Five of the Best: on the BNP

The top five comment pieces on the BNP and Question Time

In the Guardian, Gary Younge argues that New Labour enabled the rise of the BNP by failing to tackle racism head-on:

New Labour extinguished all hope of class solidarity and singularly failed to provide principled anti-racist alternatives, leaving a significant section of the white working class to seek cheap refuge in racism and xenophobia. In their identity they see not the potential for resistance against corruption and injustice, but only a grievance. They don't trust government and don't see any alternatives. The coming election simply provides the choice between two parties that share the intent to slash public spending, after the gift of billions to bankers.

Over at Spiked, Tim Black says the belief that Nick Griffin's appearance will trigger a rise in racism is condescending to the public:

It implies that we the public are not capable of dealing with freedom of speech and open debate. We need to be protected from certain arguments and points of view, the merest hints of which will send us racist. The public here is viewed as a childlike mass, incapable of resisting the sinister adult advances of people like Griffin. Could we be more condescended to? The idea that the two million people watching Question Time will suddenly go Nazi because some whites-only crank is on the panel is as absurd as Liberal Democrat leader Nick Clegg hoping two million people will suddenly go Lib Dem because Chris Huhne is sat there too. Monkey see, monkey do, goes the thinking.

The Independent's Steve Richards warns that the BNP has an unexpected chance to benefit from record political discontent:

These are unusually febrile times. I speak to a lot of MPs who worry about the impact of the BNP in their constituencies more than virtually any other issue. A cabinet minister also said to me recently that the simultaneous political and economic crises are bound to have tumultuous consequences, so far ill-defined. There is still a dangerous gap in the market. The BNP shows few signs of filling it, but now an opportunity has arisen from nowhere for its leader to perform.

In the Daily Telegraph, Mary Riddell says the government must stand up for immigration in the face of the BNP:

Government should champion the transformation wrought by incomers and uphold the British tradition of welcoming, from the Huguenots onwards, those fleeing persecution. It should applaud Europe's open borders while stressing that EU migrants, many of whom do not stay long, have boosted the economy. In 2008-9, new arrivals paid 37 per cent more in taxes than they cost in welfare payments and public services.

The Times's David Aaronovitch offers a ten-point plan for the panellists to defeat Griffin. Here's number four:

Ditch the indignation -- you have to earn the right to be angry in front of viewers. Don't describe his views as abhorrent, hateful or evil or declare yourself shocked, appalled, sickened or disgusted until he's said something to justfy such a reaction. Abstract fury just looks incontinent.

 

George Eaton is political editor of the New Statesman.

John Moore
Show Hide image

The man who created the fake Tube sign explains why he did it

"We need to consider the fact that fake news isn't always fake news at the source," says John Moore.

"I wrote that at 8 o'clock on the evening and before midday the next day it had been read out in the Houses of Parliament."

John Moore, a 44-year-old doctor from Windsor, is describing the whirlwind process by which his social media response to Wednesday's Westminster attack became national news.

Moore used a Tube-sign generator on the evening after the attack to create a sign on a TfL Service Announcement board that read: "All terrorists are politely reminded that THIS IS LONDON and whatever you do to us we will drink tea and jolly well carry on thank you." Within three hours, it had just fifty shares. By the morning, it had accumulated 200. Yet by the afternoon, over 30,000 people had shared Moore's post, which was then read aloud on BBC Radio 4 and called a "wonderful tribute" by prime minister Theresa May, who at the time believed it was a genuine Underground sign. 

"I think you have to be very mindful of how powerful the internet is," says Moore, whose viral post was quickly debunked by social media users and then national newspapers such as the Guardian and the Sun. On Thursday, the online world split into two camps: those spreading the word that the sign was "fake news" and urging people not to share it, and those who said that it didn't matter that it was fake - the sentiment was what was important. 

Moore agrees with the latter camp. "I never claimed it was a real tube sign, I never claimed that at all," he says. "In my opinion the only fake news about that sign is that it has been reported as fake news. It was literally just how I was feeling at the time."

Moore was motivated to create and post the sign when he was struck by the "very British response" to the Westminster attack. "There was no sort of knee-jerk Islamaphobia, there was no dramatisation, it was all pretty much, I thought, very calm reporting," he says. "So my initial thought at the time was just a bit of pride in how London had reacted really." Though he saw other, real Tube signs online, he wanted to create his own in order to create a tribute that specifically epitomised the "very London" response. 

Yet though Moore insists he never claimed the sign was real, his caption on the image - which now has 100,800 shares - is arguably misleading. "Quintessentially British..." Moore wrote on his Facebook post, and agrees now that this was ambiguous. "It was meant to relate to the reaction that I saw in London in that day which I just thought was very calm and measured. What the sign was trying to do was capture the spirit I'd seen, so that's what I was actually talking about."

Not only did Moore not mean to mislead, he is actually shocked that anyone thought the sign was real. 

"I'm reasonably digitally savvy and I was extremely shocked that anyone thought it was real," he says, explaining that he thought everyone would be able to spot a fake after a "You ain't no muslim bruv" sign went viral after the Leytonstone Tube attack in 2015. "I thought this is an internet meme that people know isn't true and it's fine to do because this is a digital thing in a digital world."

Yet despite his intentions, Moore's sign has become the centre of debate about whether "nice" fake news is as problematic as that which was notoriously spread during the 2016 United States Presidential elections. Though Moore can understand this perspective, he ultimately feels as though the sentiment behind the sign makes it acceptable. 

"I use the word fake in inverted commas because I think fake implies the intention to deceive and there wasn't [any]... I think if the sentiment is ok then I think it is ok. I think if you were trying to be divisive and you were trying to stir up controversy or influence people's behaviour then perhaps I wouldn't have chosen that forum but I think when you're only expressing your own emotion, I think it's ok.

"The fact that it became so-called fake news was down to other people's interpretation and not down to the actual intention... So in many interesting ways you can see that fake news doesn't even have to originate from the source of the news."

Though Moore was initially "extremely shocked" at the reponse to his post, he says that on reflection he is "pretty proud". 

"I'm glad that other people, even the powers that be, found it an appropriate phrase to use," he says. "I also think social media is often denigrated as a source of evil and bad things in the world, but on occasion I think it can be used for very positive things. I think the vast majority of people who shared my post and liked my post have actually found the phrase and the sentiment useful to them, so I think we have to give social media a fair judgement at times and respect the fact it can be a source for good."

Amelia Tait is a technology and digital culture writer at the New Statesman.