Turner Prize announces its 2012 shortlist

This year's shortlist encompasses a mixture of art forms.

It's that time of year again: the shortlist for the Turner Prize has been announced. Spartacus Chetwynd, Luke Fowler, Paul Noble and Elizabeth Price have all been shortlisted for the award.

The Turner Prize was founded in 1984. The winner, chosen from a group of British artists under the age of 50 who has contributed significantly to the British contemporary art scene, is awarded £25,000, while the other three shortlisted each receive £5,000. 

Last year, the award was won by the Scottish sculptor Martin Boyce for his installation Do words have voices. The award ceremony, held at the Baltic Centre for Contemporary Art in Gateshead, was interrupted by the international streaker Mark Roberts who was hired by the artist Benedikt Dichgans. 

So what of the artists on this year's shortlist?

Spartacus Chetwynd

Lali Chetwynd was born and bred in London and changed her name to Spartacus - in a tribute to the Roman gladiator - in 2006. The 38-year-old is best known for her work as a performance artist, having created theatre which blurs the boundaries between performer and spectator. She encompasses a variety of art forms into her work and designs and makes the costumes and sets for her theatre. 

Chetwynd is nominated for her solo "exhibition" Odd Man Out which was at Sadie Coles HQ in London last year. Her work consisted of a five-hour theatre performance using puppetry and exploring the themes of democracy, political disengagement and the right and responsibility of voting. 

Luke Fowler

Glaswegian Luke Fowler focuses on film making. The 34-year-old has made a series of films looking at public figures who he is particularly fascinated by. He made a trilogy of films about the life of psychiatrist RD Laing, the third of which, All Divided Selves, premiered at Inverleith House in Edinburgh last year. In 2006 he released the film Pilgrimage from Scattered Points about the Scottish composer Cornelius Cardew. Both men are seen to be on the fringes of society.

Fowler is nominated for his work exhibited at Inverleith House, including the film All Divided Selves, 50 new photographs in his Two Frames photo series, and the installation Ridges on a Horizontal Plane.

Paul Noble

Paul Noble, who was born in Northumberland, now lives and works in London and is one of the five founding members of the influential artists' space, City Racing. The 38-year-old is best known for his depictions of the fictional dystopian metropolis Nobson Newton, which he has worked on for the past 16 years.

Noble is nominated for the continuation of his Nobson Newton drawings, exhibited at the Gagosian Gallery in London. The exhibition included his centrepiece, a seven-metre wide drawing across 20 sheets of paper which took him four years to create. The settlements he depicts are famous for resembling human turds.

Elizabeth Price

45-year-old Elizabeth Price encorporates moving image, text and music in her work. Her films focus on still objects and explore our relationsip with materialism. Price, who is originally from Bradford but now lives in London, is famous for her film West Hinder 2012, which was inspired by the sinking of a cargo ship in 2002 with nearly 3,000 luxury cars on board. The soundtrack to the film consisted of technical vocabulary from the cars' instruction manuals and marketing information.

Price, who used to be in the 1980s pop group Talulah Gosh, is nominated for her trilogy of installations at the BALTIC Centre for Contemporary Art in Gateshead.

The winner of the Turner Prize 2012 will be announced on 3 December 2012 at Tate Britain.

A still from Luke Fowler's film All Divided Selves. Photo by The Modern Institute/Tony Webster Ltd
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The Met Gala 2016: the dull, the terrifying and the brilliantly odd

The Met Ball is, to paraphrase Mean Girls, the one night a year when celebs can dress like total freaks and no one can say anything about it.

For those unfamiliar with the Met Gala, it’s basically a cross between a glossy red carpet affair and a fancy dress party: the themed prom of your dreams. Hosted by Vogue at the Metropolitan Museum of Art, it is, to paraphrase Mean Girls, the one night a year when celebs can dress like total freaks and no one can say anything about it. Each year there is a theme to match the The Costume Institute’s spring exhibition – the only rules are stick with it, be bizarre, outlandish and remember that there’s no such thing as over the top.

This year’s theme was Manus x Machina: Fashion In An Age Of Technology. A man-meets-machine theme surely offers a world of endless possibilities: suits that move by themselves! Colour-changing gowns! Holographic ties! Levitating shoes! Floppy disk trains!

Or everybody could just come in silver, I guess.

The cardinal offence of the Met Ball is to be boring, and this year, almost nobody was free from sin. As Miranda Priestly would say: “Metallics for a technology theme? Groundbreaking.” Cindy Crawford, Kylie Jenner and Kim Kardashian (both in Balmain, like always), Rita Ora and Taylor Momsen (wait, I mean Swift) all need to take along hard look at themselves.

The only thing worse than “I’ll just shove something shiny on” is “Mmmmm guess I’ll ignore the theme altogether and make sure I look nice”. Flagrant disobedience never looked so miserably bland. In this category: Amber Heard, Rosie Huntington-Whiteley, Uma Thurman, everyone in Topshop, and literally ALL THE MEN. I mean, Tom Hiddleston could be any human male at a posh event from 1858-now.

In contrast, plus points for arbitrary weirdness go to Sarah Jessica Parker for coming as some sort of virginial pirate, Lorde for her directional arm cast, Zayn for his directional arm plates, Katy Perry for her noble ensemble reminding us all of the importance of tech security (keep it under lock and key, folks!), Lady Gaga for coming as a sexy microchip, and will.i.am for… whatever that is.

The best theme interpretations in my mind go to Allison Williams for her actually beautiful 3D-printed gown, Emma Watson for her outfit made entirely out of recycled bottles, Claire Danes for coming as a Disney light-up princess doll, FKA Twigs for dressing as a dystopian leader from the future, and Orlando Bloom for coming in a boring normal suit and just pinning an actual tamagotchi on his lapel. Baller move.

The  best outfits of all were even weirder. Beyoncé couldn’t be outdone in this dress, seemingly made out of the skin of her husband’s mistress: as she warned us she would do on Lemonade, with the lyric “If it’s what you truly want, I can wear her skin over mine.” Of course this peach PVC number is also studded with pearls reportedly worth around $8,000 each.

Solange shone like the sun in this bright yellow structural creature (paired with some slick yellow leggings that nod to her sister’s outfit) proving yet again that she is the only woman on earth who can pull off looking like a cubist painting.

Kanye was possibly the only person to have ever worn ripped jeans to a fashion event hosted by Anna Wintour and the Met, studding a jean jacket to oblivion, and wearing pale blue contacts to boot - he and FKA Twigs could lead the dystopian future together. When asked about his icy eyes, Kanye simply replied, “Vibes.”

But my personal favourite of the night has to be Lupita Nyong’o, who, radiant as ever, wins points for being on theme in her afrofuturistic look and the technology behind her outfit (her dress is sustainably made by Calvin Klein for The Green Carpet Challenge). She looks absolutely stunning, and is as far from boring as it’s possible to be with two-foot-tall hair. Perfection.

All photos via Getty.

Anna Leszkiewicz is a pop culture writer at the New Statesman.