Ai Weiwei supporters defy Chinese house arrest

A party at the dissident artist's studio in Shanghai goes ahead without its host.

Despite his being under house arrest in Beijing, around 500 supporters of the Chinese artist Ai Weiwei gathered at his soon-to-be-demolished Shanghai studio on Sunday. Partygoers were served river crab and steamed buns, and held up posters of Ai that displayed the gash on his forehead which he received when he was beaten by police in 2008.

Ai told the New Statesman:

It was fantastic to see pictures from the event as it was happening. Many people that went had been warned by police not to go. So I'm touched that so many people went and had a great time.

Ai added that he was surprised the police let the event go ahead:

Maybe they were aware of all of the bad press they have had. But it might be because Shanghai cares more about its image than Beijing does. The event would have got even more attention if they had shut it down. And David Cameron is coming next week -- which is something the BBC has been writing about -- so they were clever to try and keep it quiet.

Partygoers who had travelled from outside of Shanghai were invited to stay overnight at the studio. Zhang Haibo, a 24-year-old restaurant worker living in Beijing, made the 1,000km trip to Shanghai with a small group of friends. Although Zhang was warned against attending by the Chinese government, he slept at the studio overnight on one of hundreds of beds that were dotted around the space. He told the New Statesman:

Two days ago I was invited to "drink tea" with the authorities. They said to stop supporting Ai and to stop following him on Twitter. And yesterday [6 November] they called me and said not to go to Shanghai for the banquet ... I am not an artist. And I don't care too much about Mr Ai Weiwei's work. But me and my friends are here to support him -- we also want democracy and liberty.

Another supporter, Li Dezhi, was awarded a handful of Ai's sunflower seeds, like those currently on display at Tate Modern's Turbine Hall, for completing more press-ups (89) than any of the other 20 competitors.

"Today was about having fun and to demonstrate that we support Ai Weiwei and what he stands for," said the 23-year-old from Shanghai. "I guess this event was also a piece of performance art. I knew everyone coming wouldn't stop it from being knocked-down. It was just important to be here."

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Harry Styles: What can three blank Instagram posts tell us about music promotion?

Do the One Direction star’s latest posts tell us about the future of music promotion in the social media age - or take us back to a bygone era?

Yesterday, Harry Styles posted three identical, captionless blank images to Instagram. He offered no explanation on any other social network, and left no clue via location serves or tagged accounts as to what the pictures might mean. There was nothing about any of the individual images that suggested they might have significance beyond their surface existence.

And, predictably, they brought in over a million likes – and thousands of Styles fans decoding them with the forensic dedication of the cast of Silent Witness.

Of course, the Instagrams are deliberately provocative in their vagueness. They reminded me of Robert Rauschenberg’s three-panelled White Painting (1951), or Robert Ryman’s Untitled, three square blank canvases that hang in the Pompidou Centre. The composer John Cage claimed that the significance of Rauschenberg’s White Paintings lay in their status as receptive surfaces that respond to the world around them. The significance of Styles’s Instagrams arguably, too, only gain cultural relevance as his audience engages with them.

So what did fans make of the cryptic posts? Some posited a modelling career announcement would follow, others theorised that it was a nod to a Taylor Swift song “Blank Space”, and that the former couple would soon confirm they were back together. Still more thought this suggested an oncoming solo album launch.

You can understand why a solo album launch would be on the tip of most fans’ tongues. Instagram has become a popular platform for the cryptic musical announcement — In April, Beyoncé teased Lemonade’s world premiere with a short Instagram video – keeping her face, and the significance behind the title Lemonade, hidden.

Creating a void is often seen as the ultimate way to tease fans and whet appetites. In June last year, The 1975 temporarily deleted their Instagram, a key platform in building the band’s grungy, black and white brand, in the lead up to the announcement of their second album, which involved a shift in aesthetic to pastel pinks and bright neons.

The Weekend wiped his, too, just last week – ahead of the release of his new single “Starboy”. Blank Instagrams are popular across the network. Jaden Smith has posted hundreds of them, seemingly with no wider philosophical point behind them, though he did tweet in April last year, “Instagram Is A BlackHole Of Time And Energy.”

The motive behind Harry’s blank posts perhaps seems somewhat anticlimactic – an interview with magazine Another Man, and three covers, with three different hairstyles, to go along with it. But presumably the interview coincides with the promotion of something new – hopefully, something other than his new film Dunkirk and the latest update on his beloved tresses. In fact, those blank Instagrams could lead to a surprisingly traditional form of celebrity announcement – one that surfaces to the world via the print press.

Anna Leszkiewicz is a pop culture writer at the New Statesman.