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Ai Weiwei is placed under house arrest

Chinese authorities express their displeasure at the artist's impudence.

The Chinese government has placed the Beijing-born artist and activist Ai Weiwei under house arrest until midnight on Sunday 7 November. Ai, who designed the 2008 Beijing Olympic Stadium and whose work "Sunflower Seeds" is now on display at Tate Modern, was told earlier this week that his new £750,000 studio in Shanghai is to be demolished on Monday because it had been built without proper planning permission.

In a cheeky riposte that is likely to have angered the government, Ai sent an open invitation via his Twitter account (@aiww) for people to join him for a feast at his studio on the day before its planned demolition. Guests were promised hundreds of river crabs -- a popular Shanghai delicacy and whose Chinese name sounds like "harmony", a term used by the government to affirm its own success, but which has been adopted by critics to mock the regime.

Ai told the Daily Telegraph earlier this week that his new demolition order had come despite a personal invitation from the local mayor to build the studio two years ago:

It's all very strange. This guy [the mayor] flew to Beijing twice to personally invite me to build the studio and have one or two artists based there so they could build up the new art district. Now they say they want to knock it down. The local officials say the word has come from above and they're "sorry, but they can't do anything about it -- you have to destroy it", and no further explanation.

According to the Telegraph, Ai thinks his recent activism is the real reason behind the demolition:

Ai suspects that the order may be linked to two high-profile campaigns that have embarrassed and angered the Shanghai government in recent years. In 2008, Ai was instrumental in turning the case of Yang Jia, a man who stabbed six policeman to death after being arrested and beaten for riding an unlicensed bicycle, into an internet cause-célèbre. This year Ai made a documentary to highlight the plight of a Shanghai-based activist-lawyer called Feng Zhenghu, who spent more than 100 days marooned at Tokyo's Narita airport after being refused entry to China eight times by Shanghai officials.

Ai has continued to tweet since his house arrest, and has told people the event will still take place despite the fact that he isn't able to attend. Ahead of the sunflower seeds exhibition at the Tate -- well received by critics until visitors were barred from walking on them because of the ceramic dust thrown up -- Ai said to the New Statesman: "Living in China can be very frustrating, but also very exciting. You see the possibilities and play the game." This week, unfortunately, it's a game he'll be playing from home.

Tags: Ai Weiwei

7 comments

sidewalkspew's picture

Despite the fact that he's gaining personal publicity, he is still doing a service, as he, and none of the other activists has the ability to get the attention of Western media, thus shining a greater light on the matter. If he were to remain silent on the matters, it is likely most people outside of China(and many within) would never know of such problems.

jay hastie's picture

Well ,at the very least, its nice to see that they cut national treasures some slack.

CryWolfAgain's picture

Ai Weiwei is, in my opinion, an international art con-man who jumps on every single human misery bandwagon, exploiting genuine sufferers in China for his own self-aggrandisement as an artist.

An example:
On August 12 2009, Ai Weiwei wasted no time twittering to the world that he had been "detained" by Chinese police and in a scuffle "received a punch on the chin" ("Chinese police detain 11 who planned to attend activist's trial", Guardian newspaper, 12th August 2009).

The judge at the trial of the (genuine) dissident - Tan Zuoren - said that Ai and his followers - who had come to the Chengdu region with the intent of attending the trial - had nothing relevant to contribute to the proceedings as they had had nothing at all to do with the events in Chengdu and had simply flown into the province to profit from the publicity. Consequently, they may or may not have been prevented from attending the proceedings (Ai Weiwei offers a photo taken on his mobile phone of himself with Chinese police officers in a lift as evidence).

One month later, however, Ai Weiwei was exhibiting another of his artworks in Germany and suffered a brain haemorrhage. Again, the twitter happy Ai wasted no time in linking his emergency operation to what had now escalated from a punch on the chin to "a severe beating" including "heavy blows to the head" as a result of which he had apparently suffered "persistent headaches" (the worlds press, September 2009 and everafter). Brain Haemorrhages can however be caused by frequent pressurized air travel - especially in older men.

If you google "Ai Weiwei; Shanghai studio to be abolished" you get ten full pages of results devoted solely to Ai's PR output and statement, in which he declares himself to have been singled out as the only artist to have such action taken against him. However, in the sympathetic "Global Times" (based in China) THREE studios were built without permission and TWO are to be demolished including that of artist Din Yi - not known as either a government irritant or genuine activist.

Ai Weiwei did not campaign against the mass demolition of buildings and relocation of their residents in Shanghai for the Expo earlier this year. Neither has he campaigned significantly on behalf of the artists back in his home town of Beijing who are soon to have their studio's demolished to make way for office blocks and factory units. These events clearly don't have the same clout with the international media.

He HAS however, published the names and statements of distressed relatives of dead children and labelled it 'art' - to international critical acclaim. Similarly, a snake-like arrangement of childrens satchels also met with western critical approval.

No wonder he is always so keen to point out how 'popular' he is among the non-artist general public in China. I suspect that there may be at least one or two bereaved relatives rather peeved at his exploitation of their misery in the name of art.

Perhaps someone should send Ai Weiwei a copy of that well known western fairytale "the boy who cried wolf" - it may well turn out to be useful advice.

Abby R.'s picture

I agree with the above comment. Ai Weiwei does not appear to be a genuine activist but an artist who goes out of his way to deliberately aggravate the Chinese authorities for publicity purposes. The arts press do a great disservice to genuine human rights activists in China by devoting so much attention to Weiwei's "activism".

Just to enlarge on some of the points made above, in May 2008 an earthquake hit the Sichuan province of China killing an estimated 68,000 people. A disproportionate number of school buildings collapsed - even new ones - leading to suspicion of corruption by officials responsible for the contracts. The government promised an investigation but many activists grew frustrated with delays and started campaigning.

These genuine activists included schoolteachers such as Lui Shaokun, Pu Fei and Zuo Xiaohan. Long term human rights activist Hang Qi who set up a website to help identify and search for missing persons and professor Zeng Hongling who published a critical essay. The anti-corruption investigator Hu Hong was also involved. Some of these activists were either detained or punished by the Chinese authorities around June 2008. One jailed teacher (Shaokun) was sentenced to a year hard labour but released again by September 2008 after international pressure.

Ai Weiwei had nothing to do with the anti corruption campaign in Sichuan (capital Chengdu) and didn't start listing the names of deceased schoolchildren on his blog until March 2009.

Some of the activists went to jail for their dissenting activities. Ai Weiwei by contrast just seems to have become richer and more famous.

A. N. Architect's picture

Neither is he responsible for the design of the Olympic "birds nest" stadium - as is frequently reported in the culture sections of the arts press.

The design process began in 2001 and was all done and dusted by March 2003 when the contract was officially awarded to the birds nest design by Herzog & De Meuron and China Architecture Design & Research Group.

Herzog & De Meuron have a record of bringing in artists as consultants during the construction phase and Ai Weiwei's involvement as such seems to have begun later in 2003, though what his specific input was is anyone's guess.

To be fair to him, he has since tried to distance himself from the project.

T. J.'s picture

Just been looking at "God Ai"'s recent translated tweets. Today he said this ... "I don't believe secrets can be kept under totalitarianism. Openness is a principle as well as the sharpest implement".

Maybe he's been reading this thread.

Here in the "open" West, we might not have state suppression of the media but who needs it when we have arts journalists with neither the wit nor desire to investigate or question the press releases they're spoonfed by attention hungry individuals?

Opens a whole can of worms if one should break ranks doesn't it? How exactly was an artist who sub-contracts out most of his work to poorly paid craftsmen able to build such an artistic reputation so easily?

How is it that so many journalists asked so few questions or did so little meaningful research?

Did that reputation lead to public money being thrown at him for commissions?

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