Obscenity victory

An illiberal and misconceived prosecution fails at Southwark Crown Court.

The jury at Southwark Crown Court has returned unanimous Not Guilty verdicts on each of the six charges under the Obscene Publications Act 1959 against Michael Peacock.

The prosecution failed to convince a single juror that any of the DVD material distributed by Peacock was "depraving and corrupting" under the 1959 Act. The DVDs contained sexual practices such as fisting, BDSM, and so-called "watersports" depicted between consenting adults.

Statement from Crown Prosecution Service:

The CPS charged Michael Peacock with publishing obscene articles for gain, as we were satisfied that there was sufficient evidence to secure a realistic prospect of conviction, and that it was in the public interest to prosecute these allegations.

The prosecution was not only about the content of the material, but the way in which it was being distributed to others, without checks being made as to the age or identity of recipients.

The judge was satisfied that there was a case to answer, but having heard all of the evidence for both the prosecution and the defence, the jury acquitted the defendant.

We respect the jury's decision.

Statement from Mr Peacock's solicitors Hodge Jones & Allen:

The trial of Michael Peacock for six counts of distributing obscene DVDs under the Obscene Publications Act 1959 concluded today with an acquittal.

The jury, which had watched large parts of the 'hard core' male-on-male DVDs took under 2 hours to find Mr Peacock not guilty.

Mr Peacock had been advertising the DVDs online and selling them from his flat in Brixton. Officers from SCD9 (the former Obscene Publications Squad of the Met) saw the adverts and operated an undercover test purchase. Six DVD's featuring various sex acts including 'fisting' and BDSM were deemed by police to be obscene and Mr Peacock was prosecuted.

Myles Jackman, a solicitor at Hodge Jones & Allen, with a specialist interest in obscenity law, commented: "The jury's verdict is a significant victory for common sense suggesting that the OPA has been rendered irrelevant in the digital age. Normal jurors did not consider representations of consensual adult sexuality would deprave and corrupt the viewer."

Senior Criminal Partner, Nigel Richardson, acting for Mr Peacock, stated that "from the outset Michael has displayed an enormous amount of courage in contesting these charges. The jury's verdict vindicates his decision to challenge this arcane and archaic legislation. The result is also a testament to [HJA crime partner] Sandra Paul's persuasive advocacy."

More to follow.


David Allen Green is legal correspondent of the New Statesman

David Allen Green is legal correspondent of the New Statesman and author of the Jack of Kent blog.

His legal journalism has included popularising the Simon Singh libel case and discrediting the Julian Assange myths about his extradition case.  His uncovering of the Nightjack email hack by the Times was described as "masterly analysis" by Lord Justice Leveson.

David is also a solicitor and was successful in the "Twitterjoketrial" appeal at the High Court.

(Nothing on this blog constitutes legal advice.)

YouTube screengrab
Show Hide image

“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.