Ryan Gilbey is the New Statesman's film critic. He is also the author of It Don't Worry Me (Faber), about 1970s US cinema, and a study of Groundhog Day in the "Modern Classics" series (BFI Publishing). He was named reviewer of the year in the 2007 Press Gazette awards.
Greta Gerwig’s light touch avoids cliché and gives everything the smell of fresh laundry.
As well as being the first mainstream black superhero movie, it’s witty and includes plenty of leading women.
Refreshingly, the film doesn’t shy away from its characters’ unusual desires
The Loveless director combines philosophical ideas with daring political commentary.
In contrast to Anderson's last two fims, The Master and Inherent Vice, Phantom Thread grips like a leather-gloved hand around the throat.
Because this year's nominations are uncharacteristically fine.
The family-friendly movie has become the highest-grossing film of all time in Mexico.
The film-makers capturing Barack Obama’s last year in office were unprepared for a villain to turn up.
Beneath the little flecks of brain and bone, the Hallmark logo is unmistakable.
Responses to the unequal fee for reshoots on All the Money in the World show we're becoming less tolerant of the Hollywood pay gap.