Why isn't male unemployment an issue?

The last time the male unemployment rate was lower than female was September 1980. Ever since then, men have been more likely to be unemployed than women. At times, like in the boom of the late 1980s, the difference was small -- just 0.1 percentage point between them. Other times, it was enormous. In the early 1990s, male unemployment rocketed to a high of 12.8 per cent, up 5.7 points in a little under two years, while female unemployment was almost unchanged, increasing by just 1.5 points.

Indeed, for men, the unemployment crisis under John Major was actually worse than under Thatcher, peaking 0.4 points ahead. Both recessions hit men worse than women, but under Thatcher the base was better.

This great recession, like the previous two, has also undeniably hit men harder. Trough to peak, the unemployment rate increased by 3.6 points for men and 2.9 for women. True, this is the worst female unemployment for 19 years, and only the worst male for 16 years; but that says less about this recession and more about the disproportionate impact of the last.

Recently, this macro pattern has started to reverse. The six months has been worse for women than men, with the Fawcett Society estimating in March that 80 per cent of the job losses in the previous three months had come from women. But this just represents an expected patterm. As Betsey Stevenson, visiting economics professor at Princeton University, told PolitiFact about similar statistics in the US, "it’s a historical pattern that has held in previous recessions." Just like the other historical pattern that has held: overall, men are hit worse.

All of which makes it strange that, when gender is brought into the unemployment question, it is through headlines like:

Female employment hit by public sector cuts and childcare costs

Women told: your place is on the dole

Female unemployment highest for 15 years; outlook bleak

It's not that there ought to be headlines and leaders declaring David Cameron to have a men problem. For a number of reasons, the broader accusation that this government isn't very friendly to women is accurate. But unemployment isn't one of those reasons. Men were hit earlier, faster, and harder, yet there has been scarcely a mention of that fact.

The problem is, men doing badly isn't politically interesting. No-one gets accused of sexism if it occurs; no-one propses gender-targeted intervention, and no-one really suggests that the problem is distinguishable from overall unemployment. There are two possible ways to read this. One is that, as James Ball comments today, whereas talk of "sisterhood" is a positive image, self-affirming and strong, talk of "brotherhood" is "not nearly such a positive image, reeking of conspiracy and cabal". But I'd suggest it's a different reason: men are perceived by society at large as "normal", while women are still relegated to "minority" status, despite making up half the population.

Usually this phenomenon is seen as anti-women. Look, for example, at the recent furore when Lego announced "Lego Friends", or Lego for girls, turning what had previously been a gender neutral toy into a boys toy by default. But it can hurt men just as much.

We need to be more open about gender in every area of society,  so let's talk about men.

Two men enter a jobcentre. Photograph: Getty Images

Alex Hern is a technology reporter for the Guardian. He was formerly staff writer at the New Statesman. You should follow Alex on Twitter.

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Over a Martini with my mother, I decide I'd rather not talk Brexit

A drink with her reduces me to a nine-year-old boy recounting his cricketing triumphs.

To the Royal Academy with my mother. As well as being a very competent (ex-professional, on Broadway) singer, she is a talented artist, and has a good critical eye, albeit one more tolerant of the brighter shades of the spectrum than mine. I love the RA’s summer exhibition: it offers one the chance to be effortlessly superior about three times a minute.

“Goddammit,” she says, in her finest New York accent, after standing in front of a particularly wretched daub. The tone is one of some vexation: not quite locking-yourself-out-of-the-house vexed, but remembering-you’ve-left-your-wallet-behind-a-hundred-yards-from-the-house vexed. This helps us sort out at least one of the problems she has been facing since widowhood: she is going to get cracking with the painting again, and I am going to supply the titles.

I am not sure I have the satirical chops or shamelessness to come up with anything as dreadful as Dancing With the Dead in My Dreams (artwork number 688, something that would have shown a disturbing kind of promise if executed by an eight-year-old), or The End From: One Day This Glass Will Break (number 521; not too bad, actually), but we work out that if she does reasonably OK prints and charges £500 a pop for each plus £1,000 for the original – this being at the lower end of the price scale – then she’ll be able to come out well up on the deal. (The other solution to her loneliness: get a cat, and perhaps we are nudged in this direction by an amusing video installation of a cat drinking milk from a saucer which attracts an indulgent, medium-sized crowd.)

We wonder where to go for lunch. As a sizeable quantity of the art there seems to hark back to the 1960s in general, and the style of the film Yellow Submarine in particular, I suggest Langan’s Brasserie, which neither of us has been to for years. We order our customary Martinis. Well, she does, while I go through a silly monologue that runs: “I don’t think I’ll have a Martini, I have to write my column this afternoon, oh sod it, I’ll have a Martini.”

“So,” she says as they arrive, “how has life been treating you?”

Good question. How, indeed, has life been treating me? Most oddly, I have to say. These are strange times we live in, a bit strange even for me, and if we wake up on 24 June to find ourselves no longer in Europe and with Nigel Farage’s toadlike mug gurning at us from every newspaper in the land, then I’m off to Scotland, or the US, or at least strongly thinking about it. Not even Hunter S Thompson’s mantra – “When the going gets weird, the weird turn pro” – will be enough to arm myself with, I fear.

The heart has been taking something of a pummelling, as close readers of this column may have gathered, but there is nothing like finding out that the person you fear you might be losing it to is probably going to vote Brexit to clear up that potential mess in a hurry. The heart may be stupid, but there are some things that will shake even that organ from its reverie. However, operating on a need-to-know basis, I feel my mother can do without this information, and I find myself talking about the cricket match I played on Sunday, the first half of which was spent standing watching our team get clouted out of the park, in rain not quite strong enough to take us off the field, but certainly strong enough to make us wet.

“Show me the way to go home,” I sang quietly to myself, “I’m tired and I want to go to bed,” etc. The second half of it, though, was spent first watching an astonishing, even by our standards, batting collapse, then going in at number seven . . . and making the top score for our team. OK, that score was 12, but still, it was the top score for our team, dammit.

The inner glow and sense of bien-être that this imparted on Sunday persists three days later as I write. And as I tell my mother the story – she has now lived long enough in this country, and absorbed enough of the game by osmosis, to know that 17 for five is a pretty piss-poor score – I realise I might as well be nine years old, and telling her of my successes on the pitch. Only, when I was nine, I had no such successes under my belt.

With age comes fearlessness: I don’t worry about the hard ball coming at me. Why should I? I’ve got a bloody bat, gloves, pads, the lot. The only things that scare me now are, as usual, dying alone, that jackanapes Farage, and bad art. 

Nicholas Lezard is a literary critic for the Guardian and also writes for the Independent. He writes the Down and Out in London column for the New Statesman.

This article first appeared in the 23 June 2016 issue of the New Statesman, Divided Britain