Putting the fun in fundamentalism

Ahead of packing up his bags in the wake of the Barack Obama victory, Jonn Elledge treats himself to

Imagine that Britain's favourite religious fundamentalist, Stephen Green, had, due to some catastrophic administrative error, become chief curator of the Natural History Museum.

Hold that in your mind, and you've got a pretty good mental image of the Creation Museum in Kentucky.

The museum's raison d'etre is to reconcile everything we know about prehistory - cave men, dinosaurs, fossil fuels et al - with the idea that God created the heavens and the Earth and the world is 6,000 years old.

To that end, the first thing you see on entering the museum is a tableau of animatronic cave kids playing happily with some dinosaurs.

The whole thing does a brilliant job of making fundamentalist religious dogma fun. No hellfire and brimstone here. Instead it's all tactile exhibits, bright and chatty films ("Ever wonder where canyons came from...?") and, outside, a petting zoo. I was happy to skip this part, if only because there's something distinctly sinister about two grown men wandering around a zoo on their own, but my photographer insisted, and promptly got spat on by a camel.

The museum proper begins with a series of nature exhibits, intended to highlight the wonder of god's creation. These follow a consistent pattern of fact, ambiguity, God. To whit: The world features an amazing variety of lifeforms; it's hard to understand how these all evolved in a just few billion years; ergo, God did it.

Then there's a room comparing Biblical and scientific thinking, another (warm, comforting) introducing you to scripture, and a third (dark, alienating) looking at the modern world. This is done up like an inner city crack alley, with the walls papered with secular newspaper headlines, and a scary booming voice that pipes up occasionally to give you some statistics on divorce or abortion or other modern evils.

The best bits of the exhibit, though, are left until last. For one thing, they've got a film of what the world being created in six days might actually have looked like.

Then come a succession of animatronic recreations of the book of Genesis, only with added dinosaurs. Here are Adam and Eve in the Garden of Eden, accompanied by lion, lamb, penguin and dinosaur. The dinosaur has huge teeth but, since the Bible says there was no flesh eating in Eden, it's a vegetarian. You can tell, because it's nibbling a pineapple.

Then comes Cain and Abel. This isn't very interesting, but does come with a helpful explanation for why incest was okay back then.

Then there's Noah, who bears a suspicious resemblance to Michael Palin. This section of the museum combines recreations of the story of the Flood with practical tips on how to build your own ark. (Use hard wood for nails, as they will expand when wet; place your door on the second floor, and use a wedge shape to make it watertight; if that fails, ask God for help. It really does say that.)

There's also a cutaway of the Ark, with dinosaurs, and a film of the flood overwhelming the world while people, quite understandably, look a bit scared. An extended version of this is available from the giftshop.

At the museum's end they ask you to sit through a 20 minute film about Jesus Christ, and tell you not to leave at the end. Afterwards, a man comes forward, hopes you learnt something and asks you to accept Christ into your life. All the way through this I felt he was staring right at me, and said as much. "But I suppose everyone feels like that," I added. "No, he really was staring right at you," replied my photographer.

To give it its dues, the Creation Museum does a great job of making scripture fun, and beats hands down any religious studies lesson I was ever put through. The right wing political dogma is kept to a minimum (there's a single line about marriage involving a man and a woman, and a few bits about abortion, but it's less than you get in the average Republican party pamphlet these days). Along the way, it offers explanations for how cavemen fit into the Bible (you try building a civilisation when suddenly you can't understand each other), and why the Earth looks like it does (the Flood did it).

But it also makes clear that Asking Questions Is Wrong, and shamelessly manipulates those with low self esteem (one voiceover asks, "If evolution means only the strongest and prettiest survive, what hope is there for me?").

Worst of all, it never does explain what happened to those bloody dinosaurs.

Jonn Elledge is the editor of the New Statesman's sister site CityMetric. He is on Twitter, far too much, as @JonnElledge.

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The Tinder dating app isn't just about sex – it's about friendship, too. And sex

The lines between sex, love and friendship are blurrier than ever, as I found out quickly while using the app.

The first time I met someone using Tinder, the free dating app that requires users to swipe left for “no” and right for “yes” before enabling new “matches” to chat, it was an unqualified success. I should probably qualify that. I was newly single after five years in a committed relationship and wasn’t looking for anything more than fun, friendship and, well, who knows. A few weeks earlier I had tried to give my number to a girl in a cinema café in Brixton. I wrote it on a postcard I’d been using as a bookmark. She said she had a boyfriend, but wanted to keep the postcard. I had no date and I lost my page.

My Tinder date was a master’s student from Valencia called Anna (her name wasn’t really Anna, of course, I’m not a sociopath). When I arrived at the appointed meeting place, she told me I was far more handsome IRL (“in real life”) than my pictures suggested. I was flattered and full of praise for the directness of continental Europeans but also thought sadly to myself: “If only the same could be said about you.”

Anna and I became friends, at least for a while. The date wasn’t a success in the traditional sense of leading us into a contract based on exclusivity, an accumulating cache of resentments and a mortgage, but it had put me back in the game (an appropriate metaphor – people speak regularly of “playing” with the app).

According to Sean Rad, the co-founder who launched Tinder in late 2012, the service was invented for people like me. “It was really a way to overcome my own problems,” he told the editor of Cosmopolitan at an event in London last month. “It was weird to me, to start a conversation [with a stranger]. Once I had an introduction I was fine, but it’s that first step. It’s difficult for a lot of people.” After just one outing, I’d learned two fundamental lessons about the world of online dating: pretty much everyone has at least one decent picture of themselves, and meeting women using a so-called hook-up app is seldom straightforwardly about sex.

Although sometimes it is. My second Tinder date took place in Vienna. I met Louisa (ditto, name) outside some notable church or other one evening while visiting on holiday (Tinder tourism being, in my view, a far more compelling way to get to know a place than a cumbersome Lonely Planet guide). We drank cocktails by the Danube and rambled across the city before making the romantic decision to stay awake all night, as she had to leave early the next day to go hiking with friends. It was just like the Richard Linklater movie Before Sunrise – something I said out loud more than a few times as the Aperol Spritzes took their toll.

When we met up in London a few months later, Louisa and I decided to skip the second part of Linklater’s beautiful triptych and fast-track our relationship straight to the third, Before Midnight, which takes place 18 years after the protagonists’ first meet in Vienna, and have begun to discover that they hate each others’ guts.

Which is one of the many hazards of the swiping life: unlike with older, web-based platforms such as Match.com or OkCupid, which require a substantial written profile, Tinder users know relatively little about their prospective mates. All that’s necessary is a Facebook account and a single photograph. University, occupation, a short bio and mutual Facebook “likes” are optional (my bio is made up entirely of emojis: the pizza slice, the dancing lady, the stack of books).

Worse still, you will see people you know on Tinder – that includes colleagues, neighbours and exes – and they will see you. Far more people swipe out of boredom or curiosity than are ever likely to want to meet up, in part because swiping is so brain-corrosively addictive.

While the company is cagey about its user data, we know that Tinder has been downloaded over 100 million times and has produced upwards of 11 billion matches – though the number of people who have made contact will be far lower. It may sound like a lot but the Tinder user-base remains stuck at around the 50 million mark: a self-selecting coterie of mainly urban, reasonably affluent, generally white men and women, mostly aged between 18 and 34.

A new generation of apps – such as Hey! Vina and Skout – is seeking to capitalise on Tinder’s reputation as a portal for sleaze, a charge Sean Rad was keen to deny at the London event. Tinder is working on a new iteration, Tinder Social, for groups of friends who want to hang out with other groups on a night out, rather than dating. This makes sense for a relatively fresh business determined to keep on growing: more people are in relationships than out of them, after all.

After two years of using Tinder, off and on, last weekend I deleted the app. I had been visiting a friend in Sweden, and took it pretty badly when a Tinder date invited me to a terrible nightclub, only to take a few looks at me and bolt without even bothering to fabricate an excuse. But on the plane back to London the next day, a strange thing happened. Before takeoff, the woman sitting beside me started crying. I assumed something bad had happened but she explained that she was terrified of flying. Almost as terrified, it turned out, as I am. We wound up holding hands through a horrific patch of mid-air turbulence, exchanged anecdotes to distract ourselves and even, when we were safely in sight of the ground, a kiss.

She’s in my phone, but as a contact on Facebook rather than an avatar on a dating app. I’ll probably never see her again but who knows. People connect in strange new ways all the time. The lines between sex, love and friendship are blurrier than ever, but you can be sure that if you look closely at the lines, you’ll almost certainly notice the pixels.

Philip Maughan is Assistant Editor at the New Statesman.

This article first appeared in the 26 May 2016 issue of the New Statesman, The Brexit odd squad