BBC Television Centre: the fairness was what made the magic

At BBC TV Centre everyone was equal - equally lost, that is.

No doubt the encomiums for BBC Television Centre will gush forth from the Great and Good over the next day or two. And no doubt for most non-media types the outpouring of grief will be completely inexplicable. Why churn out thousands of words over the loss of a hunk of bricks and mortar - and an ugly one at that? 

Well. I'm no television grandee, nor am I a celebrity who presided over the studios. I'm just some bloke, who worked there every now and again. And actually, I think that's quite important.

As a child growing up in the sticks, I remember the opening credits of Wogan's chat show, "Live from Shepherd's Bush"; the opening picture of TVC, perhaps illuminated by searchlights, as if The Shepherd's Bush was a huge donut-shaped slab, there simply to accommodate Terry and his immaculately-coiffured hair. I remember the mischievous insurgent Kenny Everett attempting to scale the side of Terry's fortress, though I can't remember the context for this sketch. And I remember, of course, all those intriguing little occasions when the shroud would be ripped away - Children In Need skits where the cameras would pan out of the studio and follow our stars down the corridors. And I remember, of course, the Blue Peter garden.

And from that distance at that age, The Shepherd's Bush seemed a mysterious magic factory. And then I remember finally visiting the place as a young teen because the Record Breakers host Kris Akabusi had for some reason invited some kids from our school, and he took us to the Blue Peter garden, which I'd assumed was a sort of rolling, verdant Capability Brown job at the back of The Shepherd's Bush but was in fact a tiny allotment behind a studio made to look an awful lot bigger by deft camera work, and I remember thinking: "Is that it?" 

And to cap it off I was then in the audience for Record Breakers (Shrove Tuesday edition) and Mr Akabusi said, "I'm in the biggest room of tossers the world has ever seen" and the camera swung on to my 14-year-old face but not the frying pan and pancake I was holding, thus failing to provide a vital piece of context, and I believe my mother still has the VHS of this.

The whole place was underwhelming. It just seemed like a grubby collection of corridors conjoining some similarly shabby studios. The only bits that appeared in any way tidy were the bits you actually saw on the TV. The News At Nine 'O' Clock desk was immaculate. The studio around it looked like Miss Haversham's living room after she'd been dead for a couple of years. 

And then a strange perception hit me, as I was watching the TV some days later. Yes - that is it - and isn't that rather magical in itself? All these fantastic programmes you're watching - they're being churned out by some rather panicked fellow humans, tripping over each other and swearing, in a building reminiscent of your local A&E ward. 

Everything about the building is stupid, and no doubt our right wing commentators who love to lay into the institution would see much that's telling (on this subject, I always feel those who moan about left-wing bias have never worked here, where everything is chaotic, last minute - the very notion the corporation is organised enough to insert systematic prejudice into its reports is hard to swallow).

There's a fantastic gift shop full of hard-to-acquire DVDs and tapes, but for some reason they've dumped it in the middle of the building so the only people likely to go there on any given day are staff and a few people on walking tours. No one gets to use it, and that's fair. Every room looks the same (which is fair), and they're all laid out on pretty similar corridors (which is fair), which means when you work there for the first time you'll spend half your working week trying to find the way back from the toilet. And then you notice half the people walking past you have a sort of concerned look on their face, not wishing to give away the fact they're also entirely lost and ten minutes late for a meeting. Fair.

The catering is pretty terrible but if it's any consolation, Bruce Forsyth is probably eating the same crappy sandwich you are. The wrap party for one show I was working on had a load of cheap booze, which ran out at about 9.30pm. Fortunately, I was able to pinch a load more from the party a few doors down from me. It turns out the Eggheads (I think it was, anyway), didn't need quite as many beers as the show full of hellraising celebs. But they got the same amount, because that's fair. 

I got my parents a pass to see the show on which I was working. My mum popped to the loo. As she passed him in the corridor, Lord Sugar held a door for her, after which she talked about him for two weeks running. The place is emphatically state-funded, egalitarian, and it's fair, fair, fair. Call me a handwringing, socialist blowhard, but in this instance I think that's part of the magic.

You go into the centre of the Donut for a fag and to think about life. Standing opposite you is a famous actor or comedian, also having a fag and thinking about life. Then some woman in Strictly Come Dancing, replete with ballgown, joins you both. And for a moment, you want to remark on this slightly surreal situation, but you don't, because what's so odd about three humans having a fag and a think about life?

Later on, I write a book, and the BBC gets me on every now and again to talk about it. At one point they phone me on a Saturday after I've been in the pub for four hours and ask me to go on Newsnight, which I do, somewhat rat arsed, talking about a subject about which I have absolutely no idea. But it doesn't matter, not really, because nothing really works in this building, least of all me, and we sort of muddle through without too many disasters, and even though I've not exactly covered myself in glory and I'm pretty sure Stephanie Flanders has clocked that I'm hammered and directed her questions away from me before I pull my Christmas jumper off, tie it round my head and start singing Jerusalem, the media savvy, smooth Paddick, the militant Claire Soloman and I are all treated politely and are deferentially escorted back through the shabby to our taxis home, because that's fair.  

And all this is just the experiences of some bloke who spent a bit of time there. If you want more, then find yourself an evening to watch this.

 

BBC Television Centre in London. Photograph: Getty Images

Alan White's work has appeared in the Observer, Times, Private Eye, The National and the TLS. As John Heale, he is the author of One Blood: Inside Britain's Gang Culture.

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BHS is Theresa May’s big chance to reform capitalism – she’d better take it

Almost everyone is disgusted by the tale of BHS. 

Back in 2013, Theresa May gave a speech that might yet prove significant. In it, she declared: “Believing in free markets doesn’t mean we believe that anything goes.”

Capitalism wasn’t perfect, she continued: 

“Where it’s manifestly failing, where it’s losing public support, where it’s not helping to provide opportunity for all, we have to reform it.”

Three years on and just days into her premiership, May has the chance to be a reformist, thanks to one hell of an example of failing capitalism – BHS. 

The report from the Work and Pensions select committee was damning. Philip Green, the business tycoon, bought BHS and took more out than he put in. In a difficult environment, and without new investment, it began to bleed money. Green’s prize became a liability, and by 2014 he was desperate to get rid of it. He found a willing buyer, Paul Sutton, but the buyer had previously been convicted of fraud. So he sold it to Sutton’s former driver instead, for a quid. Yes, you read that right. He sold it to a crook’s driver for a quid.

This might all sound like a ludicrous but entertaining deal, if it wasn’t for the thousands of hapless BHS workers involved. One year later, the business collapsed, along with their job prospects. Not only that, but Green’s lack of attention to the pension fund meant their dreams of a comfortable retirement were now in jeopardy. 

The report called BHS “the unacceptable face of capitalism”. It concluded: 

"The truth is that a large proportion of those who have got rich or richer off the back of BHS are to blame. Sir Philip Green, Dominic Chappell and their respective directors, advisers and hangers-on are all culpable. 

“The tragedy is that those who have lost out are the ordinary employees and pensioners.”

May appears to agree. Her spokeswoman told journalists the PM would “look carefully” at policies to tackle “corporate irresponsibility”. 

She should take the opportunity.

Attempts to reshape capitalism are almost always blunted in practice. Corporations can make threats of their own. Think of Google’s sweetheart tax deals, banks’ excessive pay. Each time politicians tried to clamp down, there were threats of moving overseas. If the economy weakens in response to Brexit, the power to call the shots should tip more towards these companies. 

But this time, there will be few defenders of the BHS approach.

Firstly, the report's revelations about corporate governance damage many well-known brands, which are tarnished by association. Financial services firms will be just as keen as the public to avoid another BHS. Simon Walker, director general of the Institute of Directors, said that the circumstances of the collapse of BHS were “a blight on the reputation of British business”.

Secondly, the pensions issue will not go away. Neglected by Green until it was too late, the £571m hole in the BHS pension finances is extreme. But Tom McPhail from pensions firm Hargreaves Lansdown has warned there are thousands of other defined benefit schemes struggling with deficits. In the light of BHS, May has an opportunity to take an otherwise dusty issue – protections for workplace pensions - and place it top of the agenda. 

Thirdly, the BHS scandal is wreathed in the kind of opaque company structures loathed by voters on the left and right alike. The report found the Green family used private, offshore companies to direct the flow of money away from BHS, which made it in turn hard to investigate. The report stated: “These arrangements were designed to reduce tax bills. They have also had the effect of reducing levels of corporate transparency.”

BHS may have failed as a company, but its demise has succeeded in uniting the left and right. Trade unionists want more protection for workers; City boys are worried about their reputation; patriots mourn the death of a proud British company. May has a mandate to clean up capitalism - she should seize it.