Pick of the Proms 2010

What not to miss at this year’s concerts.

This year's BBC Proms, which run until 11 September, will pack the Royal Albert Hall in London with big names and even bigger orchestras. We've picked out some highlights, from blockbusters to quirkier chamber music and late night offerings.

Big stars, big sounds

Proms 6, 16, 27, 69: Complete Beethoven Piano Concertos
The young British pianist Paul Lewis is this year taking on the challenge of a Beethoven cycle -- performing all five of Beethoven's piano concertos in Prom concerts with different orchestras and conductors.

Prom 19: Sondheim at 80
With contributions from Bryn Terfel and Simon Russell Beale, this celebration of the Broadway innovator Stephen Sondheim's 80th birthday promises to be quite a party. Expect Sondheim hits from Sweeney Todd, Company and A Little Night Music.

Prom 52: Sydney Symphony Orchestra, Vladimir Ashkenazy
A chance to hear Ashkenazy's influence at work on his latest orchestra, the Sydney Symphony. With the ever-intelligent Hélène Grimaud as soloist, the programme includes Ravel's Piano Concerto in G major and music by Scriabin and Strauss.

Prom 56: Minnesota Orchestra, Osmo Vänskä
The opportunity to see Vänskä at the podium is lure enough. With his own Minnesota Orchestra and a charged programme of Shostakovich's Cello Concerto No 1 and Bruckner's "Romantic" Symphony, this is a beg, borrow or steal kind of concert.

Proms 65 and 66: Berlin Philharmonic, Sir Simon Rattle
In these two Proms, Rattle and the Berlin Phil show off their many colours. Music by Mahler and Beethoven leads on to the Second Viennese School of Berg and Webern. Most intoxicating of all, however, is the prospect of Karita Mattila as swooning soloist in Strauss's Four Last Songs.

Prom 75: Monteverdi Vespers 1610
Celebrating its 400th anniversary this year, Monteverdi's masterwork has already had performances across the country. Directed by John Eliot Gardiner, this rendition by the Monteverdi Choir promises to be up there with the very best.

Prom 76: Last Night of the Proms
You know the drill: flag-waving, audience singing and strange outfits frame a musical celebration of national pride. See Renée Flemming make her debut as the Last Night soloist and hear the world premiere of a new work by Jonathan Dove.

Something a little different

Chamber Music Prom 6: Stile Antico
The young British vocal ensemble Stile Antico presents a gorgeous programme of Renaissance music inspired by the sensuous imagery of the Song of Songs.

Prom 7: Chopin Nocturnes
Celebrate the 200th anniversary of Chopin's birth with this intimate late-night Prom. The Portuguese pianist Maria João Pires performs a selection of the composer's Nocturnes.

Prom 42: Premiere, Huw Watkins, Violin Concerto
Huw Watkins's concerto is premiered by his regular collaborator Alina Ibragimova in a programme that also features music by Britten, Pärt and Shostakovich.

Prom 43: Arvo Pärt, St John Passion
Pärt's meditative take on the St John Passion makes a fascinating contrast to Bach's treatment. Performed by the BBC Singers under David Hill.

Prom 67: Last Night of the Proms 1910
For the first time in Proms history, we have not one, but two Last Nights. The first, a homage to the Proms founder, Henry Wood, is a re-creation of the 1910 event, complete with, well, none of the "traditional" music. It turns out that "Land of Hope and Glory" and "Jerusalem" were added in the 1950s. Hear music by Wagner, Beethoven and Edward German instead.

Alexandra Coghlan is the New Statesman's classical music critic.

All photos: BBC
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“You’re a big corporate man” The Apprentice 2015 blog: series 11, episode 8

The candidates upset some children.

WARNING: This blog is for people watching The Apprentice. Contains spoilers!

Read up on episode 7 here.

“I don’t have children and I don’t like them,” warns Selina.

An apt starting pistol for the candidates – usually so shielded from the spontaneity, joy and hope of youth by their childproof polyester uniforms – to organise children’s parties. Apparently that’s a thing now. Getting strangers in suits to organise your child’s birthday party. Outsourcing love. G4S Laser Quest. Abellio go-carting. Serco wendy houses.

Gary the supermarket stooge is project manager of team Versatile again, and Selina the child hater takes charge of team Connexus. They are each made to speak to an unhappy-looking child about the compromised fun they will be able to supply for an extortionate fee on their special days.

“So are you into like hair products and make-up?” Selina spouts at her client, who isn’t.

“Yeah, fantastic,” is Gary’s rather enthusiastic response to the mother of his client’s warning that she has a severe nut allergy.

Little Jamal is taken with his friends on an outdoor activity day by Gary’s team. This consists of wearing harnesses, standing in a line, and listening to a perpetual health and safety drill from fun young David. “Slow down, please, don’t move anywhere,” he cries, like a sad elf attempting to direct a fire drill. “Some people do call me Gary the Giraffe,” adds Gary, in a gloomy tone of voice that suggests the next half of his sentence will be, “because my tongue is black with decay”.

Selina’s team has more trouble organising Nicole’s party because they forgot to ask for her contact details. “Were we supposed to get her number or something?” asks Selina.

“Do you have the Yellow Pages?” replies Vana. Which is The Apprentice answer for everything. Smartphones are only to be used to put on loudspeaker and shout down in a frenzy.

Eventually, they get in touch, and take Nicole and pals to a sports centre in east London. I know! Sporty! And female! Bloody hell, someone organise a quaint afternoon tea for her and shower her with glitter to make her normal. Quick! Selina actually does this, cutting to a clip of Vana and Richard resentfully erecting macaroons. Selina also insists on glitter to decorate party bags full of the most gendered, pointless tat seed capital can buy.

“You’re breaking my heart,” whines Richard the Austerity Chancellor when he’s told each party bag will cost £10. “What are we putting in there – diamond rings?” Just a warning to all you ladies out there – if Richard proposes, don’t say yes.

They bundle Nicole and friends into a pink bus, for the section of her party themed around the Labour party’s failed general election campaign, and Brett valiantly screeches Hit Me Baby One More Time down the microphone to keep them entertained.

Meanwhile on the other team, Gary is quietly demonstrating glowsticks to some bored 11-year-old boys. “David, we need to get the atmosphere going,” he warns. “Ermmmmm,” says David, before misquoting the Hokey Cokey out of sheer stress.

Charleine is organising a birthday cake for Jamal. “May contain nuts,” she smiles, proudly. “Well done, Charleine, good job,” says Joseph. Not even sarcastically.

Jamal’s mother is isolated from the party and sits on a faraway bench, observing her beloved son’s birthday celebrations from a safe distance, while the team attempts to work out if there are nuts in the birthday cake.

Richard has his own culinary woes at Nicole’s party, managing both to burn and undercook burgers for the stingy barbecue he’s insisted on overriding the afternoon tea. Vana runs around helping him and picking up the pieces like a junior chef with an incompetent Gordon Ramsay. “Vana is his slave,” comments Claude, who clearly remains unsure of how to insult the candidates and must draw on his dangerously rose-tinted view of the history of oppression.

Versatile – the team that laid on some glowstick banter and a melted inky mess of iron-on photo transfers on t-shirts for Jamal and his bored friends – unsurprisingly loses. This leads to some vintage Apprentice-isms in The Bridge café, His Lordship's official caterer to losing candidates. “I don’t want to dance around a bush,” says one. “A lot of people are going to point the finger at myself,” says another’s self.

In an UNPRECEDENTED move, Lord Sugar decides to keep all four losing team members in the boardroom. He runs through how rubbish they all are. “Joseph, I do believe there has been some responsibility for you on this task.” And “David, I do believe that today you’ve got a lot to answer to.”

Lord Sugar, I do believe you’re dancing around a bush here. Who’s for the chop? It’s wee David, of course, the only nice one left.

But this doesn’t stop Sugar voicing his concern about the project manager. “I’m worried about you, Gary,” he says. “You’re a big corporate man.” Because if there’s any demographic in society for whom we should be worried, it’s them.

Candidates to watch:


Hanging on in there by his whiskers.


Far less verbose when he’s doing enforced karaoke.


She’ll ruin your party.

I'll be blogging The Apprentice each week. Click here for the previous episode blog. The Apprentice airs weekly at 9pm, Wednesday night on BBC One.

Anoosh Chakelian is deputy web editor at the New Statesman.