2012 Forward Prize Awarded to Jorie Graham

First US woman to win beats Geoffrey Hill to the £10,000 prize.

Last night at Somerset House the 2012 Forward Prize was awarded to the American poet Jorie Graham for her latest collection P L A C E (Carcanet). Graham, about whom the New York Times has written, “For 30 years Jorie Graham has engaged the whole human contraption – intellectual, global, domestic, apocalyptic – rather than the narrow emotional slice of it most often reserved for poems,” is yet to receive much attention in the UK. Chicago’s Poetry Foundation refer to her as “perhaps the most celebrated poet of the American post-war generation.”

The coveted award for Best First Collection (£5,000) went to Sam Riviere for 81 Austerities, which began life as a blog applauded by Ruth Padel as “a vision of a world ruled by twin demons, Austerity and Information Overload.” Riviere is, alongside his many online, print and performance projects, currently studying for a PhD in Creative Writing at the University of East Anglia. We published a poem from the collection, “When it came”, earlier this year, which you can read online by clicking here.

The prize for Best Single Poem went to Denise Riley, whose poem “A Part Song” was published by the London Review of Books in February. The poem deals with the poet’s grief following the death of her son, neatly arranged into stanzas which paradoxically imply the experience is all but monovocal: “She do the bereaved in different voices / For the point of this address is to prod / And shepherd you back within range / Of my strained ears”. Leonie Rushford, chair of the judges, said “A Part Song struck us all powerfully. It is a really searing poem”.

P L A C E, which defeated stiff competition from Oxford’s Professor of Poetry Geoffrey Hill and Australian poet Barry Hill, “explores the ways in which our imagination, intuition, and experience – increasingly devalued by a culture that regards them as ‘mere’ subjectivity – aid us in navigating a world moving blindly towards its own annihilation”. The collection opens on Omaha Beach in Normandy on 5th June, the day before the anniversary of the “historical” 6th, when the allied forces landed on the beach, also known as the D-Day landings. Graham is the first ever American woman to win the prize, and the first female recipient since 2004. Rushforth said of the collection: “It is a challenging collection of unusual force and originality, forging connections between inner experience and a world in crisis.”

The Forward Book of Poetry, a collection of winning and highly commended poems from this year’s prize, will be published on Thursday, National Poetry Day, by Faber and Faber.

Someset House, venue for last night's Forward Prize ceremony. Photograph: Getty Images.

Philip Maughan is a freelance writer in Berlin and a former Assistant Editor at the New Statesman.

Home Alone 2: Lost in New York
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The best film soundtracks to help you pretend you live in a magical Christmas world

It’s December. You no longer have an excuse.

It’s December, which means it’s officially time to crack out the Christmas music. But while Mariah Carey and Slade have their everlasting charms, I find the best way to slip into the seasonal spirit is to use a film score to soundtrack your boring daily activities: sitting at your desk at work, doing some Christmas shopping, getting the tube. So here are the best soundtracks and scores to get you feeling festive this month.

A Charlie Brown Christmas (1965)

Although this is a children’s film, it’s the most grown-up soundtrack on the list. Think smooth jazz with a Christmas twist, the kind of tunes Ryan Gosling is playing at the fancy restaurant in La La Land, plus the occasional choir of precocious kids. Imagine yourself sat in a cocktail chair. You’re drinking an elaborate cocktail. Perhaps there is a cocktail sausage involved also. Either way, you’re dressed head-to-toe in silk and half-heartedly unwrapping Christmas presents as though you’ve already received every gift under the sun. You are so luxurious you are bored to tears of luxury – until a tiny voice comes along and reminds you of the true meaning of Christmas. This is the kind of life the A Charlie Brown Christmas soundtrack can give you. Take it with both hands.

Elf (2003)

There is a moment in Elf when Buddy pours maple syrup over his spaghetti, washing it all down with a bottle of Coca Cola. “We elves like to stick to the four main food groups,” he explains, “candy, candy canes, candy corns and syrup.” This soundtrack is the audio equivalent – sickly sweet, sugary to an almost cloying degree, as it comes peppered with cute little flutes, squeaky elf voices and sleigh bells. The album Elf: Music from the Motion Picture offers a more durable selection of classics used in the movie, including some of the greatest 1950s Christmas songs – from Louis Prima’s 1957 recording of “Pennies from Heaven”, two versions of “Sleigh Ride”, Eddy Arnold’s “Santa Claus is Coming to Town” and Eartha Kitt’s 1953 “Santa Baby”. But if a sweet orchestral score is more your thing, the Elf OST of course finishes things off with the track “Spaghetti and Syrup”. Just watch out for the sugar-rush headache.

Harry Potter (2001-2011)

There are some Christmas-specific songs hidden in each of the iconic Harry Potter scores, from “Christmas at Hogwarts” to “The Whomping Willow and The Snowball Fight” to “The Kiss” (“Mistletoe!” “Probably full of knargles”), but all the magical tinkling music from these films has a Christmassy vibe. Specifically concentrate on the first three films, when John Williams was still on board and things were still mostly wonderful and mystical for Harry, Ron and Hermione. Perfect listening for that moment just before the snow starts to fall, and you can pretend you’re as magical as the Hogwarts enchanted ceiling (or Ron, that one time).

Carol (2015)

Perhaps you’re just a little too sophisticated for the commercial terror of Christmas, but, like Cate Blanchett, you still want to feel gorgeously seasonal when buying that perfect wooden train set. Then the subtly festive leanings of the Carol soundtrack is for you. Let your eyes meet a stranger’s across the department store floor, or stare longingly out of the window as your lover buys the perfect Christmas tree from the side of the road. Just do it while listening to this score, which is pleasingly interspersed with songs of longing like “Smoke Rings” and “No Other Love”.

Holiday Inn (1942)

There’s more to this soundtrack than just “White Christmas”, from Bing Crosby singing “Let’s Start The New Year Off Right” to Fred Astaire’s “You’re Easy To Dance With” to the pair’s duet on “I’ll Capture Your Heart”. The score is perfect frosty walk music, too: nostalgic, dreamy, unapologetically merry all at once.

The Tailor of Gloucester (1993)

Okay, I’m being a little self-indulgent here, but bear with me. “The Tailor of Gloucester”, adapted from the Beatrix Potter story, was an episode of the BBC series The World of Peter Rabbit and Friends and aired in 1993. A Christmastime story set in Gloucester, the place I was born, was always going to be right up my street, and our tatty VHS came out at least once a year throughout my childhood. But the music from this is something special: songs “The Tailor of Gloucester”, “Songs From Gloucester” and “Silent Falls the Winter Snow” are melancholy and very strange, and feature the singing voices of drunk rats, smug mice and a very bitter cat. It also showcases what is in my view one of the best Christmas carols, “Sussex Carol.” If you’re the kind of person who likes traditional wreaths and period dramas, and plans to watch Victorian Baking at Christmas when it airs this December 25th, this is the soundtrack for you.

Home Alone (1990-1992)

The greatest, the original, the godfather of all Christmas film soundtracks is, of course, John William’s Home Alone score. This is for everyone who likes or even merely tolerates Christmas, no exceptions. It’s simply not Christmas until you’ve listened to “Somewhere in My Memory” 80,000 times whilst staring enviously into the perfect Christmassy homes of strangers or sung “White Christmas” to the mirror. I’m sorry, I don’t make the rules. Go listen to it now—and don't forget Home Alone 2: Lost in New York, which is as good as the first.

Anna Leszkiewicz is a pop culture writer at the New Statesman.