A view of The Empire State Building in April 2013 (Photo: Michael Loccisano/Getty Images)
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Laurie Penny on everyday surveillance: Why I was afraid to take a picture in New York

Power is about who gets to do the watching and who has to put up with being watched.

If there’s something called a soul and it moves at walking pace, mine was hundreds of miles behind me a few nights ago as, sleepless, I took a stroll through Lower Manhattan. When they have things to forget, some people drink, some people take drugs, and others clear out their savings to pound the streets of a different city until the scale and pace of it makes them feel appropriately small.

New York’s financial district is a good place for this. At night, since Occupy Wall Street was cleared away, the streets are mostly empty, apart from all the ghosts, and the autumn air is moist and weird. Over everything looms One World Trade Center, recently completed. This past week, the artist Banksy wrote that the large, unremarkable edifice “clearly proclaims the terrorists have won. Those ten men have condemned us to live in a world more mediocre than the one they attacked.”

Not just those ten men. It will take years for the US and its notional allies to feel the chilling effect of the Edward Snowden revelations, detailing the extent of the US National Security Agency’s snooping on global communications data. Britain is complicit, and has no First Amendment to prevent the prime minister threatening newspapers with the prospect of court action if they don’t shut up about those NSA and GCHQ leaks. But it is still the US that is understood to be spying on the whole world.

What gives America the right to hoard all that information without consent? How can it justify doing so even as it hunts down anyone, such as the British hacker Lauri Love, who is suspected of trying to peek into its own systems to see who’s talking to whom? Power is about who gets to do the watching and who has to put up with being watched.

Viewed from Europe, the way that millions of citizens have had their data stored and Angela Merkel’s mobile phone has been tracked without permission looks like a monstrous invasion of national sovereignty. From here in New York, the entitlement is obvious: this is the heart of global capitalism, huge, beautiful and empty. Of course human rights come second to making sure that nobody thinks about attacking the United States ever again.

As I crossed the street in a light rain, a middle-aged couple walked ahead of me. It was too dark for the shadow of the new tower to fall over the street, but that’s how it felt and that’s what they were talking about – change and resurrection: “You know,” she said, “I still have a box of matches from Windows on the World. How much do you think they’d be worth now?”

Her companion thought about it. “Fifty cents,” he said. “This is New York.”

People in New York really do say, “This is New York,” as if they’re reminding themselves. I turned around to take a picture. I stood for a while trying to fit the intimidating scale of that dull glass-and-metal erection into the screen.

And then a curious thing happened. I stiffened and looked around. The couple had disappeared. I was alone on the street. Had anyone seen me take that picture? Was it even allowed? Did I look suspicious? Last time I checked, I was still white, which makes me significantly less likely to be hassled by any New York police officer. But just to be on the safe side, I posted the picture to my public Instagram site, with a cheeky message and a pretty filter. Smile! Nothing to hide. Anyone tracking my feed can see that I’m just an ordinary tourist, standing here being very impressed by your very impressive building.

The next day, over drinks with a security expert friend, I told him about my little attack of paranoia. That’s ridiculous, he said. That’s not the way the tracking gets done. What the NSA and GCHQ are interested in isn’t the content of your calls and emails, but the metadata –who you’re emailing, who you’re speaking to and for how long. Unless, of course, you’re a hacker or a head of state, in which case you might warrant a little more personal snooping. It takes far too long to process hard data.

Metadata is cheap to store.

Metadata. That’s what most people are, to the US government: part of the metadata, unless they are important or unlucky enough to merit special attention.

Before I came to New York, I didn’t really believe it existed. After I arrived, I knew for sure that it didn’t. It’s a city of a thousand film sets, a hundred thousand novels, plays, diary entries and feverish dreams. In the bookshops you can buy collections of essays by famous writers telling their own stories about coming to Manhattan, and all of them are true. The New York of legend is bigger and more brilliant than any real place could ever be, and everybody here is walking through the film set of their own life, imagining a city.

It has that in common with the rest of the enormous country it hangs off like a lifeboat: the idea of America is bigger than the hundreds of millions of actual Americans the country happens to be full of. People, going to work and falling in love and taking sleepless walks late at night, are just the metadata for that myth. It is a powerful and frightening myth, and the more powerful and frightening it becomes, the harder it gets to live inside it.

Laurie Penny is the contributing editor of the New Statesman

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

This article first appeared in the 30 October 2013 issue of the New Statesman, Should you bother to vote?

ILONA WELLMANN/MILLENNIUM IMAGES, UK
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How the internet has democratised pornography

With people now free to circumvent the big studios, different bodies, tastes and even pubic hair styles are being represented online.

Our opinions and tastes are influenced by the media we consume: that much is obvious. But although it’s easy to have that conversation if the medium we are discussing is “safe for work”, pornography carries so much stigma that we only engage with it on simple terms. Porn is either “good” or “bad”: a magical tool for ­empowerment or a destructive influence on society. Many “pro-porn” campaigners shy away from nuanced critique, fearing it could lead to censorship. “Anti-porn” campaigners, convinced that porn is harmful by definition, need look no further than the mainstream tube sites – essentially, aggregators of clips from elsewhere – to gather examples that will back them up.

When we talk about the influence of porn, the emphasis is usually on a particular type of video – hardcore sex scenes featuring mostly slim, pubic-hairless women and faceless men: porn made for men about women. This kind of porn is credited with everything from the pornification of pop music to changing what we actually do in bed. Last year the UK government released a policy note that suggested porn was responsible for a rise in the number of young people trying anal sex. Although the original researcher, Cicely Marston, pointed out that there was no clear link between the two, the note prompted a broad debate about the impact of porn. But in doing so, we have already lost – by accepting a definition of “porn” shaped less by our desires than by the dominant players in the industry.

On the day you read this, one single site, PornHub, will get somewhere between four and five million visits from within the UK. Millions more will visit YouPorn, Tube8, Redtube or similar sites. It’s clear that they’re influential. Perhaps less clear is that they are not unbiased aggregators: they don’t just reflect our tastes, they shape what we think and how we live. We can see this even in simple editorial decisions such as categorisation: PornHub offers 14 categories by default, including anal, threesome and milf (“mum I’d like to f***”), and then “For Women” as a separate category. So standard is it for mainstream sites to assume their audience is straight and male that “point of view” porn has become synonymous with “top-down view of a man getting a blow job”. Tropes that have entered everyday life – such as shaved pubic hair – abound here.

Alongside categories and tags, tube sites also decide what you see at the top of their results and on the home page. Hence the videos you see at the top tend towards escalation to get clicks: biggest gang bang ever. Dirtiest slut. Horniest milf. To find porn that doesn’t fit this mould you must go out of your way to search for it. Few people do, of course, so the clickbait gets promoted more frequently, and this in turn shapes what we click on next time. Is it any wonder we’ve ended up with such a narrow definition of porn? In reality, the front page of PornHub reflects our desires about as accurately as the Daily Mail “sidebar of shame” reflects Kim Kardashian.

Perhaps what we need is more competition? All the sites I have mentioned are owned by the same company – MindGeek. Besides porn tube sites, MindGeek has a stake in other adult websites and production companies: Brazzers, Digital Playground, Twistys, PornMD and many more. Even tube sites not owned by MindGeek, such as Xhamster, usually follow the same model: lots of free content, plus algorithms that chase page views aggressively, so tending towards hardcore clickbait.

Because porn is increasingly defined by these sites, steps taken to tackle its spread often end up doing the opposite of what was intended. For instance, the British government’s Digital Economy Bill aims to reduce the influence of porn on young people by forcing porn sites to age-verify users, but will in fact hand more power to large companies. The big players have the resources to implement age verification easily, and even to use legislation as a way to expand further into the market. MindGeek is already developing age-verification software that can be licensed to other websites; so it’s likely that, when the bill’s rules come in, small porn producers will either go out of business or be compelled to license software from the big players.

There are glimmers of hope for the ethical porn consumer. Tube sites may dominate search results, but the internet has also helped revolutionise porn production. Aspiring producers and performers no longer need a contract with a studio – all that’s required is a camera and a platform to distribute their work. That platform might be their own website, a dedicated cam site, or even something as simple as Snapchat.

This democratisation of porn has had positive effects. There’s more diversity of body shape, sexual taste and even pubic hair style on a cam site than on the home page of PornHub. Pleasure takes a more central role, too: one of the most popular “games” on the webcam site Chaturbate is for performers to hook up sex toys to the website, with users paying to try to give them an orgasm. Crucially, without a studio, performers can set their own boundaries.

Kelly Pierce, a performer who now works mostly on cam, told me that one of the main benefits of working independently is a sense of security. “As long as you put time in you know you are going to make money doing it,” she said. “You don’t spend your time searching for shoots, but actually working towards monetary gain.” She also has more freedom in her work: “You have nobody to answer to but yourself, and obviously your fans. Sometimes politics comes into play when you work for others than yourself.”

Cam sites are also big business, and the next logical step in the trickle-down of power is for performers to have their own distribution platforms. Unfortunately, no matter how well-meaning your indie porn project, the “Adult” label makes it most likely you’ll fail. Mainstream payment providers won’t work with adult businesses, and specialist providers take a huge cut of revenue. Major ad networks avoid porn, so the only advertising option is to sign up to an “adult” network, which is probably owned by a large porn company and will fill your site with bouncing-boob gifs and hot milfs “in your area”: exactly the kind of thing you’re trying to fight against. Those who are trying to take on the might of Big Porn need not just to change what we watch, but challenge what we think porn is, too.

The internet has given the porn industry a huge boost – cheaper production and distribution, the potential for more variety, and an influence that it would be ridiculous to ignore. But in our failure properly to analyse the industry, we are accepting a definition of porn that has been handed to us by the dominant players in the market.

Girl on the Net writes one of the UK’s most popular sex blogs: girlonthenet.com

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times