BBC Television Centre: the fairness was what made the magic

At BBC TV Centre everyone was equal - equally lost, that is.

No doubt the encomiums for BBC Television Centre will gush forth from the Great and Good over the next day or two. And no doubt for most non-media types the outpouring of grief will be completely inexplicable. Why churn out thousands of words over the loss of a hunk of bricks and mortar - and an ugly one at that? 

Well. I'm no television grandee, nor am I a celebrity who presided over the studios. I'm just some bloke, who worked there every now and again. And actually, I think that's quite important.

As a child growing up in the sticks, I remember the opening credits of Wogan's chat show, "Live from Shepherd's Bush"; the opening picture of TVC, perhaps illuminated by searchlights, as if The Shepherd's Bush was a huge donut-shaped slab, there simply to accommodate Terry and his immaculately-coiffured hair. I remember the mischievous insurgent Kenny Everett attempting to scale the side of Terry's fortress, though I can't remember the context for this sketch. And I remember, of course, all those intriguing little occasions when the shroud would be ripped away - Children In Need skits where the cameras would pan out of the studio and follow our stars down the corridors. And I remember, of course, the Blue Peter garden.

And from that distance at that age, The Shepherd's Bush seemed a mysterious magic factory. And then I remember finally visiting the place as a young teen because the Record Breakers host Kris Akabusi had for some reason invited some kids from our school, and he took us to the Blue Peter garden, which I'd assumed was a sort of rolling, verdant Capability Brown job at the back of The Shepherd's Bush but was in fact a tiny allotment behind a studio made to look an awful lot bigger by deft camera work, and I remember thinking: "Is that it?" 

And to cap it off I was then in the audience for Record Breakers (Shrove Tuesday edition) and Mr Akabusi said, "I'm in the biggest room of tossers the world has ever seen" and the camera swung on to my 14-year-old face but not the frying pan and pancake I was holding, thus failing to provide a vital piece of context, and I believe my mother still has the VHS of this.

The whole place was underwhelming. It just seemed like a grubby collection of corridors conjoining some similarly shabby studios. The only bits that appeared in any way tidy were the bits you actually saw on the TV. The News At Nine 'O' Clock desk was immaculate. The studio around it looked like Miss Haversham's living room after she'd been dead for a couple of years. 

And then a strange perception hit me, as I was watching the TV some days later. Yes - that is it - and isn't that rather magical in itself? All these fantastic programmes you're watching - they're being churned out by some rather panicked fellow humans, tripping over each other and swearing, in a building reminiscent of your local A&E ward. 

Everything about the building is stupid, and no doubt our right wing commentators who love to lay into the institution would see much that's telling (on this subject, I always feel those who moan about left-wing bias have never worked here, where everything is chaotic, last minute - the very notion the corporation is organised enough to insert systematic prejudice into its reports is hard to swallow).

There's a fantastic gift shop full of hard-to-acquire DVDs and tapes, but for some reason they've dumped it in the middle of the building so the only people likely to go there on any given day are staff and a few people on walking tours. No one gets to use it, and that's fair. Every room looks the same (which is fair), and they're all laid out on pretty similar corridors (which is fair), which means when you work there for the first time you'll spend half your working week trying to find the way back from the toilet. And then you notice half the people walking past you have a sort of concerned look on their face, not wishing to give away the fact they're also entirely lost and ten minutes late for a meeting. Fair.

The catering is pretty terrible but if it's any consolation, Bruce Forsyth is probably eating the same crappy sandwich you are. The wrap party for one show I was working on had a load of cheap booze, which ran out at about 9.30pm. Fortunately, I was able to pinch a load more from the party a few doors down from me. It turns out the Eggheads (I think it was, anyway), didn't need quite as many beers as the show full of hellraising celebs. But they got the same amount, because that's fair. 

I got my parents a pass to see the show on which I was working. My mum popped to the loo. As she passed him in the corridor, Lord Sugar held a door for her, after which she talked about him for two weeks running. The place is emphatically state-funded, egalitarian, and it's fair, fair, fair. Call me a handwringing, socialist blowhard, but in this instance I think that's part of the magic.

You go into the centre of the Donut for a fag and to think about life. Standing opposite you is a famous actor or comedian, also having a fag and thinking about life. Then some woman in Strictly Come Dancing, replete with ballgown, joins you both. And for a moment, you want to remark on this slightly surreal situation, but you don't, because what's so odd about three humans having a fag and a think about life?

Later on, I write a book, and the BBC gets me on every now and again to talk about it. At one point they phone me on a Saturday after I've been in the pub for four hours and ask me to go on Newsnight, which I do, somewhat rat arsed, talking about a subject about which I have absolutely no idea. But it doesn't matter, not really, because nothing really works in this building, least of all me, and we sort of muddle through without too many disasters, and even though I've not exactly covered myself in glory and I'm pretty sure Stephanie Flanders has clocked that I'm hammered and directed her questions away from me before I pull my Christmas jumper off, tie it round my head and start singing Jerusalem, the media savvy, smooth Paddick, the militant Claire Soloman and I are all treated politely and are deferentially escorted back through the shabby to our taxis home, because that's fair.  

And all this is just the experiences of some bloke who spent a bit of time there. If you want more, then find yourself an evening to watch this.

 

BBC Television Centre in London. Photograph: Getty Images

Alan White's work has appeared in the Observer, Times, Private Eye, The National and the TLS. As John Heale, he is the author of One Blood: Inside Britain's Gang Culture.

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Why Theresa May can't end speculation of an early general election

Both Conservative and Labour MPs regard a contest next year as the solution to their problems. 

One of Theresa May’s first acts as a Conservative leadership candidate was to rule out an early general election. After a tumultuous 2015 contest and the EU referendum, her view was that the country required a period of stability (a view shared by voters). Many newly-elected Tory MPs, fearful of a Brexit-inspired Ukip or Liberal Democrat surge, supported her on this condition.

After entering Downing Street, May reaffirmed her stance. “The Prime Minister could not have been clearer,” a senior source told me. “There won’t be an early election.” Maintaining this pledge is an important part of May’s straight-talking image.

But though No.10 has wisely avoided publicly contemplating an election (unlike Gordon Brown), the question refuses to die. The Conservatives have a majority of just 12 - the smallest of any single-party government since 1974 - and, as David Cameron found, legislative defeats almost inevitably follow. May’s vow to lift the ban on new grammar schools looks to many like an unachievable task. Former education secretary Nicky Morgan and former business minister Anna Soubry are among the Tories leading the charge against the measure (which did not feature in the 2015 Conservative manifesto).  

To this problem, an early election appears to be the solution. The Tories retain a substantial opinion poll lead over Labour, the most divided opposition in recent history. An election victory would give May the mandate for new policies that she presently lacks.

“I don’t believe Theresa May wishes to hold an early election which there is evidence that the country doesn’t want and which, given the current state of the Labour Party, might be seen as opportunistic,” Nigel Lawson told today’s Times“If, however, the government were to find that it couldn’t get its legislation through the House of Commons, then a wholly new situation would arise.”

It is not only Conservatives who are keeping the possibility of an early election alive. Many Labour MPs are pleading for one in the belief that it would end Jeremy Corbyn’s leadership. An early contest would also pre-empt the boundary changes planned in 2018, which are forecast to cost the party 23 seats.

For Corbyn, the possibility of an election is a vital means of disciplining MPs. Allies also hope that the failed revolt against his leadership, which Labour members blame for the party’s unpopularity, would allow him to remain leader even if defeated.

Unlike her predecessors, May faces the obstacle of the Fixed-Term Parliaments Act (under which the next election will be on 7 May 2020). Yet it is not an insurmountable one. The legislation can be suspended with the backing of two-thirds of MPs, or through a vote of no confidence in the government. Alternatively, the act could simply be repealed or amended. Labour and the Liberal Democrats, who have demanded an early election, would struggle to resist May if she called their bluff.

To many, it simply looks like an offer too good to refuse. Which is why, however hard May swats this fly, it will keep coming back. 

George Eaton is political editor of the New Statesman.