Trippingly on the tongue

Listen to Shakespeare as he’s never been heard before.

Understanding Shakespeare's language has long been a tiresome chore for school pupils and students around the globe - jokes that have lost their punch after 400 years, puns that leave readers nonplussed, unusual rhythms - all can act as barriers to an appreciation of the plays. But a new CD release from the British Library might just offer some relief from any Bard-induced woes.

For the very first time, a recording of the texts in the original Elizabethan pronunciation has been compiled, bringing the listener closer to how Shakespeare would have intended his work to be heard. The CD includes extracts from A Midsummer Night's Dream, Romeo and Juliet and Macbeth, as well as a selection of sonnets, all recorded under the guidance of Shakespearean pronuciation expert, Ben Crystal..

Accompanying the disc is an essay from Professor David Crystal, in which he explains: "When we hear original pronunciation used in relation to Shakespeare, we enter a new auditory world...Original pronunciation suggests fresh contrasts in speech style, such as between young and old, court and commoners, or literate and illiterate; and it motivates unexpected possibilities of character interpretation. Original pronunciation also illustrates what Hamlet meant when he advised the players to speak "trippingly upon the tongue".' Crystal wrote about Shakespeare for the New Statesman back in 2004. Read his review of Frank Kermode's The Age of Shakespeare here.

A special event to celebrate the release will be held on 4 May 2012, featuring live performances from Ben Crystal and the company of actors who contributed to the CD.

"Shakespeare's Original Pronunciation" is published by the British Library on 14 March (£10)

Still from Being 17
Show Hide image

A guide to the top ten London Film Festival screenings you should go and see

Some of the most-celebrated films on at the 60th year of the BFI London Film Festival are sold out. Here are the ones that are still available – and worth seeing.

Feeling panicked because you haven’t booked any tickets yet for the 60th BFI London Film Festival, which is now less than two weeks away? Confused because you don’t know your Chi-Raq from your Paterson? Fed up that the movies you have heard good things about (La La Land, Toni Erdmann) are all sold out? Sick to the back teeth of being asked rhetorical questions which presume to know your state of mind?

Fear not. Below is a handy, whistle-stop guide to ten promising festival screenings for which, at the time of writing, there are still plentiful tickets to be had.

Being 17

Veteran director André Téchiné delivers what is rumoured to be one of his best films: a tantalising and exuberant tale of two teenage boys engaged in a mysterious mutual antagonism.

Elle

All hail the return of master provocateur Paul Verhoeven with this highly-regarded psychological thriller starring Isabelle Huppert as a woman whose response to being attacked is unorthodox and full-blooded.

Frantz

The mischievous writer-director Francois Ozon is always a good bet. I’ve heard two things from friends and colleagues about his new film, a wartime drama. First, that it’s brilliant. And second, that it is best watched without knowing anything about it beforehand—not even the name of the play on which it is loosely based. So I’m passing on those tidbits to you.

Heal the Living

Love Like Poison was a subtle and deeply affecting coming-of-age story set in rural France. Now that film’s director, Katell Quillévéré, returns with a drama about the emotional complications arising from organ donation.

King Cobra

A real-life murder case was the inspiration for this seamy but sensitive journey into the world of gay porn, in which a deadly tug-of-war ensues over a hot new teenage star. The cast includes James Franco, Christian Slater and Alicia Silverstone.

Mindhorn

Anyone who saw Mighty Boosh star Julian Barratt in Will Sharpe’s brilliant Channel 4 show Flowers earlier this year will know that he has developed new muscles as an actor. That bodes well for this comedy, which he also co-wrote, and in which he plays a washed-up actor recreating his best role – a detective with a robotic eye.

Moonlight

The acclaim from the Toronto Film Festival for this story of an African-American boy growing up gay in 1980s Miami has been deafening.

Personal Shopper

Kristen Stewart gave a revelatory performance as personal assistant to a lofty actor (Juliette Binoche) in Olivier Assayas’s Clouds of Sils Maria. Now she’s sticking with Assayas and keeping it personal by playing a shopper to the stars, with a supernatural element thrown in – she’s a medium hoping to make contact with her dead twin brother.

Raw

Universal Pictures has snapped up this bizarre-sounding French-Belgian drama about a teenage veterinary student turned cannibal.

The Reunion

I’ve heard only good things about this tender love story set in Madrid, with one colleague even describing it as a Spanish Before Sunrise. Praise doesn’t come much higher.

The BFI London Film Festival runs from 5-16 October.

Ryan Gilbey is the New Statesman's film critic. He is also the author of It Don't Worry Me (Faber), about 1970s US cinema, and a study of Groundhog Day in the "Modern Classics" series (BFI Publishing). He was named reviewer of the year in the 2007 Press Gazette awards.