Terrence Rattigan and the New Statesman

The magazine features in a revival of While the Sun Shines.

Terrence Rattigan had a close association with the New Statesman, most strongly just after the Second World War when his friend T C Worsley, who often spent winter breaks at Rattigan’s house in Bermuda, became the magazine’s literary editor and drama critic. In 1950 the playwright provoked the contemporary equivalent of a Twitter storm in the letters pages of the NS when, following a bad reception for his play Adventure Story about  Alexander the Great,  he published his article “Concerning the Play of Ideas” which took a swipe at the idea that drama had to address topical controversies, singling out Ibsen and Shaw for particular criticism. Shaw waded into the controversy closely followed by Sean O’Casey, James Bridie (playwright and translator of Ibsen), Benn Levy (playwright and Labour MP for Eton and Slough 1945-50), Peter Ustinov and Ted Willis.

Rattigan had success in the 1950s with The Deep Blue Sea and Separate Tables (which also features a copy of the New Statesman read by the Major disgraced by the disclosure of his conviction for a minor sexual offence), but his spell at the heart of the Zeitgeist was over, aggravated by his self regarding remarks after the first night of John Osborne’s Look Back in Anger.

The hundreth anniversary of his birth last year has produced a spate of Rattigan revivals and his reputation has been restored almost to the heights it reached in the 1930s and 1940s. The hugely successful recent production of his 1944 play Flare Path has now been followed by a revival of the play that immediately preceeded it, While The Sun Shines, at the Lion and the Unicorn Theatre in Kentish Town. Set in the London of 1943 when many couples were getting hitched only to be parted by the war, sometimes forever, this is not one of the playwright's social commentaries but a very funny comedy featuring the young Earl of Harpenden’s faltering progress towards the altar with Lady Elizabeth Randall. Matters are complicated by the earl’s entanglement with the comely Mabel Crum and Lady Elizabeth’s unwitting bewitching of both a Free French officer Lieutenant Colbert and the Earl’s new found American friend Lieutant Mulvaney. The Duke of Ayr and Stirling, Lady Elizabeth’s permanently impecunious father is desperate for the match to succeed so he can obtain a share of the Harpenden money to fritter away in the bookies – at one point he plays dice to decide which of the suitors will actually make it to the altar. A copy of the New Statesman is brandished at several points in the action, twice as Mabel Crum is dispatched to hide in the kitchen with the NS to keep her company and most memorably when Harpenden clashes with Colbert who proudly admits to being a socialist, convinced that the British aristocracy will soon be extinct. “Well I read the New Statesman, you know” retorts the distressed Earl.  The combination of misunderstandings, bed sharing, military uniforms and a splendid butler called Horton might make you think you’ve seen it before, but never better written than this and probably not better acted either. If you’re in need of cheering up you should go and fall in love with the cast, especially Greer Dale-Foulkes as Lady Elisabeth and Patrick Rogers as her aristo father – when you first see him, he seems a bit too young for the part but his comic ability soon erases those doubts. Rattigan would be delighted, and you will be too.

"While the Sun Shines" runs at the Lion and the Unicorn pub theatre in Gaisford Street, London NW5 until 17 June. Tickets from www.giantolive.com/tickets.html

Sophia Sibthorpe, Iestyn Arwel and Freddie Hutchins in When the Sun Shines
Stavros Damos for the New Statesman
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Val McDermid Q&A: “I have great respect for Nicola Sturgeon”

The crime writer on her heroes, joining a band and winning Mastermind. 

Val McDermid is the author of 39 books, the majority being crime fiction. She was the first student from a Scottish state school to attend St Hilda’s College, Oxford. She also sponsors the McDermid Stand at Raith Rovers’s football ground, named  in honour of her father, a club scout.

What’s your earliest memory?

Sitting on my father’s shoulders in the town square in Kirkcaldy at Christmas time. I remember the impossibly tall Christmas tree covered in lights. And there was a coin-operated machine about the size of a table football game that featured plastic figures of pipers and drummers moving back and forth to the tinny sound of “Scotland the Brave”.

Who was your childhood hero?

Joni Mitchell and Leonard Cohen were my heroes. I’m not much given to hero worship, but I still admire them both.

What political figure, past or present,do you look up to?

I had considerable admiration for the late John Smith. I think he would have made very different choices from those of Tony Blair. And I do have great respect for Nicola Sturgeon.

What was the last book that changed your thinking?

Sunjeev Sahota’s The Year of the Runaways opened my eyes to the reality of life for many of the immigrants who come to this country; the price they pay and the persistence they show in trying to make a decent life for themselves and their families. It puts a human face on the empty posturing of so many politicians.

What would be your Mastermind specialist subject?

The life of Christopher Marlowe – the same as it was last time, when I won.

In which time and place, other than your own, would you like to live?

I’m happy where I am. Chances are, any other time or place, I’d be a lowly peasant with no way out.

What TV show could you not live without?

It’s a toss-up between University Challenge and Only Connect.

Who would paint your portrait?

I’m currently sitting for a longitudinal drawing by Audrey Grant, an Edinburgh artist. It’s a fascinating process.

What’s your theme tune?

“First We Take Manhattan” by Leonard Cohen. It’s got energy and indomitability. It’s about not giving up or giving in.

What’s the best piece of advice you’ve ever received? Have you followed it?

Early in my career, I asked Sara Paretsky for advice. She said: “Never do anything that isn’t tax deductible.” I’ve done my best to stick to that.

What’s currently bugging you?

How long have you got? Almost every element of Westminster politics, for starters…

What single thing would make your life better?

A clone to do the stuff I don’t want to.

When were you happiest?

I’ve never been happier than I am now.

If you weren’t a writer, what would you be?

I’d like to think I could have been a singer-songwriter. I’ve recently started performing again in a band with a bunch of friends – Fun Lovin’ Crime Writers – and it’s the best fun I’ve had in ages.

Are we all doomed?

It’s hard not to think so, but I remain optimistic.

“Insidious Intent” by Val McDermid is published by Little, Brown on 24 August

This article first appeared in the 17 August 2017 issue of the New Statesman, Trump goes nuclear