To enjoy all the benefits of our website
This website uses cookies to help us give you the best experience when you visit our website. By continuing to use this website, you consent to our use of these cookies.
The NS Poem: Hineni.
A new poem by Craig Raine.
Dense with allusion and synecdoche, Rauschenberg's art work reveals an extraordinary “stream of unconsciousness”.
A new exhibition at Tate Liverpool reveals how Bacon constructed his striking faces.
“A cabbage white / bluster at the edge of sight.”
The wonder of Calder's work with wire, on display at the Tate, is that their beauty makes you laugh.
Goya’s sketched faces are haunting islands of humanity in a sea of guarded aristocrats.
I realise the purpose is to make me feel like a war criminal. Sorry, tweeters, I don’t.
Some think of the impressionists as the painterly equivalent of easy listening. Inventing Impressionism, themed around the collection of Paul Durand-Ruel, shows just how wrong they are.
A new Royal Academy of Arts exhibition makes Craig Raine yearn for the draughtsman rather than the dramatic.
