and I really can't stress this enough - completely voluntary. There are Kickstarters for all kinds of things: for example,  a "dance narrative featuring some of NYC's most compelling performers that celebrates the pursuit of love and the joys of imperfection" doesn't sound like my kind of thing, but God Bless Them, they are 89% funded towards their $12,000 goal. 

But a big swath of the internet wasn't prepared to live and let live in Sarkeesian's case, and began spamming her YouTube video comments with a pot-pourri of misogynist, racist and generally vile abuse. Each one individually was grim; together they constituted harassment. (You can read the full story in my blog here).

Since then, Anita Sarkeesian has been subjected to a good deal more harassment. Let's run through the list for anyone who still thinks this issue is about a few mean words.

Image-based harassment

 

This is the kind of stuff people have been sending to Sarkeesian's inbox, repeatedly, and posting on the internet in an attempt to game her Google Image search results. There have also been drawings of her in sexually degrading situations:

Both these sets of images are taken from Sarkeesian's blog post documenting the harassment (and are reproduced with her permission). They have been posted on the web generally, and also sent specifically to her Facebook page, Twitter account and YouTube channel. The second set show, in her words:

The first image depicts a woman drawn to resemble me who is tied up with a wii controller shoved in her mouth while being raped by Mario from behind. The second image is another drawing (clearly sketched to resemble me) featuring a chained nude figure on her knees with 5 penises ejaculating on her face with the words “fuck toy” written on her torso.

Hate sites

These take a couple of forms: either the creation of specific sites dedicated to trashing you (and again, to come up in Google searches of your name) or posting your details on established forums where haters like to hang out. In Sarkeesian's case, that has involved posting her phone number and address. It's hard to see that as anything other than an attempt to intimidate her: "We know where you live".

The interactive "Beat Up Anita Sarkeesian" game

This one is so incredible I had trouble believing it existed. 

It's an interactive game, inviting players to "beat up Anita Sarkeesian".

As you click the screen, bruises and welts appear on her face.

I find this fairly disturbing - the idea that somewhere out there is a man - a 25-year-old from Sault Ste Marie, a city in Ontario, Canada, who was offended enough by Sarkeesian's Kickstarter project that he made this.

In the description accompanying the games, he adds:

Anita Sarkeesian has not only scammed thousands of people out of over $160,000, but also uses the excuse that she is a woman to get away with whatever she damn well pleases. Any form of constructive criticism, even from fellow women, is either ignored or labelled to be sexist against her.

She claims to want gender equality in video games, but in reality, she just wants to use the fact that she was born with a vagina to get free money and sympathy from everyone who crosses her path.

Some of the commenters on the game have expressed disgust, but not all of them. One wrote:

You are so right, sir. It's the execution which lets this game down.

Wikipedia Vandalism

I wrote about this in the initial post, so I'll be brief here: Sarkeesian's Wikipedia page was repeatedly hacked with crude messages and porn images, until it was locked. This went hand in hand with...

Hacking/DDOSing

Hacking is gaining entrance to someone's private data or website, while DDOSing - using "denial of service" attacks - involves sending a website's server so many requests to load the page that it crashes.

That's what happened to Sarkeesian's site as her story got shared around the world. This image was posted as a way of bragging about taking it down:

 

Personal Life

Sarkeesian is rare in sharing so much of the harassment that she has been subjected to -- and it's a brave choice for her to make. Every time I write about this subject, I get a few emails from women who've been through the same thing (and I'm sure there are men, too). They tell me much the same story: this happened to them, but they don't want to talk publicly about it, because they don't want to goad the bullies further. 

If you were Anita Sarkeesian, how would you feel right now? She's somebody with a big online presence through her website, YouTube channel and social media use. All of that has been targeted by people who - and I can't say this enough - didn't like her asking for money to make feminist videos. 

I think Sarkeesian has been incredibly courageous in sharing what's happened to her. Those obscene pictures are intended to shame her, to reduce her to her genitals, and to intimidate her. 

I'm sure there's plenty here which breaks the law - both in the UK and the US. But the solution here probably isn't a legal one: it's for everyone involved to have some basic human decency. This isn't just a few rude words, and it isn't OK. 

An online game invites players to "beat up Anita Sarkeesian".

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

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The Femicide Census honours the victims of gender violence

The survey shows that the majority of women who are killed by men suffer their fate at the hands of a current or former partner.

 

The phrase “isolated incident” often turns up in media reports when a man kills a woman. The police use it at press conferences. It’s a code: it means the story ends here, no one else is in danger, the rest of the world can sleep safe because this particular killer does not have his sights on anyone else.

Thanks to the Femicide Census – a collaboration between Women’s Aid and nia, two specialist services dealing with violence against women – we now know how many of those “isolated incidents” there are, in England and Wales at least. Between 1 January 2009 and 31 December 2015, it was nearly a thousand: 936 women (aged 14 and over) were killed by men in seven years.

As the census reveals, the killing of women follows a very different pattern to the killing of men, although there is one thing both groups of victims have in common: their killers are almost always men.

But female victims are more likely to know their killer than male victims. In fact, they usually know him very well: 598 (64%) of the women were killed by a current or former partner, 75 (8%) by their son, 45 (4.8%) by another male family member. Killing is often what the census describes as “the final act of control”: not an “isolated incident”, but the culmination of a long campaign of coercion and violence.

This means that trends in femicide – the killing of a woman by a man – don’t match the overall homicide trend, as a 2011 UN study found when it noted that the overall rate of homicide had fallen while killings of women remained stable. But official records have long failed to recognise this difference, and there were no statistics specifically on men’s fatal violence against women until 2012, when Karen Ingala Smith (CEO of nia) started cataloguing reports of women killed by men on her personal blog, a project she called Counting Dead Women.

That was the start of the Femicide Census, now a high-powered data project on a platform developed by Deloitte. The list has been expanded so that victim-killer relationship, method of killing, age, occupation, ethnicity, health status and nationality can all be explored.

Or rather, these factors can be explored when they’re known. What gets reported is selective, and that selection tells a great a deal about what is considered valuable in a woman, and what kind of woman is valued. As the census notes: “almost without exception, it was easier to find out whether or not the victim had been a mother than it was to find out where she worked”.

Killings of black, Asian, minority ethnicity and refugee women receive vastly less media coverage than white women – especially young, attractive white women whose deaths fulfil the stranger-danger narrative. (Not that this is a competition with any winners. When the press reports on its favoured victims, the tone is often objectifying and fetishistic.)

Women’s chances of being killed are highest among the 36-45 age group, then decline until 66+ when they jump up again. These are often framed by the perpetrators as “mercy killings”, although the sincerity of that mercy can be judged by one of the male killers quoted in the census: “‘I did not want her to become a decrepit old hag.”

Another important finding in the census is that 21 of the women killed between 2009 and 2015 were involved in pornography and/or prostitution, including two transwomen. The majority of these victims (13 women) were killed by clients, a grim indictment of the sex trade. The most chilling category of victim, though, is perhaps the group of five called “symbolic woman”, which means “cases where a man sought to kill a woman – any woman”. In the purest sense, these are women who were killed for being women, by men who chose them as the outlet for misogynist aggression.

The truth about men’s fatal violence against women has for too many years been obscured under the “isolated incident”. The Femicide Census begins to put that ignorance right: when a man kills a woman, he may act alone, but he acts as part of a culture that normalises men’s possession of women, the availability of women for sexual use, the right to use force against non-compliant or inconvenient women.

With knowledge, action becomes possible: the Femicide Census is a clarion call for specialist refuge services, for support to help women exit prostitution, for drastic reform of attitudes and understanding at every level of society. But the census is also an act of honour to the dead. Over two pages, the census prints the names of all the women to whom it is dedicated: all the women killed by men over the six years it covers. Not “isolated incidents” but women who mattered, women who are mourned, women brutally killed by men, and women in whose memory we must work to prevent future male violence, armed with everything the census tells us.

 

Sarah Ditum is a journalist who writes regularly for the Guardian, New Statesman and others. Her website is here.