Opinionomics | 16 May 2012

Must-read comment and analysis. Grexit! Grexit! Grexit!

1. Economic update – May 2012: Osborne’s austerity strangles Britain (Left Foot Forward)

Tony Dolphin presents his comprehensive monthly assessment of the economic situation.

2. An equality multiplier? (Stumbling and Mumbling)

Chris Dillow looks at the possibility that equality breeds equality, and asks what this means for social policy.

3. Is Germany bluffing on Greece? (Bruegel)

Philine Schuseil rounds up the German-language press response to the possibility of Grexit.

4. How Keynes would solve the eurozone crisis (Financial Times)

Marcus Miller and Robert Skidelsky write that for a country in such desperate straits as Greece, orderly exit from the euro to regain competitiveness looks to be the best option.

5. German voters must break the Merkel mindset that got them into this (Guardian)

Greece's euro membership was as much the German elite's fault as anyone's. Can it find the leadership to resolve the crisis, asks Robin Wells

Angela Merkel murmurs to Francois Hollande. Photograph: Getty Images

Alex Hern is a technology reporter for the Guardian. He was formerly staff writer at the New Statesman. You should follow Alex on Twitter.

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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.