Porn never did me any harm

Parents and educators alike know they can do everything in their power to stop kids from being exposed to stuff that isn't 'age appropriate', but they'll find it sooner or later, whether we like it or not. Should we worry?

There it was, half buried in the snow. We knew what it was almost as soon as we saw it: Our very first sight of a grumble mag.

We'd been sent home from school early due to the freezing weather, and because we didn't have far to go, we were making our way back along the crunching white pavements as a gang of three tiny figures dressed in parkas and scarves and school uniforms.

It was around Matlock Crescent, I think, that we found it, poking out of the snow, its garish colours and abundance of pink, voluptuous flesh. This was PORN. And we were going to see it, at last.

I don't mean to make this sound like Stand By Me but with a copy of Razzle, but here it is: you remember these little incidents from your childhood, whether you want to or not. We must have been about eight years old, maybe a little older, and we were about to enter the adult world - the world beyond having a crafty leaf through your mate's dad's Pirelli calendar in the garage. That world of filth and smut and depravity.

It wasn't me who reached a rapidly de-mittened hand down to the snowfall's erotic booty, but one of my friends. Quickly, a struggle erupted to see who had control of the contraband treasure: the first possessor found himself having to fight the other two of us off, as a carnivore might battle other predators at a freshly-killed carcass.

Then, we settled down. Our hearts were thumping as our breaths rose in the freezing winter air, and the front cover was turned. This was it. This was what we weren't old enough to reach on the newsagents' shelves. This was porn.

What happened next? Well, we stood there, giggling. Giggling and shouting at what we were looking at. What was that?! What was she doing?! What was going on there?! We didn't have the answers, we just had questions, and the nervous laughter masked the bizarreness of what we were seeing. There was... pubic hair. There was... a vulva (though we had no idea what a vulva was, or might be for). There was... oh JESUS CHRIST. There was a page of MEN.

Look, we were young boys. We didn't know any different. But we weren't meant to see what we'd just seen: it should have been kept from us, until such time as we reached the maturity to see it; our plastic minds could have been damaged by what we saw, and read (though we certainly did learn some new vocabulary that day from the letters pages).

But we weren't damaged. Not by one exposure to something like that. Just as we wouldn't have been damaged if, for example, the worldwide web had been available in those days, with all the stuff we now take for granted as being a mouseclick away.

Sure, it was just a mucky mag, but I think this story tells me a couple of things about pornography and the relationship some of us have with it. First, you're never going to keep it away from children, no matter how hard you try: the "discovery in the bushes" of yesteryear is the "happened on a porn site by mistake" of today.

Parents and educators alike know they can do everything in their power to stop kids from being exposed to stuff that isn't 'age appropriate', but they'll find it sooner or later, whether we like it or not. However, what is different is the degree and intensity of what you can find online; much stronger, in places, than what you might have discovered in a newsagent (or elsewhere) back in the day.

I think the key to the whole experience is that we three kids on that day all those years ago saw the mucky magazine as something strange, something unusual, something that belonged to another world - an adult world. I think that was probably what defined that experience - it was a first glimpse, albeit mediated through shiny paper, and ink, and torn around the edges.

It didn't change us, or affect us, precisely because we saw it as something alien, something that wasn't appropriate, that we knew wasn't part of our world and our lives at that age. For me, that's what makes the difference. It wasn't a normal thing to happen. And I'm glad it wasn't; it shouldn't have been, I think.

Playboy. Photograph: Getty Images

Patrolling the murkier waters of the mainstream media

Getty
Show Hide image

Let's face it: supporting Spurs is basically a form of charity

Now, for my biggest donation yet . . .

I gazed in awe at the new stadium, the future home of Spurs, wondering where my treasures will go. It is going to be one of the architectural wonders of the modern world (football stadia division), yet at the same time it seems ancient, archaic, a Roman ruin, very much like an amphitheatre I once saw in Croatia. It’s at the stage in a new construction when you can see all the bones and none of the flesh, with huge tiers soaring up into the sky. You can’t tell if it’s going or coming, a past perfect ruin or a perfect future model.

It has been so annoying at White Hart Lane this past year or so, having to walk round walkways and under awnings and dodge fences and hoardings, losing all sense of direction. Millions of pounds were being poured into what appeared to be a hole in the ground. The new stadium will replace part of one end of the present one, which was built in 1898. It has been hard not to be unaware of what’s going on, continually asking ourselves, as we take our seats: did the earth move for you?

Now, at long last, you can see what will be there, when it emerges from the scaffolding in another year. Awesome, of course. And, har, har, it will hold more people than Arsenal’s new home by 1,000 (61,000, as opposed to the puny Emirates, with only 60,000). At each home game, I am thinking about the future, wondering how my treasures will fare: will they be happy there?

No, I don’t mean Harry Kane, Danny Rose and Kyle Walker – local as well as national treasures. Not many Prem teams these days can boast quite as many English persons in their ranks. I mean my treasures, stuff wot I have been collecting these past 50 years.

About ten years ago, I went to a shareholders’ meeting at White Hart Lane when the embryonic plans for the new stadium were being announced. I stood up when questions were called for and asked the chairman, Daniel Levy, about having a museum in the new stadium. I told him that Man United had made £1m the previous year from their museum. Surely Spurs should make room for one in the brave new mega-stadium – to show off our long and proud history, delight the fans and all those interested in football history and make a few bob.

He mumbled something – fluent enough, as he did go to Cambridge – but gave nothing away, like the PM caught at Prime Minister’s Questions with an unexpected question.

But now it is going to happen. The people who are designing the museum are coming from Manchester to look at my treasures. They asked for a list but I said, “No chance.” I must have 2,000 items of Spurs memorabilia. I could be dead by the time I finish listing them. They’ll have to see them, in the flesh, and then they’ll be free to take away whatever they might consider worth having in the new museum.

I’m awfully kind that way, partly because I have always looked on supporting Spurs as a form of charity. You don’t expect any reward. Nor could you expect a great deal of pleasure, these past few decades, and certainly not the other day at Liverpool when they were shite. But you do want to help them, poor things.

I have been downsizing since my wife died, and since we sold our Loweswater house, and I’m now clearing out some of my treasures. I’ve donated a very rare Wordsworth book to Dove Cottage, five letters from Beatrix Potter to the Armitt Library in Ambleside, and handwritten Beatles lyrics to the British Library. If Beckham and I don’t get a knighthood in the next honours list, I will be spitting.

My Spurs stuff includes programmes going back to 1910, plus recent stuff like the Opus book, that monster publication, about the size of a black cab. Limited editions cost £8,000 a copy in 2007. I got mine free, as I did the introduction and loaned them photographs. I will be glad to get rid of it. It’s blocking the light in my room.

Perhaps, depending on what they want, and they might take nothing, I will ask for a small pourboire in return. Two free tickets in the new stadium. For life. Or longer . . . 

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times