This week's NS: The London issue

Summer double edition: essays, fiction, art and photography inspired by the capital.

Special double edition with contributions from Vivienne Westwood, Matthew Hollis, Maurice Glasman, Will Hutton, Ruth Padel and Evgeny Lebedev, an essay by Will Self, a new short story by Joe Dunthorne, an interview with David Bailey and a specially commissioned 12-page  photo essay on the world's greatest city

This week’s New Statesman is a 92-page special issue on London. The double issue of the magazine features a series of capsule essays, “Tales of a city”, in which artists, authors and public figures reflect on their relationship with the capital. The pieces include:

 

  • Vivienne Westwood on a life spent in art galleries

  • Bim Adewunmi on Hackney’s inevitable gentrification

  • Alex Preston urges bankers to look up at the buildings they built

  • Ruth Padel argues the case for London Zoo

  • David Lammy questions whether London can be a place for everyone

  • Matthew Hollis travels on a boat down the Thames

  • Stuart Maconie offers a northerner’s take on the capital

  • Dorian Lynskey celebrates the Rough Trade record shop

  • Sarah Sands insists that no other city can compete with London

  • Maurice Glasman recalls gloomy childhood Sundays in Palmers Green

  • Evgeny Lebedev is grateful to a city that welcomed him

 

Will Self: Streets of love and anarchy

For a special essay, Will Self takes a stroll through south London with his son. They encounter pirate DVD sellers, 1970s tower blocks and Battersea Power Station – and Self remembers how much he loves, and hates, the protean city. Ralph Steadman has created an original illustration for the New Statesman to accompany this London essay.

 

Reporter at Large: Edward Platt

Last summer, Edward Platt set out in the footsteps of J B Priestley, tracking Britain’s post-industrial decline and revival. In the last of his “English journeys”, he visits the Isle of Dogs and Southwark, and discovers that urban poverty coexists uneasily with high finance. With photographs of Canary Wharf and the Shard by Stephen McLaren and Mimi Mollica.

 

Also in the London issue

  • An extensive photo essay, specially commissioned by the New Statesman, opens with a reflection on foreign depictions of the city by Sukhdev Sandhu, the author of London Calling and Night Haunts: a Journey Through the London Night. Across six spreads of the magazine, vintage photographs from Tate Britain's exhibition “Another London” (opens on 27 July) sit next to reinterpretations in images by the contemporary photographers Daido Moriyama, Alex Webb, Aaron Schuman, Jan Stradtmann, Noemie Goudal, Gueorgui Pinkhassov, Mishka Henner and Richard Mosse.

  • David Bailey, whose iconic fashion and celebrity photos of the Sixties captured the essence of Swinging London, talks to Rebecca McClelland in the NS Interview.

  • We run a new short story by Joe Dunthorne, “The Cold War”, set in an east London park and with an illustration by Barry Falls.

 

Elsewhere in this week's NS

  • Jonathan Portes, director of the National Institute of Economic and Social Research, reflects on what can be done about Britain’s gloomy outlook in the Economics Column.

  • In the Politics Column, Rafael Behr reports that Boris Johnson “has told aides he intends to perform his mayoral duties on an unofficial part-time basis after the Olympics”. With seven deputy mayors left to run the capital, Johnson will be afforded “three years of idleness” – which for Downing Street “means endless scope for political devilry”.

  • In the Critics section, Richard Mabey writes the third in his series of “seasonal diaries” for the NS on the “floral phantasmagoriahe" we have our unusually wet summer to thank for.

  • Leo Hollis examines attempts to transform London from a Victorian capital to a futuristic metropolis using the latest digital technology.

  • The former editor of the Observer, Will Hutton, writes examines three books by leading economists who dissent from the “austerian” consensus on the best solution to the economic crisis, both domestically and globally. 

  • Also in The Critics, the NS's pick of the top ten London novels, films and songs.

 

This week's double issue of the New Statesman, cover dated 30 July - 12 August 2012, is on newsstands and available for purchase here

 

Alice Gribbin is a Teaching-Writing Fellow at the Iowa Writers' Workshop. She was formerly the editorial assistant at the New Statesman.

Photo: Getty Images
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What do Labour's lost voters make of the Labour leadership candidates?

What does Newsnight's focus group make of the Labour leadership candidates?

Tonight on Newsnight, an IpsosMori focus group of former Labour voters talks about the four Labour leadership candidates. What did they make of the four candidates?

On Andy Burnham:

“He’s the old guard, with Yvette Cooper”

“It’s the same message they were trying to portray right up to the election”​

“I thought that he acknowledged the fact that they didn’t say sorry during the time of the election, and how can you expect people to vote for you when you’re not actually acknowledging that you were part of the problem”​

“Strongish leader, and at least he’s acknowledging and saying let’s move on from here as opposed to wishy washy”

“I was surprised how long he’d been in politics if he was talking about Tony Blair years – he doesn’t look old enough”

On Jeremy Corbyn:

"“He’s the older guy with the grey hair who’s got all the policies straight out of the sixties and is a bit of a hippy as well is what he comes across as” 

“I agree with most of what he said, I must admit, but I don’t think as a country we can afford his principles”

“He was just going to be the opposite of Conservatives, but there might be policies on the Conservative side that, y’know, might be good policies”

“I’ve heard in the paper he’s the favourite to win the Labour leadership. Well, if that was him, then I won’t be voting for Labour, put it that way”

“I think he’s a very good politician but he’s unelectable as a Prime Minister”

On Yvette Cooper

“She sounds quite positive doesn’t she – for families and their everyday issues”

“Bedroom tax, working tax credits, mainly mum things as well”

“We had Margaret Thatcher obviously years ago, and then I’ve always thought about it being a man, I wanted a man, thinking they were stronger…  she was very strong and decisive as well”

“She was very clear – more so than the other guy [Burnham]”

“I think she’s trying to play down her economics background to sort of distance herself from her husband… I think she’s dumbing herself down”

On Liz Kendall

“None of it came from the heart”

“She just sounds like someone’s told her to say something, it’s not coming from the heart, she needs passion”

“Rather than saying what she’s going to do, she’s attacking”

“She reminded me of a headteacher when she was standing there, and she was quite boring. She just didn’t seem to have any sort of personality, and you can’t imagine her being a leader of a party”

“With Liz Kendall and Andy Burnham there’s a lot of rhetoric but there doesn’t seem to be a lot of direction behind what they’re saying. There seems to be a lot of words but no action.”

And, finally, a piece of advice for all four candidates, should they win the leadership election:

“Get down on your hands and knees and start praying”

Stephen Bush is editor of the Staggers, the New Statesman’s political blog.