Mad Men: season 5, episode 4

Cinderella, rape, and a murder dream we wish was real.

Oh Red, we knew you had it in you. If “Tea Leaves” was dominated by Betty’s blubber, episode four ventured deeper – historically, socially and more subtly – into female physicality. Mad Men doesn’t get more triumphant than this: Joanie, all woman, ridding herself of her scumbag husband in one stoical swoop. Never have we forgotten that crude, heartbreaking scene from Season Two where Greg overcomes his fiancée on Don’s office floor. Now, finally, Joanie vindicates herself that awful act: “You’re not a good man. You never were. Even before we were married, and you know what I’m talking about”. Was it inexplicable from the show’s start that Ms Holloway would be our feminist heroine? Now a single mother and, presumably, returning soon to work (note Peggy's referral to “Joan’s office”), her attempt to take charge of both whilst handling her mother (a traditionally subservient wife) and miserable-in-marriage Roger will be fascinating to watch.

Rape, of course, looms over the entire episode. On the surface is the 1966 Chicago nurse murders; Peggy’s friend Joyce presenting the gruesome photos (the story did indeed make the cover of TIME) so salaciously that Ginsberg’s disgust has us sweet for him. As important as these overt political references are - and increasingly will be as the show moves through the latter part of the decade - Mad Men’s beauty lies in its poetic allusions to current affairs, its ability to tap into the nation’s climate through the intimate and personal. So as the ninth nurse escaped death by hiding under the bed, so the dream corpse lies on the carpet beneath Don, her Cinderella foot exposed; Sally sleeps fast on the livingroom floor underneath the sofa. There’s actually a lot of women struggling to sleep in the second half of the episode: Dawn on Don’s couch; Joan on the bed with her mother; Sally under the sheets, horrified by the newspaper story. 

Our other troubled sleeper, then, in Don. What is this dream sequence fad? Unlike Betty's funereal breakfasting vision, Don's nightmare is quite (a)rousing. Don't you rather wish it were true - Don sweaty, fevered and adulterous? There's not too much to analyse here, though. What do we learn about our protagonist we didn't know already? Probably most interesting is Andrea's (read: Don's subconscious) passing comment on his interior decoration skills, "Everybody probably thinks she did this but I know it was you."

To Peggy: it's taken us four episodes but here she finally is in all her nuanced glory. What many marvellous things has Peggy become? Let us count the ways: the pithy copywriter, the teamplayer, the attempting mentor, and – most thrillingly – the player's player (does "the racist" really fit in here? How believable was that handbag suspiciousness?). Peggy won’t be taken for granted at SCDP, least of all by Roger, and counting her bills with nervous glee we know she's thrilled, too. This self-respecting and playful act can't be what leads her to wonder out loud to Dawn whether she behaves like a man. Why this concern, Peggy?

A final note on the episode title which neatly plays off the innocence/ experience theme. A TV commercial for the boardgame Mystery Date plays in the livingroom while Sally, intrigued by Grandma Francis's gossip, wonders exactly what happened to the Chicago nurses. A young girls’ game about welcome/ unwelcome men behind doors recalls not only the murderer Richard Speck but cobbled alleyways, a stranger's hand on a shoulder, and a Butler glass slipper for a princess.

Read the Mad Men series blog

Ditching Harris: Joanie's back. From Mad Men episode "Mystery Date"

Alice Gribbin is a Teaching-Writing Fellow at the Iowa Writers' Workshop. She was formerly the editorial assistant at the New Statesman.

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How power shifted dramatically in this week’s Game of Thrones

The best-laid plans of Mothers and men often go awry.

Last week’s Game of Thrones was absolutely full of maps. It had more maps than a Paper Towns/Moonrise Kingdom crossover. More maps than an Ordnance Survey walking tour of a cartographer’s convention. More maps than your average week on CityMetric.

So imagine the cheers of delight when this week’s episode, “Stormborn”, opened with – yes, a map! Enter Daenerys, casting her eyes over her carved table map (Ikea’s Västeross range, I believe), deciding whether to take King’s Landing and the iron throne from Cersei or a different path. After some sassy debates with Varys over loyalty, more members of her court enter to point angrily at different grooves in the table as Dany and Tyrion move their minature armies around the board.

In fact, this whole episode had a sense of model parts slotting pleasingly into place. Melisandre finally moved down the board from Winterfell to Dragonstone to initiate the series’ most inevitable meeting, between The King of the North and the Mother of Dragons. Jon is hot on her heels. Arya crossed paths with old friends Hot Pie and Nymeria, and the right word spoken at the right time saw her readjust her course to at last head home to the North. Tyrion seamlessly anticipated a move from Cersei and changed Dany’s tack accordingly. There was less exposition than last week, but the episode was starting to feel like an elegant opening to a long game of chess.

All this made the episode’s action-filled denouement all the more shocking. As Yara, Theon and Ellaria dutifully took their place in Dany’s carefully mapped out plans, they were ambushed by their mad uncle Euron (a character increasingly resembling Blackbeard-as-played-by-Jared-Leto). We should have known: just minutes before, Yara and Ellaria started to get it on, and as TV law dictates, things can never end well for lesbians. As the Sand Snakes were mown down one by one, Euron captured Yara and dared poor Theon to try to save her. As Theon stared at Yara’s desperate face and tried to build up the courage to save her, we saw the old ghost of Reek quiver across his face, and he threw himself overboard. It’s an interesting decision from a show that has recently so enjoyed showing its most abused characters (particularly women) delight in showy, violent acts of revenge. Theon reminds us that the sad reality of trauma is that it can make people behave in ways that are not brave, or redemptive, or even kind.

So Euron’s surprise attack on the rest of the Greyjoy fleet essentially knocked all the pieces off the board, to remind us that the best-laid plans of Mothers and men often go awry. Even when you’ve laid them on a map.

But now for the real question. Who WAS the baddest bitch of this week’s Game of Thrones?

Bad bitch points are awarded as follows:

  • Varys delivering an extremely sassy speech about serving the people. +19.
  • Missandei correcting Dany’s High Valerian was Extremely Bold, and I, for one, applaud her. +7.
  • The prophecy that hinges on a gender-based misinterpretation of the word “man” or “prince” has been old since Macbeth, but we will give Dany, like, two points for her “I am not a prince” chat purely out of feminist obligation. +2.
  • Cersei having to resort to racist rhetoric to try and persuade her own soldiers to fight for her. This is a weak look, Cersei. -13.
  • Samwell just casually chatting back to his Maester on ancient medicine even though he’s been there for like, a week, and has read a total of one (1) book on greyscale. +5. He seems pretty wrong, but we’re giving points for sheer audacity.
  • Cersei thinking she can destroy Dany’s dragon army with one (1) big crossbow. -15. Harold, they’re dragons.
  • “I’ve known a great many clever men. I’ve outlived them all. You know why? I ignored them.” Olenna is the queen of my LIFE. +71 for this one (1) comment.
  • Grey Worm taking a risk and being (literally) naked around someone he loves. +33. He’s cool with rabid dogs, dizzying heights and tumultuous oceans, but clearly this was really scary for him. It’s important and good to be vulnerable!! All the pats on the back for Grey Worm. He really did that.
  • Sam just fully going for it and chopping off all of Jorah’s skin (even though he literally… just read a book that said dragonglass can cure greyscale??). +14. What is this bold motherfucker doing.
  • Jorah letting him. +11.
  • “You’ve been making pies?” “One or two.” Blatant fan service from psycho killer Arya, but I fully loved it. +25.
  • Jon making Sansa temporary Queen in the North. +7.
  • Sansa – queen of my heart and now Queen in the North!!! +17.
  • Jon choking Littlefinger for perving over Sansa. +19. This would just be weird and patriarchal, but Littlefinger is an unholy cunt and Sansa has been horrifically abused by 60 per cent of the men who have ever touched her.
  • Nymeria staring down the woman who once possessed her in a delicious reversal of fortune. +13. Yes, she’s a wolf but she did not consent to being owned by a strangely aggressive child.
  • Euron had a big win. So, regrettably, +10.

​That means this week’s bad bitch is Olenna Tyrell, because who even comes close? This week’s loser is Cersei. But, as always, with the caveat that when Cersei is really losing – she strikes hard. Plus, Qyburn’s comment about the dragon skeletons under King’s Landing, “Curious that King Robert did not have them destroyed”, coupled with his previous penchant for re-animated dead bodies, makes me nervous, and worry that – in light of Cersei’s lack of heir – we’re moving towards a Cersei-Qyburn-White Walkers alliance. So do watch out.

Anna Leszkiewicz is a pop culture writer at the New Statesman.