Artist anonymous

Nick Cave, soundtrack-maker

The forthcoming film adaptation of Cormac McCarthy's post-apocalyptic novel The Road is the third proper movie for which Nick Cave has composed an entire soundtrack (working with his fellow Bad Seed/Grinderman, Warren Ellis. (As well as The Proposition (2005) and The Assassination of Jesse James by the Coward Robert Ford (2007), Cave and Ellis have also scored two relatively obscure documentaries, The English Surgeon and The Girls of Phnom Penh , released in 2007 and 2009 respectively. A selection of their soundtrack work, White Lunar, was released on Mute in September of this year. As Pitchfork put it in their review, "it's good to have it all in one place."

That record (and, indeed, Cave's excellent second novel,published earlier this year) offers yet more evidence for something the New Statesman's film critic, Ryan Gilbey, was arguing back in March of 2006: "The diversity of this singer-songwriter-actor-novelist-poet is almost unprecedented in the music industry. Dylan's memoirs were sparkling, Captain Beefheart can paint and Tom Waits is a wonderfully minimalist actor. But few performers spread themselves across so many media without spreading themselves thin. Cave is different."

Cave's work on The Road represents, I think, more than just another addition to an ever-expanding body of work: it amounts to a real breakthrough. Having seen the film last week, I can testify that for possibly the first time ever, Cave has succeeded in making his contribution to a project almost entirely anonymous. There is no unnecessarily-distracting cameo here (see the saloon singer in The Assassination of Jesse James by the Coward Robert Ford); no barely-disguised manifestation of Cave himself (see Bunny Munro in The Death of Bunny Munro); no multi-disciplinary contribution (Cave didn't just soundtrack The Proposition, he wrote it). Just a simple, relatively sparse score, that didn't receive a single mention in the 26 pages of production notes I was handed.

And said soundtrack is, in fact, itself relatively anonymous. Melting in and out of scenes, it is only explicitly present when accompanying monologues (lifted, I should add, directly from McCarthy's text). And even then, it is Ellis's violin, and not Cave's piano, that takes centre-stage (the opposite was the case with Jesse James) -- indeed, Cave's contribution to the film is limited to an array of elegantly arranged arpeggios. As Geoffrey MacNab rather crudely put it in his Independent review of The Road, "the music . . . is likewise understated. We don't hear Cave wailing out Murder Ballads."

This all sounds like an extremely backhanded compliment. It's not. In many ways, Cave's slightly megalomaniacal approach to creativity represented the only remaining ground for criticising his work (Bad Seeds purists have been known to bemoan the absolute control Cave took of songwriting responsibilities after 1994's Let Love In). The Road proves that the man really can do anything -- even, that is, take a back-seat.

 

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Casting the Brexit movie that is definitely real and will totally happen

Details are yet unclear as to whether The Bad Boys of Brexit will be gracing our screens, or just Farage's vivid imagination.

Hollywood is planning to take on the farcical antics of Nigel Farage et al during the UK referendum, according to rumours (some suspect planted by a starstruck Brexiteer). 

Details are yet unclear as to whether The Bad Boys of Brexit will be gracing our big or small screens, a DVD, or just Farage's vivid imagination, but either way here are our picks for casting the Hollywood adaptation.

Nigel Farage: Jim Carrey

The 2018 return of Alan Partridge as "the voice of hard Brexit" makes Steve Coogan the obvious choice. Yet Carrey's portrayal of the laughable yet pure evil Count Olaf in A Series of Unfortunate Events makes him a serious contender for this role. 

Boris Johnson: Gerard Depardieu

Stick a blonde wig on him and the French acting royalty is almost the spitting image of our own European aristocrat. He has also evidently already mastered the look of pure shock necessary for the final scene of the movie - in which the Leave campaign is victorious.

Arron Banks: Ricky Gervais

Ricky Gervais not only resembles Ukip donor Arron Banks, but has a signature shifty face perfect for the scene where the other Brexiteers ask him what is the actual plan. 

Gerry Gunster: Anthony Lapaglia

The Bad Boys of Brexit will reportedly be told from the perspective of the US strategist turned Brexit referendum expert Gerry Gunster. Thanks to recurring roles in both the comedy stalwart Frasier, and the US crime drama Without a Trace, Anthony Lapaglia is versatile enough to do funny as well as serious, a perfect mix for a story that lurches from tragedy to farce. Also, they have the same cunning eyes.

Douglas Carswell: Mark Gatiss

The resemblance is uncanny.

David Cameron: Andrew Scott

Andrew Scott is widely known for his portrayal of Moriarty in Sherlock, where he indulges in elaborate, but nationally destructive strategy games. The actor also excels in a look of misplaced confidence that David Cameron wore all the way up to the referendum. Not to mention, his forehead is just as shiny. He'll have to drink a lot of Bollinger to gain that Cameron-esque puppy fat though. 

Kate Hoey: Judi Dench

Although this casting would ruin the image of the much beloved national treasure that is Judi Dench, if anyone can pull off being the face of Labour Leave, the incredible actress can.